Essays by Paulo Herkenhoff and Louise Neri. Published by Lehmann Maupin Gallery, New YorkContinually reexamining and re-presenting Brazil's cultural history, Adriana Varejao constructs sculptural paintings that often take the fragmented or eviscerated human body as their subject. Extremely tactile and often saturated in blood-red hues, Varejao's highly visceral work recalls the pain and pleasure that accompanies both colonialism and the creative process.
|  | STATUS: Out of print | 12/19/2005 For assistance locating a copy, please see our list of recommended out of print specialists > |
|