| Agnes Martin | | MONOGRAPHS & CATALOGS Agnes Martin (Dia) Gorgeously quiet in color and composition, Agnes Martin’s paintings have a distinctive grace that sets them apart from those of the Abstract Expressionists of her day and the Minimalist artists she go to book page >> YALE/DIA ISBN: 9780300151053 $40.00 | Limited quantity Agnes Martin: The Nineties And Beyond Essay by Ned Rifkin. Agnes Martin has spent every morning for the past 40 years working in her New Mexico studio, producing square abstract paintings that consist of graphite horizontal lines across fields of white, go to book page >> HATJE CANTZ PUBLISHERS ISBN: 9783775711654 $30.00 | Not available Agnes Martin: The Islands Essay by Heinz Liesbrock. The Islands--a 1979 group of 12 identically large square paintings--is a body of work especially suitable for gaining insight into the modalities of the visual in Agnes Martin's work. An element go to book page >> RICHTER VERLAG ISBN: 9783937572062 $40.00 | Not available | |
| | | |  | AGNES MARTIN: THE ISLANDS Essay by Heinz Liesbrock. RICHTER VERLAG ISBN: 9783937572062 | US $40.00 Pub Date: 6/15/2005 Out of Print | Not available
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| |  | AGNES MARTIN (DIA) YALE/DIA ISBN: 9780300151053 | US $40.00 Pub Date: -- Active | Limited quantity
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| Essay by Heinz Liesbrock. Published by Richter VerlagThe Islands--a 1979 group of 12 identically large square paintings--is a body of work especially suitable for gaining insight into the modalities of the visual in Agnes Martin's work. An element that is common to all the canvases is the matte white color that absorbs the surrounding light but only partially radiates it back, as well as the structure of fine horizontal lines drawn in pencil. The reproductions of Martin's work in this book are of the highest quality, especially in light of the fact that her pictures are generally not ideal for reproduction, as, according to the artist, they are light and luminous and deal with fusion and formlessness, i.e., the dissolution of form. In creating this work, Martin, in a certain sense, arrives almost to the point of borderline visibility.
|  | STATUS: Out of Print | 12/1/2010 For assistance locating a copy, please see our list of recommended out of print specialists > |
| Essay by Ned Rifkin. Published by Hatje Cantz PublishersAgnes Martin has spent every morning for the past 40 years working in her New Mexico studio, producing square abstract paintings that consist of graphite horizontal lines across fields of white, gray, or pale colors. Though her work superficially belongs to the history of Minimalism, Martin considers her paintings the abstract expression of positive inner states of existence. Published on the occasion of her 90th birthday, this catalogue presents the iconic serenity and elegant geometry of her canvasses from the past decade, in a format complimentary to Martin's own immutable aesthetic.
|  | STATUS: Out of print | 4/24/2004 For assistance locating a copy, please see our list of recommended out of print specialists > |
| Published by Yale/DIAGorgeously quiet in color and composition, Agnes Martin’s paintings have a distinctive grace that sets them apart from those of the Abstract Expressionists of her day and the Minimalist artists she inspired. Martin attributed her grid-based works to metaphysical motivations, lending a serene complexity to her oeuvre that has defied any easy categorization. Perhaps for this reason, critical and scholarly analysis of her paintings has been scarce—until now. This important new anthology brings together the most current scholarship on Martin’s paintings by twelve multidisciplinary essayists who consider various aspects of the artist’s four-decade career.
Organized by Dia Art Foundation, whose extensive holdings of Martin’s paintings and ambitions to support in-depth research on the works are unparalleled, the publication brings renewed focus and energy to Martin’s career and her contributions to the art historical narrative.
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