Published by Walther König, Köln. Foreword by Meike Behm, Stijn Huijts. Text by Meike Behm, et al.
The abstractions of Los Angeles-based painter Rebecca Morris (born 1969) employ an iconography of fragmented and splintered abstract shapes. Southafternoon (the title derives from a song on Roberto Cacciapaglia's The Ann Steel Album, and also references the light in Morris' studio) presents 12 paintings from 2009-13.