Kazimir Malevich

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From Surface To Space, Malevich & Early Modern Art Foreword by Karola Kraus. Text by Fritz Emslander, Tatjana Gorjatschewa. The influence of the artist Kazimir Malevich was colossal from the start. Following his Black Square painting of 1915 and his formulation of Suprematism (defined as an altogether new and direct form of representation of the world of feeling ), Malevich transmitted his ideas
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WALTHER KöNIG
ISBN: 9783865605573
$49.95 | In stock

Kazimir Malevich: Suprematism Edited by Matthew Drutt. Essays by Jean-Claude Marcadé, Nina Gurianova, Vasilii Rakitin, Tatiana Mikhienko and Yevgenia Petrova. In 1915, Kazimir Malevich changed the future of modern art when his experiments in painting led the Russian avant-garde into pure abstraction. He called his innovation Suprematism--an art of pure geometric
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GUGGENHEIM MUSEUM
ISBN: 9780892072651
$65.00 | Not available

Kazimir Malevich

From Surface To Space, Malevich & Early Modern Art

Foreword by Karola Kraus. Text by Fritz Emslander, Tatjana Gorjatschewa.
Published by Walther König

The influence of the artist Kazimir Malevich was colossal from the start. Following his "Black Square" painting of 1915 and his formulation of Suprematism (defined as "an altogether new and direct form of representation of the world of feeling"), Malevich transmitted his ideas through his roving advocate El Lissitzky, whose Proun works prompted Kurt Schwitters' Merzbau, which itself fulfilled Malevich's aspiration for Suprematism that painterly forms be transferred "from the surface of canvas to space." This book assesses Suprematism and its immediate impact, both on the Supremus group and beyond. Artists include Vasily Kandinsky, Ivan Kliun, Gustav Klucis, El Lissitzky, László Moholy-Nagy, Liubov Popova, Olga Rozanova, Alexandr Rodchenko, Kurt Schwitters, Nikolai Suetin and Vladimir Tatlin.

Kazimir Malevich: Suprematism

Edited by Matthew Drutt. Essays by Jean-Claude Marcadé, Nina Gurianova, Vasilii Rakitin, Tatiana Mikhienko and Yevgenia Petrova.
Published by Guggenheim Museum

In 1915, Kazimir Malevich changed the future of modern art when his experiments in painting led the Russian avant-garde into pure abstraction. He called his innovation Suprematism--an art of pure geometric form meant to be universally comprehensible regardless of cultural or ethnic origin. His Suprematist masterpiece, White Square on White (1920-27), continues to inspire artists throughout the world. Focused exclusively on this defining moment in Malevich's career, Kazimir Malevich: Suprematism features nearly 120 paintings, drawings and objects, among them several recently discovered masterworks. In addition, the book includes previously unpublished letters, essays and diaries, along with essays by international scholars, who shed new light on this popular figure and his devotion to the spiritual in art.