Published by Walther König, Köln. Foreword by Meike Behm, Stijn Huijts. Text by Meike Behm, et al.
The abstractions of Los Angeles–based painter Rebecca Morris (born 1969) employ an iconography of fragmented and splintered abstract shapes. Southafternoon (the title derives from a song on Roberto Cacciapaglia's The Ann Steel Album, and also references the light in Morris' studio) presents 12 paintings from 2009–13.