ARTIST MONOGRAPHS

Gordon Matta-Clark

Museum Exhibition Catalogues, Monographs, Artist's Projects, Curatorial Writings and Essays


      

PREVIOUSLY ANNOUNCED

Gordon Matta-Clark: The Beginning of Trees and the End

DAVID ZWIRNER BOOKS
Text by Briony Fer. Interview by Jessamyn Fiore, Sarah Sze.

Hbk, 12 x 9 in. / 150 pgs / 101 color. | 6/28/2016 | Awaiting stock
ISBN 9781941701256 | $55.00


Gordon Matta-Clark: Experience Becomes the Object

EDICIONES POLIGRAFA
Edited by Pedro Donoso. Text by Caroline Goodden, Gerry Hovagimyan, Flor Bex, Carlos Navarrete, Gwendolyn Owens. Interviews by Carmen Beuchat, Jane Crawford, Jaime Davidovich, Jene Highstein, Les Levine, Malitte Matta, Ramuntcho Matta, Richard Nonas, Alan Saret, Ned Smyth. Afterword by Harold Berg.

Hbk, 6.75 x 9.5 in. / 224 pgs / 24 color / 63 duotone. | 5/24/2016 | Awaiting stock
ISBN 9788434313552 | $45.00


Gordon Matta-Clark: Doors, Floors, Doors

MOMA PS1

Pbk, 5.75 x 8.75 in. / 40 pgs. | 5/24/2016 | Awaiting stock
ISBN 9780996893022 | $10.00


           

ACTIVE BACKLIST

Gordon Matta-Clark: Art Cards

SANGRIA
Edited by Monica Rios, Carlos Labbe. Introduction by Jane Crawford. Foreword by Gwendolyn Owens. Afterword by Maria Berrios.

Pbk, 4.75 x 6.5 in. / 404 pgs / 404 bw. | 4/30/2014 | In stock
ISBN 9789568681234 | $30.00


Gordon Matta-Clark

SILVANA EDITORIALE
Edited by Lorenzo Fusi, Marco Pierini. Text by James Attlee, Jane Crawford, Louise Désy, Lorenzo Fusi, Gwendolyn Owens, Marco Pierini.

Pbk, 8 x 9.5 in. / 248 pgs / 200 color. | 6/30/2014 | In stock
ISBN 9788836611706 | $45.00


Gordon Matta-Clark: Moment to Moment

MODERNE KUNST NüRNBERG
Edited by Hubertus von Amelunxen, Angela Lammert, Philp Ursprung. Text by Jane Crawford, Dan Graham, Pamela Lee, Gwendolyn Owens, Mark Wigley, et. al.

Pbk, 6.5 x 9.5 in. / 208 pgs / 116 bw. | 1/31/2013 | In stock
ISBN 9783869841380 | $39.95


Gordon Matta-Clark: Works and Collected Writings

POLIGRAFA
Essay by Gloria Moure.

Hardcover, 8.5 x 10.5 in. / 304 pgs / 134 color. | 10/15/2006 | Awaiting stock
ISBN 9788434311091 | $75.00


Gordon Matta-Clark

KOENIG IMPORT

| OUT OF STOCK
ISBN 9780714845876 | $52.86


Gordon MattaClark: Conical Intersect

MIT/AFTERALL

| OUT OF STOCK
ISBN 9781846380730 | $16.00


    

OUT OF PRINT LISTING

City Slivers And Fresh Kills: The Films Of Gordon Matta-Clark

SAN FRANCISCO CINEMATEQUE
Essay by Steven Jenkins.

Paperback, 6 x 9 in. / 64 pgs / illustrated throughout. | 6/15/2004 | Not available
ISBN 9780974999609 | $20.00


Gordon Matta-Clark: Food

WALTHER KöNIG, KöLN
Essay by Catherine Morris. Foreword by Markus Muller.

Paperback, 8.25 x 12 in. / 48 pgs / 56 bw | 5/2/2001 | Not available
ISBN 9783883754352 | $14.00


Gordon Matta-Clark: The Beginning of Trees and the EndGordon Matta-Clark: The Beginning of Trees and the End

Drawings and Notebooks

Published by David Zwirner Books.
Text by Briony Fer. Interview by Jessamyn Fiore, Sarah Sze.

Well known for his radical "anarchitectural" interventions throughout the 1970s, Gordon Matta-Clark (1943–78) was always deeply, though less publicly, committed to drawing. His works on paper—which span three-dimensional reliefs, calligraphy and notebook entries—capture the interdisciplinary spirit that defined the art world in the 1970s, testifying to his interest in the crossovers between visual and performance arts. Gordon Matta-Clark: The Beginning of Trees and the End, published on the occasion of the eponymous 2015 show at David Zwirner, New York, documents his extraordinary accomplishment as a draftsman. Organized by theme, the catalogue presents selections from Matta-Clark’s Cut Drawings, Energy Rooms, Energy Trees and his own "calligraphy," many of which have never been published. Perhaps the best known of the group, the Cut Drawings explore smaller-format versions of his architectural interventions; slicing meticulously through several layers of paper, gesso or cardboard, Matta-Clark created flat sculptural works that emphasized the voids created by extracting matter. Drawings with Matta-Clark’s own "calligraphy" emphasize the medium of drawing as an independent form. Some of the most elaborate and colorful compositions include trees, several of which refer to Matta-Clark’s Tree Dance performance at Vassar College in 1971. Near-abstract tree shapes also incorporate his calligraphic marks, with branches constructed from imaginary letters. Matta-Clark’s Notebooks, which combine elements of Surrealist automatic drawing with an interest in choreography, appealed to performance artists, including Laurie Anderson and Trisha Brown. This unparalleled presentation of Matta-Clark’s drawings is accompanied by new scholarship by Briony Fer, as well as an interview with artist Sarah Sze by Jessamyn Fiore, co-director of the Estate of Gordon Matta-Clark.

PUBLISHER
DAVID ZWIRNER BOOKS

BOOK FORMAT
Hardcover, 12 x 9 in. / 150 pgs / 101 color.

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PUB DATE
Forthcoming

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CATALOG: SPRING 2016 p. 16   

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ISBN 9781941701256 TRADE
LIST PRICE: $55.00 CDN $70.00

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Awaiting stock

STATUS: Forthcoming | 6/28/2016

This title is not yet published in the U.S. To pre-order or receive our notice when the book is published, please email orders @ artbook.com

Gordon Matta-Clark: Experience Becomes the ObjectGordon Matta-Clark: Experience Becomes the Object

Published by Ediciones Poligrafa.
Edited by Pedro Donoso. Text by Caroline Goodden, Gerry Hovagimyan, Flor Bex, Carlos Navarrete, Gwendolyn Owens. Interviews by Carmen Beuchat, Jane Crawford, Jaime Davidovich, Jene Highstein, Les Levine, Malitte Matta, Ramuntcho Matta, Richard Nonas, Alan Saret, Ned Smyth. Afterword by Harold Berg.

Gordon Matta-Clark (1943–78) died at only 35 of pancreatic cancer and has since become a cult figure of late 20th-century art. Trained in architecture at Cornell, he went on to question the field’s conventions in vivid projects—performance and recycling pieces, space and texture works and word games—some of which excised holes into existing buildings or assembled deeds to New York City alleys and curbs. The artist used a variety of media to document his work, including film, video and photography. His work and words, while sophisticated enough to make him an "artist’s artist," and colossal and outgoing enough to draw public attention and affection, were always also grounded in social or political convictions. In the early 1970s, Matta-Clark developed the idea of "anarchitecture," which encompassed his interest in voids, gaps and left-over spaces. Gordon Matta-Clark: Experience Becomes the Object collects five essays and ten individual interviews with various friends and family members of Matta-Clark’s. Together, they outline a biographical profile and offer an analysis of the historical period in which the artist developed his short but successful career. New, never-before-published material and photographs as well as an exclusive link to the documentary Crosswords: Matta-Clark’s Friends by Matias Cardone are also included.

PUBLISHER
EDICIONES POLIGRAFA

BOOK FORMAT
Hardcover, 6.75 x 9.5 in. / 224 pgs / 24 color / 63 duotone.

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PUB DATE
Forthcoming

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CATALOG: SPRING 2016 p. 128   

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ISBN 9788434313552 TRADE
LIST PRICE: $45.00 CDN $57.50

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STATUS: Forthcoming | 5/24/2016

This title is not yet published in the U.S. To pre-order or receive our notice when the book is published, please email orders @ artbook.com

Gordon Matta-Clark: Doors, Floors, DoorsGordon Matta-Clark: Doors, Floors, Doors

Published by MoMA PS1.

MoMA PS1 presents the fourth iteration of Greater New York. Recurring every five years, the exhibition has traditionally showcased the work of emerging artists living and working in the New York metropolitan area. Considering the "greater" aspect of its title in terms of both geography and time, Greater New York. begins roughly with the moment when MoMA PS1 was founded in 1976 as an alternative venue that took advantage of disused real estate, reaching back to artists who engaged the margins of the city.
In conjunction with the exhibition, MoMA PS1 is publishing a series of readers that will be released throughout the run of the exhibition. These short volumes revisit older histories of New York while also inviting speculation about its future, highlighting certain works in the exhibition and engaging a range of subjects including disco, performance anxiety, real estate and newly unearthed historical documents. The series features contributions from Fia Backström, Mark Beasley, Gregg Bordowitz, Susan Cianciolo, Douglas Crimp, Catherine Damman, David Grubbs, Angie Keefer, Aidan Koch, Glenn Ligon, Gordon Matta-Clark, Claudia Rankine, Collier Schorr, and Sukhdev Sandhu, concluding with a round-table conversation with exhibition curators Peter Eleey, Douglas Crimp, Thomas J. Lax and Mia Locks. The series is edited by Jocelyn Miller, Curatorial Associate, MoMA PS1.

PUBLISHER
MOMA PS1

BOOK FORMAT
Paperback, 5.75 x 8.75 in. / 40 pgs.

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PUB DATE
Forthcoming

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CATALOG: SPRING 2016 p. 150   

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ISBN 9780996893022 TRADE
LIST PRICE: $10.00 CDN $12.50

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Awaiting stock

STATUS: Forthcoming | 5/24/2016

This title is not yet published in the U.S. To pre-order or receive our notice when the book is published, please email orders @ artbook.com

Gordon Matta-Clark: Art CardsGordon Matta-Clark: Art Cards

Published by Sangria.
Edited by Monica Rios, Carlos Labbe. Introduction by Jane Crawford. Foreword by Gwendolyn Owens. Afterword by Maria Berrios.

From 1970 to 1978, Gordon Matta-Clark (1943–1978) was in the habit of jotting down notes on index cards that he carried with him throughout his travels, from Lower Manhattan to Santiago de Chile, from Ithaca to Paris and New Jersey. This book compiles these "art cards." Combining writing and drawing, Matta-Clark’s statements--some only a few words long, others a paragraph--are both manifestos and meditations on his life ("the pockets that carry you through the day"), his craft ("Proposal to a Wall St stock broker: to cut through a tax shelter") and the built environment ("To the nature of materials Anarchitecture adds a notion of events"). Ranging in tone from the melancholic to the cheerful, these art cards are saturated throughout with the excitement of living as an artist in 1970s New York City.

PUBLISHER
SANGRIA

BOOK FORMAT
Paperback, 4.75 x 6.5 in. / 404 pgs / 404 bw.

PUBLISHING STATUS
PUB DATE
Active

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D.A.P. EXCLUSIVE
CATALOG: SPRING 2014 p. 172   

PRODUCT DETAILS
ISBN 9789568681234 FLAT40
LIST PRICE: $30.00 CDN $35.00

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in stock  $30.00


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Gordon Matta-ClarkGordon Matta-Clark

Published by Silvana Editoriale.
Edited by Lorenzo Fusi, Marco Pierini. Text by James Attlee, Jane Crawford, Louise Désy, Lorenzo Fusi, Gwendolyn Owens, Marco Pierini.

This catalogue covers the brief but groundbreaking career of the self-proclaimed "anarchitect" Gordon Matta-Clark (1943–1978), one of the most influential American artists of the 1970s. The immense ambition and scale of his projects, and their fearless reimagining of the urban landscape, challenged city-dwellers to reconsider the very notion of built structure and the fragility of seemingly unassailable edifices. Matta-Clark’s first interventions took place in abandoned, derelict structures, upon which he performed his famous "building cuts" and "intersects." First published in 2008 (for a show at SMS Contemporanea in Siena), and organized thematically and chronologically, this substantial volume looks at these and other bodies of work, such as the Food restaurant, the performances, the "estates" and the artist’s pursuit of alternative economical housing. The catalogue also includes a filmography and critical essays, plus an interview done by Judith Russi Kirshner in 1978.

PUBLISHER
SILVANA EDITORIALE

BOOK FORMAT
Paperback, 8 x 9.5 in. / 248 pgs / 200 color.

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Active

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CATALOG: SPRING 2014 p. 128   

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ISBN 9788836611706 TRADE
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Gordon Matta-Clark: Moment to MomentGordon Matta-Clark: Moment to Moment

Space

Published by Moderne Kunst Nürnberg.
Edited by Hubertus von Amelunxen, Angela Lammert, Philp Ursprung. Text by Jane Crawford, Dan Graham, Pamela Lee, Gwendolyn Owens, Mark Wigley, et. al.

With his astounding building cuts and intersects, Gordon Matta-Clark (1943-1978) opened up elegant geometries in the very structures that seem most substantial and most authoritative in urban existence, revealing the alienations of the urban fabric as convenient fictions and allowing life to flow into the most inhospitable and self-contained of buildings. One of his favorite responses to a work came from a Parisian concierge: “I see the purpose for that hole--it is an experiment in bringing light and air into spaces that never had enough of either.” Throughout his all-too-brief career, Matta-Clark undertook civic aeration on many fronts, cofounding the now legendary Food Restaurant in 1971, buying up empty lots in Queens and evolving his theory of “anarchitecture” in films, photomontages and numerous writings and drawings. Anarchitecture redefined negative space in art as a political act, distinguishing itself from architecture by imagining a cure for its most pernicious effects. Gordon Matta-Clark: Moment to Moment offers a comprehensive overview of this courageous and liberating artist with a wealth of documentation and reproductions from across Matta-Clark's oeuvre, as well as critical commentary from Philip Ursprung, Angela Lammert, Hubertus von Amelunxen, Dan Graham and others.

PUBLISHER
MODERNE KUNST NüRNBERG

BOOK FORMAT
Paperback, 6.5 x 9.5 in. / 208 pgs / 116 bw.

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Active

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CATALOG: FALL 2011 p. 63   

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ISBN 9783869841380 TRADE
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Gordon Matta-Clark: Works and Collected WritingsGordon Matta-Clark: Works and Collected Writings

Published by Poligrafa.
Essay by Gloria Moure.

Gordon Matta-Clark, scion and rebel, died at 35 in 1978 and has since become a cult figure of late-twentieth-century art. Born in New York and trained in architecture at Cornell, he went on to question the field's conventions in vivid projects that excised holes into existing buildings or assembled deeds to New York City alleys and curbs. As the son of the Chilean-born Surrealist painter Roberto Matta and Anne Clark, and godson of Marcel Duchamp, with whom he played a regular game of chess in the Village, Matta-Clark had grown up inside the art world, also working an as assistant to mavericks like Dennis Oppenheim and Robert Smithson. His work and words, while sophisticated enough to make him an "artist's artist," and colossal and outgoing enough to draw public attention and affection, were always also grounded in social or political convictions. He addressed not only space and real estate (in other words, housing), but the ultimate in necessity and nourishment, food. His "Pig Roast" under the Brooklyn Bridge offered passersby 500 pork sandwiches, and Food, the artist-staffed restaurant that he opened with dancer Caroline Goodden in SoHo, became a headquarters for that nascent neighborhood in the early 70s. He consistently broke the boundaries between sculpture and architecture, photography and film, performance and installation, and above all the permanent and the transitory. Once in a while he also broke the law. This book, published in celebration of the gradual opening of Matta-Clark's archives at the Canadian Centre for Architecture in Montreal, collects previously unavailable writings, including notecards and notebooks, along with interviews and more than 100 illustrations.

PUBLISHER
POLIGRAFA

BOOK FORMAT
Hardcover, 8.5 x 10.5 in. / 304 pgs / 134 color.

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Active

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CATALOG: FALL 2006 p. 26   

PRODUCT DETAILS
ISBN 9788434311091 TRADE
LIST PRICE: $75.00 CDN $90.00

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Awaiting stock

STATUS: Out of stock

Temporarily out of stock pending additional inventory.

Odd Lots: Revisiting Gordon Matta-Clark'S Fake EstatesOdd Lots: Revisiting Gordon Matta-Clark'S Fake Estates

Published by Cabinet Books/The Queens Museum of Art/White Columns.
Edited by Jeffrey Kastner, Sina Najafi and Frances Richard. Essay by Jeffrey Kroessler.

In the summer of 1973, artist Gordon Matta-Clark discovered that the city of New York occasionally auctioned improbably tiny and frequently inaccessible parcels of land created by zoning eccentricities. Fascinated by these spaces, he bought 15 of them (14 in Queens, and one in Staten Island) for between $25 and $75 each, photographed them and collated the photographs with the appropriate deeds and maps. He called the project Fake Estates. Odd Lots: Revisiting Gordon Matta-Clark's “Fake Estates” further documents and advances this seminal work, and accompanies Cabinet magazine's exhibition at the Queens Museum of Art and White Columns in New York. Included here are responses to Matta-Clark's original artwork by 20 contemporary artists including Francis Alÿs, Jimbo Blachly, Mark Dion, Sarah Oppenheimer, Dan Price and Mierle Ukeles. Odd Lots also provides the definitive Fake Estates history, thus adding new dimension to the scholarship on this important artist*all within the spirit of collaboration and experimentation that marked Matta-Clark's short but influential career.

PUBLISHER
CABINET BOOKS/THE QUEENS MUSEUM OF ART/WHITE COLUMNS

BOOK FORMAT
Paperback, 8 x 10 in. / 96 pgs / 40 color / 20 bw.

PUBLISHING STATUS
PUB DATE
Out of stock indefinitely

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CATALOG: FALL 2005 p. 142   

PRODUCT DETAILS
ISBN 9781932698268 TRADE
LIST PRICE: $24.95 CDN $27.50

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City Slivers And Fresh Kills: The Films Of Gordon Matta-ClarkCity Slivers And Fresh Kills: The Films Of Gordon Matta-Clark

Published by San Francisco Cinemateque.
Essay by Steven Jenkins.

Images of the deconstruction of abandoned buildings and industrial structures are closely associated with “anarchitect” Gordon Matta-Clark. Here, however, are the film works through which Matta-Clark furthered his lifelong excavation of urban dwellings. In this book, San Francisco Cinematheque presents a retrospective of the moving-image works through which Matta-Clark explored his aesthetic assumptions and philosophical inquiry. Featuring rarely published images and a quartet of imaginative essays, City Slivers and Fresh Kills establishes Matta-Clark's films as perhaps his most surprising, and certainly most viscerally arresting body of work, characterized by the same creative provocation, rough aesthetic beauty and intellectual insight that idefined his signature architectural cuttings and slicings.

PUBLISHER
SAN FRANCISCO CINEMATEQUE

BOOK FORMAT
Paperback, 6 x 9 in. / 64 pgs / illustrated throughout.

PUBLISHING STATUS
PUB DATE
Out of print

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CATALOG: SPRING 2005 p. 147   

PRODUCT DETAILS
ISBN 9780974999609 TRADE
LIST PRICE: $20.00 CDN $25.00

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STATUS: Out of print | 00/00/00

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Gordon Matta-Clark: Food

Published by Walther König, Köln.
Essay by Catherine Morris. Foreword by Markus Muller.

In honor of Food, the restaurant which Gordon Matta-Clark established in Soho, New York, this publication is presented in the form of a restaurant menu, and documents the artist's varied and imaginative work, including sculptures, film stills, and photos.

PUBLISHER
WALTHER KöNIG, KöLN

BOOK FORMAT
Paperback, 8.25 x 12 in. / 48 pgs / 56 bw

PUBLISHING STATUS
PUB DATE
Out of print

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D.A.P. EXCLUSIVE
CATALOG: SPRING 2001

PRODUCT DETAILS
ISBN 9783883754352 SDNR30
LIST PRICE: $14.00 CDN $15.00

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Not available

STATUS: Out of print | 10/22/2002

For assistance locating a copy, please see our list of recommended out of print specialists >

Gordon Matta-ClarkGordon Matta-Clark

Published by KOENIG IMPORT.

Gordon Matta-Clark (1943-1978) is one of the great heroes of late twentieth-century art, a cult figure as much in the contemporary art world as on the architecture scene, whose work is independent from any movement or school. This book is the first and definitive monograph on the artist, who died at the age of thirty-five. Born in New York and trained in architecture, Gordon Matta-Clark is most famous for his slicing through fa+ades, walls and floors of derelict buildings. This 'deconstructing' gesture, provocative and extreme, turns architecture into astonishing sculptures, where the mass of the building is entwined with the light and air that penetrate it. Matta-Clark's interventions are always grounded in social or political convictions. Some of his projects include opening a restaurant (Food, 1971) in the then-neglected district of SoHo in New York, purchasing at auction fractions of unusable urban land in New York (Reality Properties: Fake Estates, 1973), dispensing oxygen to passersby in the streets of New York from a self-made cart (Fresh Air Cart, 1972), and other visionary urban projects that he conceived as a founding member of the New York-based Anarchitecture group. His practice remains one of the most unique, unequalled, and hugely influential of the past decades.

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KOENIG IMPORT

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Gordon MattaClark: Conical IntersectGordon MattaClark: Conical Intersect

Published by MIT/Afterall.

Gordon Matta-Clark's Conical Intersect (1975) was a torqued, spiraling "cut" into two derelict seventeenth-century Paris buildings adjacent to the construction site of the controversial Centre Pompidou. With this landmark work of "anarchtecture," Matta-Clark not only opened up these venerable residences to light and air, he also began a dialogue about the nature of urban development and the public role of art. Considered three and a half decades later, Conical Intersect reveals the multivalent nature of the artist's practice and his prescient focus on sustainability and creative reuse of the built environment. Conical Intersect and the two buildings were demolished as part of a large-scale urban renovation of the historic market district of Les Halles; today we can know the work only from drawings, photographs, and a short Super 8 film. In this illustrated study, Bruce Jenkins examines Matta-Clark's "non-u-ment," looking closely at the artist's proposals, working process, various forms of documentation, and the dialogue begun by Matta-Clark's decision to transform two abandoned buildings "into an act of communication."

PUBLISHER
MIT/AFTERALL

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Active

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ISBN 9781846380730 RETAIL
LIST PRICE: $16.00 CDN $16.00

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OUT OF STOCK




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