Foreword by John P. Stern. Text by Adela Goldsmith, Nora Lawrence, Amy S. Weisser. Conversation between Glenn Adamson and Martin Puryear.
Inspired by global masonry techniques and Hudson Valley history, Martin Puryear’s installation for Storm King Art Center opens its oculi onto the museum grounds
Clth, 8.75 x 10.75 in. / 176 pgs / 120 color. | 6/25/2024 | Awaiting stock $50.00
Published by Gregory R. Miller & Co./Storm King Art Center. Foreword by John P. Stern. Text by Adela Goldsmith, Nora Lawrence, Amy S. Weisser. Conversation between Glenn Adamson and Martin Puryear.
This catalog documents the construction and unveiling of American artist Martin Puryear's (born 1941) monumental site-specific installation, Lookout, at Storm King Art Center in New Windsor, New York. The 20-foot-tall sculpture is built of layers of red clay bricks laid using thin-shell masonry techniques. Rather than straight lines and vertical walls, however, the work curves inward and upward, opening to allow entry from one side while producing a swelling form on the opposite end. In Lookout, Puryear evokes brickmaking as a once-primary industry in the Hudson Valley and references the vernacular structures that dot the local landscape. Inside the structure, Puryear uses the work’s form and setting to encourage a heightened sense of presence. The brick surface is punctuated by a constellation of 90 circular openings created by tubes of fiberglass-reinforced concrete in varying sizes. These oculi act as apertures, creating pinhole vignettes of the surrounding trees and sky. The book is complemented by a broader retrospective of Puryear’s work, including a selection of process models and drawings from over 40 years of his public sculptures and installations.
Published by Gregory R. Miller & Co.. Foreword by Brooke Kamin Rapaport. Text by Anne Wagner, Tobi Haslett, Darby English.
Accompanying the landmark exhibition by renowned Hudson Valley–based artist Martin Puryear (born 1941), who is representing the United States at the 58th Venice Biennale, this book captures a high point in the career of one of today’s most acclaimed artists.
In addition to extensive illustrations of new sculptures made for the Biennale, including a significant site-specific work, the book features major texts by Brooke Kamin Rapaport, Darby English and Anne Wagner. The works and essays demonstrate Puryear’s powerful, original and influential engagement with art history and social history on both a personal level, as an African American artist, and universally.
With a definitive illustrated chronology of the artist’s career over the last fifty years, Martin Puryear: Liberty / Libertà is an essential look at one of the most important artists today, who continues to work at the height of his powers.
Published by Matthew Marks Gallery. Text by Alex Potts.
Published here for the first time, this new body of work by Martin Puryear (born 1941), renowned American sculptor, incorporates a range of materials, from bronze, cast iron and mirror-polished stainless steel to a variety of woods, including red cedar, tulip poplar and ebony. Puryear has adapted his techniques from a range of traditions, including woodcarving, joinery and boat building, as well as digital technology. What sets his work apart, however, is its unmistakable devotion to form. Many of the sculptures featured here incorporate the up-and-over figure of the Phrygian cap, an object freighted with significance for over two centuries, beginning with its embrace by the Jacobins of the French Revolution. An essay by Alex Potts helps to unravel these historical allusions while offering a concise overview of Puryear's work and its remarkable craftsmanship.
PUBLISHER Matthew Marks Gallery
BOOK FORMAT Hardcover, 8.75 x 10.75 in. / 80 pgs / 60 color.
PUBLISHING STATUS Pub Date 2/23/2016 Out of stock indefinitely
DISTRIBUTION D.A.P. Exclusive Catalog: FALL 2015 p. 132
PRODUCT DETAILS ISBN 9781880146880TRADE List Price: $40.00 CDN $54.00 GBP £35.00
Published by The Museum of Modern Art, New York. Text by John Elderfield, Elizabeth Reede, Richard Powell, Michael Auping.
Over the last 30 years, Martin Puryear has created a body of work that defies categorization, creating sculpture that examines identity, culture and history. Departing from the impersonal and machined aesthetic of Minimalism, Puryear's work combines Modernist abstraction with the traditions of crafts and woodworking, in shapes informed by the natural and by ordinary objects, made with materials such as tar, wood, stone and wire. It is quiet but deliberately associative, encompassing wide-reaching cultural and intellectual experiences and drawing on a huge and varied reserve of images, ideas and information. As a high school and college student, the artist studied ornithology, falconry and archery, and in the 1960s he volunteered with the Peace Corps in Sierra Leone, where he schooled himself in the region's indigenous crafts; these are only a few of the influences and methods that have embedded themselves in his work. And the sources of his works are no less varied than the possible and open-ended interpretations: "I think there are a number of levels at which my work can be dealt with and appreciated," Puryear said in a 1978 interview. "It gives me pleasure to feel there's a level that doesn't require knowledge of, or immersion in, the aesthetic of a given time or place." This volume is published on the occasion of the artist's Fall 2007 exhibition at The Museum of Modern Art, which travels from New York to Fort Worth, Washington, D.C. and San Francisco. It follows Puryear's development from his first solo show in 1977 to new works that are presented here for the first time and contains essays by John Elderfield, Michael Auping and Elizabeth Reede, and a conversation with the artist by Richard Powell.
Martin Puryear: Liberty / Libertà
Martin Puryear
Martin Puryear