Edited by Achim Gnann. Text by Klaus Albrecht Schröder.
Published by Hatje Cantz
Michelangelo's drawings endowed human physique with an expressive musculature that remains to be rivaled in its feeling for corporeal articulation. His drawings of male nudes in particular, fraught as they are with tempestuous longing, project both tension and pliancy, and a compelling sense of health in the exertions and torque of bodies; he was also readily able to bring contrary qualities of grace and swiftness to depictions of women and cherubim. With over 300 color plates and extensive contextualizing scholarship, Michelangelo: The Drawings of a Genius is the most complete treatment of this work ever published, and thus constitutes a publication of great importance. Masterpieces from the world's finest museums are gathered here, from the early studies for the "Battle of Cascina" and the studies for the Sistine Chapel frescoes, to the drawings for the tomb of Julius II, the Medici tombs, the drawings for Tommaso de' Cavalieri and the later crucifixion scenes; also addressed are those works whose authenticity has been subject to debate. Works by other artists, done after the master's sketches, further illuminate the enormous influence of Michelangelo's art.
Painter, sculptor, poet, architect and engineer, Michelangelo di Lodovico Buonarroti Simoni (1475-1564) was both dauntingly prolific and relentlessly innovative in output. He sculpted two of his greatest works, the "Pieta" and "David," before he turned 30, and created two of the world's best-known paintings on the ceiling and walls of the Sistine Chapel in Rome--the creation scenes from "Genesis" and "The Last Judgment." Giorgio Vasari proposed that Michelangelo represented the pinnacle of all artistic achievement since the beginning of the Renaissance, a view that has survived to this day.
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