| Alexander Rodchenko | | MONOGRAPHS & CATALOGS Alexander Rodchenko: Inventory of Space Edited by Peter Noever. Essays by Alexander Lavrentiev and Ramin Schor. This publication, printed on two special papers, focuses on Alexander Rodchenko's Spatial Constructions, most of which were created around 1920. It begins with facsimile images of Rodchenko's sketchpads, two spreads to go to book page >> WALTHER KöNIG, KöLN ISBN: 9783851600742 $30.00 | Not available Aleksandr Rodchenko: Spatial Constructions Edited by Galerie Gmurzynska. Essays by Selim O. Khan-Magomedow, Alexander Lawrentjew and Warwara Stepanowa. One of the most versatile Constructivist and Productivist artists to emerge after the Russian Revolution, Aleksandr Rodchenko worked as a painter, graphic designer, photographer, photomontageist, architectural designer, and sculptor. He was go to book page >> HATJE CANTZ PUBLISHERS ISBN: 9783775711784 $45.00 | Not available Alexander Rodchenko Edited by Magdalena Dabrowski, Leah Dickerman and Peter Galassi. Essays by Magdalena Dabrowski, Leah Dickerman, Peter Galassi, Aleksandr Lavrent'ev and Varvara Rodchenko. Foreword by Glenn D. Lowry. Alexander Rodchenko was the most important and versatile member of the Constructivist movement, the progressive artists who created a new art after the Russian Revolution of 1917. This comprehensive book, rich go to book page >> THE MUSEUM OF MODERN ART, NEW YORK ISBN: 9780870700637 $49.95 | Not available | |
| | | |  | ALEXANDER RODCHENKO: INVENTORY OF SPACE Edited by Peter Noever. Essays by Alexander Lavrentiev and Ramin Schor. WALTHER KöNIG, KöLN ISBN: 9783851600742 | US $30.00 Pub Date: 8/15/2006 Out of print | Not available
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| |  | ALEXANDER RODCHENKO THE MUSEUM OF MODERN ART, NEW YORK ISBN: 9780870700637 | US $49.95 Pub Date: 7/2/2002 Out of print | Not available
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| Edited by Peter Noever. Essays by Alexander Lavrentiev and Ramin Schor. Published by Walther König, KölnThis publication, printed on two special papers, focuses on Alexander Rodchenko's Spatial Constructions, most of which were created around 1920. It begins with facsimile images of Rodchenko's sketchpads, two spreads to a page, continues with the artist's groundbreaking wooden sculptural models, and then delves into a series of drawings, paintings and commercial and graphic works. Also features architectural drawings and a cover that folds out to create a poster of a sculptural Spatial Construction in the Surfaces Reflecting Light series.
|  | STATUS: Out of print | 11/15/2006 For assistance locating a copy, please see our list of recommended out of print specialists > |
| Catalogue Raisonné of SculpturesEdited by Galerie Gmurzynska. Essays by Selim O. Khan-Magomedow, Alexander Lawrentjew and Warwara Stepanowa. Published by Hatje Cantz PublishersOne of the most versatile Constructivist and Productivist artists to emerge after the Russian Revolution, Aleksandr Rodchenko worked as a painter, graphic designer, photographer, photomontageist, architectural designer, and sculptor. He was alternately influenced by Suprematism, Productivism, Dada, Constructivism, Abstraction, and Abstract Expressionism--working in different modes throughout his artistic life. This monograph focuses on Rodchenko's sculptures, which can be loosely divided into three groups, beginning with abstract works dating from 1918; mobiles; and square timber works from circa 1920. Works are presented through vintage photographs, detailed descriptions, and reconstructions.
|  | STATUS: Out of print | 8/10/2005 For assistance locating a copy, please see our list of recommended out of print specialists > |
| Painting, Drawing, Collage, Design, PhotographyEdited by Magdalena Dabrowski, Leah Dickerman and Peter Galassi. Essays by Magdalena Dabrowski, Leah Dickerman, Peter Galassi, Aleksandr Lavrent'ev and Varvara Rodchenko. Foreword by Glenn D. Lowry. Published by The Museum of Modern Art, New YorkAlexander Rodchenko was the most important and versatile member of the Constructivist movement, the progressive artists who created a new art after the Russian Revolution of 1917. This comprehensive book, rich in illustrations and relying extensively on new research from Russia, accompanied the first major retrospective exhibition in the United States of Rodchenko's work at The Museum of Modern Art, New York, in 1998. In 1921 Rodchenko left behind his innovative work in abstract painting and sculpture, committing himself to applied art in the service of revolutionary ideals. Included in this first full and coherent overview are not only Rodchenko's painting and sculpture but also his diverse experiments and lasting achievements in photocollage, photography, and design of all kinds, from books, posters, magazines, and advertising, to furniture.
|  | STATUS: Out of print | 4/1/2008 For assistance locating a copy, please see our list of recommended out of print specialists > |
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