Published by Scottsdale Museum of Contemporary Art. Interview by Sara Cochran.
Betye Saar (born 1926) is a legend. For 60 years, she has created powerful artworks that question traditional roles and representations of African Americans and women in the US, as well as deeply personal works about her family history and spirituality. Betye Saar: Still Tickin’ considers the breadth of the artist’s career and its key themes. To contextualize Saar’s works, this volume includes writings by the artist from the 1970s to the present day as well as a recent interview with Saar in which she discusses her artistic practice and her views on history, including the current debate about police violence in the US. “My art becomes an explorer, a tracer of forgotten tribes, a seeker of sanctified visions,” explains Saar. “These works are what I leave behind.”
PUBLISHER SCOTTSDALE MUSEUM OF CONTEMPORARY ART
BOOK FORMAT Hardcover, 6.5 x 9 in. / 272 pgs / 172 color / 5 bw.
PUBLISHING STATUS PUB DATE 4/25/2017 Forthcoming
DISTRIBUTION D.A.P. EXCLUSIVE CATALOG: SPRING 2017 p. 88
PRODUCT DETAILS ISBN 9780979893667TRADE LIST PRICE: $45.00 CDN $57.50
AVAILABILITY Awaiting stock
STATUS: Forthcoming | 4/25/2017
This title is not yet published in the U.S. To pre-order or receive our notice when the book is published, please email orders @ artbook.com
Published by Fondazione Prada. Edited with text by Mario Mainetti, Chiara Costa, Elvira Dyangani Ose. Foreword by Miuccia Prada, Patrizio Bertelli. Text by Richard J. Powell, Deborah Willis, Kellie E. Jones.
Uneasy Dancer brings together over 80 works including installations, assemblages, collages and sculptures by the pioneering Los Angeles artist Betye Saar (born 1926) produced between 1966 and 2016. This handsomely designed volume presents Saar’s work as a copiously illustrated timeline, with numerous documentary images and exhibition details. “Uneasy Dancer” is an expression Saar has used to define both herself and her artistic practice: “my work moves in a creative spiral with the concepts of passage, crossroads, death and rebirth, along with the underlying elements of race and gender.” Through her use of found objects, personal memorabilia and derogatory images that evoke denied or distorted narratives, Saar developed a powerful social critique that challenges racial and sexist stereotypes deeply rooted in American culture.