This first comprehensive survey of Dash Snow's Polaroid photography chronicles the artist's early marauding on Manhattan's Lower East Side and conveys Snow's love of the photograph as memento. The joy and abandon of hard partying are converted by his Polaroid camera into powerful images that embrace the transience of the euphoric moment. All images are reproduced both fully-bled and actual size, as "objects," against a black background.
PUBLISHER PERES PROJECTS, BERLIN/LOS ANGELES
BOOK FORMAT Paperback, 11 x 11 in. / 280 pgs / 246 color.
PUBLISHING STATUS PUB DATE 10/31/2009 Out of print
DISTRIBUTION D.A.P. EXCLUSIVE CATALOG: FALL 2009 p. 126
PRODUCT DETAILS ISBN 9780981765846TRADE LIST PRICE: $95.00 CDN $115.00
Published by Peres Projects, Holdings Ltd, Andorra.
Readers of this book will not lack for images of penises (soft and hard), drug paraphernalia, naked old men, naked young women or melancholic landscapes. Featuring a variety of well chosen papers and several special inserted elements--like a bound-in, folded flyer reading, “YOUNG PERFORMERS/ TRANSEXUALS NEEDED For film by DASH SNOW (Private Location), $50hr, party favors included, Must be willing to take it off, Take IT FAR”--God Spoiled a Perfect Asshole When He Put Teeth in Yer Mouth is titled after Snow's recent one-person exhibition at Peres Projects, Los Angeles. This riveting and highly collectible exhibition catalogue contains full-color illustrations of Snow's Dada-esque, playful and often nasty collage works and his photographs of Lower East Side "counter-counter-culture." It begins and ends with production stills from Snow's 2007 video, "Untitled (Penis Envy)."
PUBLISHER PERES PROJECTS, HOLDINGS LTD, ANDORRA
BOOK FORMAT Clth, 8.75 x 11.25 in. / 268 pgs / 148 color / 120 bw.
PUBLISHING STATUS PUB DATE 2/1/2009 Out of print
DISTRIBUTION D.A.P. EXCLUSIVE CATALOG: SPRING 2009 p. 92
PRODUCT DETAILS ISBN 9780977881994TRADE LIST PRICE: $160.00 CDN $200.00
Published by Deitch Projects. Text by Kathy Grayson.
Amid the rolling hills of paper is a salmagundi of feathers, unidentifiable filth and fluids (mostly piss and liquor, though one hopes for at least a smidgeon of blood and cum). Sticks and bottles breach the drywall, while graffiti, scumbled with streaks of mysterious liquid, consumes every inch of the walls. One bit, like a laconic Richard Prince, reads I MAY NOT GO DOWN IN HISTORY, BUT I'LL GO DOWN ON YER LIL SISTER... wrote David Velasco in his artforum.com diary entry devoted to Dash Snow and Dan Colen's blowout New York Deitch Projects installation, Nest. Along with a bevy of collaborators, including Terence Koh, Hanna Liden, Nate Lowman and Adam McEwan, Snow and Colen filled the space with over 3,000 shredded phone books and-in a bacchanalian performance piece-trashed the gallery during several overnight sessions. Designed by the artists, this book features gritty behind-the-scenes photos.
Loves roses are glass tubes, 3/8 inches in diameter, 4 inches long. Covered on one end with foil, each contains a cloth flower: red, yellow, blue, violet, white or green. They are duplicitous objects. If you ask one kind of person, they'll tell you these "stems" are romantic offerings, valentine's gifts. If you ask another kind of person, they'll tell you these are pipes for smoking crack cocaine. In September 2008 at a palazzo gallery in Brescia, Italy, Dan Colen and Nate Lowman installed the third incarnation of an evolving body of collaborative work. A long-envisioned but, until Italy, unrealized plan for a sculpture had been a "beaded" curtain made of "love roses" (and titled the same). The curtain was hung in a doorway leading into the ornate spaces housing the rest of their show. Dash snow arrived in Brescia when Colen and Lowman were finishing their installation. A close friend of the collaborators, snow had documented their shared process since its inception in 2007, and he continued here. As well-heeled Italian patrons (almost all of them women) arrived for the show's opening night, snow began shooting photographs of them passing through love roses on their way into the galleries. The piece created a theatrical plane through which snow could enter the partnership and break apart the odd boundaries of inclusivity and exclusivity inherent to art making and art consumption. In turn, this staging ground quickly provoked the visitors to make dramatic entrances. Every passage through love roses and across snow's lens built on the collaborative armature - whether or not the participants were aware of the potential irony of the curtain or of the cumulative performance itself. At certain points, Lowman and Colen enter the frame of the photographs; at others, snow is visible in his simultaneously primary and tertiary role as auteur. The three planned to create a book from the images as soon as they saw Snow's processed film in 2008, however Snow passed away before they initiated the project. This book is made now through the collaboration of the Dash Snow Estate, Dan Colen, Nate Lowman and Brendan Dugan.
PUBLISHING STATUS Active
DISTRIBUTION CONTACT PUBLISHER
PRODUCT DETAILS ISBN 9780983730736RETAIL LIST PRICE: $20.00 CDN $20.00