| | | | | |  | KIPPENBERGER MEETS PICASSO
Edited by Eva Meyer-Hermann.
WALTHER KöNIG, KöLN
ISBN: 9783865609670 | US $44.95
Pub Date: 6/30/2011
Out of print | Not available
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|  | KIPPENBERGER
By Susanne Kippenberger. Translated by Damion Searls.
J&L BOOKS
ISBN: 9780982964217 | US $34.95
Pub Date: 1/31/2012
Active | Awaiting stock
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|  | MARTIN KIPPENBERGER: MODELL
Edited by Peter Pakesch. Text by Daniel Birnbaum, Martin Prinzhorn, Elisbeth Hirschmann.
WALTHER KöNIG, KöLN
ISBN: 9783865603111 | US $49.95
Pub Date: 3/1/2008
Active | In stock
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|  | MARTIN KIPPENBERGER
Essay by Manfred Hermes. Foreword by Friedrich Christian Flick.
DUMONT
ISBN: 9783832175795 | US $50.00
Pub Date: 8/15/2006
Active | Awaiting stock
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|  | MARTIN KIPPENBERGER: THE BERMUDA TRIANGLE
Edited by Tim Nye. Essays by Carol Eckman and David Nolan, and Michael Würthle.
NYEHAUS/FOUNDATION 20 21
ISBN: 9781891027161 | US $95.00
Pub Date: 6/15/2005
Active | In stock
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|  | NACH KIPPENBERGER
WALTHER KöNIG, KöLN
ISBN: 9783851600285 | US $45.00
Pub Date: 8/2/2003
Active | Awaiting stock
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| | | | |  | MARTIN
Artwork by Martin Kippenberger.
OKTAGON
ISBN: 9783883753300 | US $65.00
Pub Date: 6/2/1999
Out of print | Not available
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| | |  | MARTIN KIPPENBERGER
Artwork by Martin Kippenberger.
HATJE CANTZ PUBLISHERS
ISBN: 9783893229000 | US $19.95
Pub Date: 2/2/1997
Out of print | Not available
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| |  | KIPPENBERGER EBOOK
By Susanne Kippenberger. Translated by Damion Searls.
J&L BOOKS
ISBN: | US $0.00
Pub Date:
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| Text by Alan Licht.
Published by Skarstedt GalleryOne of the most versatile and prolific artists of the postwar era, Martin Kippenberger (1953–1997) has been the subject of numerous major exhibitions since his premature death at the age of 44. The last exhibition in his lifetime took place at the Städtisches Museum Abteiberg, in Mönchengladbach, Germany, and was titled Der Eiermann und seine Ausleger (The Eggman and his Outriggers). This publication focuses on nine paintings, a group of drawings and one sculpture that formed the center of this final exhibit, all of which were made in the last three years of Kippenberger’s life. These works explore the motif of the egg--a key theme throughout the artist’s career, deployed to variously reference rebirth, reproduction and circularity, and also used as a comic device: in one self-portrait, Kippenberger depicts himself as an eggman whose torso has expanded well beyond its youthful contours.
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| Edited by Eva Meyer-Hermann.
Published by Walther König, KölnDespite or because of his raucous irreverence towards art history, Martin Kippenberger (1953-1997) nourished a fascination with Picasso that led to numerous portrait works on the theme of male identity and mortality and paintings responding to Picasso's death. Kippenberger Meets Picassoincludes color reproductions of works as well as archival photographs.
|  | STATUS: Out of print | 00/00/00
For assistance locating a copy, please see our list of recommended out of print specialists > |
| The Artist and His FamiliesBy Susanne Kippenberger. Translated by Damion Searls.
Published by J&L BooksOver the course of his 20-year career, Martin Kippenberger (1953-1997) cast himself alternately as hard-drinking carouser and confrontational art-world jester, thrusting these personae to the forefront of his prodigious creativity. He was also very much a player in the international art world of the 1970s right up until his death in 1997, commissioning work from artists such as Jeff Koons and Mike Kelley, and acting as unofficial ringleader to a generation of German artists. Written by the artist's sister, Susanne Kippenberger, this first English-language biography draws both from personal memories of their shared childhood and exhaustive interviews with Kippenberger's extended family of friends and colleagues in the art world. Kippenbergergives insight into the psychology and drive behind this playful and provocative artist.
|  | STATUS: Temporarily out of stock pending additional inventory. |
| Utopia for EveryoneEdited by Peter Pakesch. Text by Daniel Birnbaum, Martin Prinzhorn, Elisbeth Hirschmann.
Published by Walther König, KölnPainter Christopher Wool has written, “Some of the best stand-up performance I ever saw was Martin [Kippenberger] telling jokes in the back of some bar or restaurant.” Which is not to dismiss the legendary German artist, who was at the forefront of the much-storied Cologne art scene of the early 1990s--Kippenberger, who died in 1997, used humor like a laser, to illuminate power structures and taboos. One of the most important artists of the twentieth century, he not only worked in a variety of media--painting, sculpture, books and multiples--but, taking a cue from Joseph Beuys, actively tried to conceive new possibilities on which to model an art practice. This volume, published for an exhibition at Austria’s acclaimed Kunsthaus Graz, includes incisive essays by curator and critic Daniel Birnbaum and linguist and writer Martin Prinzhorn, which examine the softer, more utopian side of the artist.
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| Friedrich Christian Flick CollectionEssay by Manfred Hermes. Foreword by Friedrich Christian Flick.
Published by DumontBeginning in the late 70s, Martin Kippenberger conceived his work as a point of intersection between artistic contexts and circulating ideas. With his characteristic blend of refinement and extreme crudity, he left very few of the problems and methods of twentieth-century art untouched. Via a postmodernist disposition, one combining humor, direct reference, communicativeness and body politics, Kippenberger seized upon the central artistic questions of the late twentieth century like virtually no other artist of his generation, and translated them into complex structures of communications. This is a beautiful and excitingly designed monograph containing reproductions of paintings, works on paper, sculpture, photographs and installation work, as well as a very strong reading of Kippenberger's work by Manfred Hermes. All of the work reproduced here is in the collection of Friedrich Christian Flick, one of the best in-depth assemblages of contemporary art in the world.
|  | STATUS: Temporarily out of stock pending additional inventory. |
| Syros, Paris Bar, and Dawson CityEdited by Tim Nye. Essays by Carol Eckman and David Nolan, and Michael Würthle.
Published by nyehaus/foundation 20 21Martin Kippenberger's trickster aesthetic was aided and abetted by the owners of his famed Berlin hangout, the Paris Bar. One proprietor, Michael Würthle, provided Kippenberger with a place to make art at his family's house on the island of Syros, Greece; the other, Reinald Nohal, owned a summer retreat in Canada's Yukon Territory, which the artist visited. In those two remote locations, Kippenberger conceived his worldwide subway network, Metro-Net, and built the first two entrances, should anyone decide to do the rest of the underground excavation and construction. The Bermuda Triangle documents in detail the planning and execution of this piece by the late high-art prankster, and reproduces the varied, accomplished, sometimes hilarious and devastatingly human drawings from the 80s and 90s, mostly on hotel stationery, from Würthle's collection. Its witty design is one Kippenberger would certainly have appreciated, its two volumes accompanied by a 'guerilla marketing kit' of two posters and an “I [heart] Kippenberger” bumper sticker, all contained in a cardboard box that converts to a display stand.
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| Edited by Eva Meyer-Hermann and Susanne Neuburger. Essays by Kathleen Bühler, Diedrich Diederichsen, Manfred Hermes, Anke Kempkes, Martin Prinzhorn and Lucy McKenzie.
Published by Walther König, KölnMartin Kippenberger died in 1997 at the young age of 44. Nach Kippenberger--after Kippenberger--collects together various essays which pave the way for an understanding of his work after the fact, for the next generation. Essayists include Eva Meyer-Hermann, Anke Kempkes and Manfred Hermes, and more than 250 images illustrate Kippenberger's life and work.
|  | STATUS: Temporarily out of stock pending additional inventory. |
| Introduction By Karola Grässlin. Essay by Martin Prinzhorn.
Published by Walther König, KölnThis latest reference work on Kippenberger catalogues all of the multiples produced between 1982 and 1997, documented by title, year, format, motive, edition, signature, and production. Here you will find many hard-to-describe works, including Mirror Babies, ELITE '88, Upside Down And Turning Me, Disco Bombs, and Kippen Seltzer.
|  | STATUS: Temporarily out of stock pending additional inventory. |
| Essay by Julian Heynen.
Published by Walther König, KölnThe curator in his essay and the two artists in their work have one thing in common: the question of space. In the 1990s, Kippenberger had the idea (documented here through drawings and a poster) of an underground network encircling the whole world. Opposite this, H‡fer's photographs show such interiors as MoMA, an underground station in Oslo, and the German pavilion at the Venice Biennale, all absent of any human presence.
|  | STATUS: Out of print | 8/15/2005
For assistance locating a copy, please see our list of recommended out of print specialists > |
| The 80's, Paintings and SculpturesEdited by Thomas Groetz. Essays by Stephan Schmidt-Wulffen, Martin Prinzhorn, Werner Büttner, Merlin Carpenter, Rainald Goetz, Peter Pakesch and Mayo Thompson.
Published by Holzwarth PublicationsOn February 26, 2003, Martin Kippenberger would have turned 50. In commemoration of his birthday, gallerist Max Hetzler presents this volume in which artists, critics, art historians and authors have written highly personal testimonies to Kippenberger, who was a friend, role model and source of irritation all in one. Kippenberger's forceful presence is doubly testified to by the artwork, snapshots and ephemera scattered throughout.
|  | STATUS: Out of print | 12/19/2005
For assistance locating a copy, please see our list of recommended out of print specialists > |
| Artwork by Alex Katz, Martin Kippenberger. Edited by Uwe Koch, Roberto Ohrt. Text by Diedrich Diederichsen.
Published by D.A.P./Distributed Art Publishers, Inc.Roberta Smith called him the “madcap bad boy of contemporary German art” and also “one of the three or four best German artists of the postwar period.” Martin Kippenberger disrupted the status quo throughout his brief, excessive life, not just by making art of every variety and medium but also by conducting an extended performance in the vicinity of art that involved running galleries, organizing exhibitions, collecting the work of his contemporaries and overseeing assistants. He published books and catalogues, played in a rock-and-roll band and cut records, ran a performance-art space during his early years in Berlin, became part owner of a restaurant in Los Angeles during six months he spent there preparing for an exhibition, and collaborated extensively with other artists. This particular volume considers his output of artist's books, as well as his exhibition catalogues and all the publications whose content he either created or edited. More than just documentation, this publication makes accessible for a wider public the multiple aspects of Kippenberger's books, with all the complexity and consequence of his oeuvre intact.
|  | STATUS: Temporarily out of stock pending additional inventory. |
| Artwork by Martin Kippenberger.
Published by Oktagon
|  | STATUS: Out of print | 4/24/2004
For assistance locating a copy, please see our list of recommended out of print specialists > |
| Artwork by Martin Kippenberger.
Published by Hatje Cantz Publishers
|  | STATUS: Out of print | 11/15/2006
For assistance locating a copy, please see our list of recommended out of print specialists > |
| Artwork by Martin Kippenberger.
Published by Oktagon
|  | STATUS: Out of print | 6/1/2001
For assistance locating a copy, please see our list of recommended out of print specialists > |
| Artwork by Martin Kippenberger.
Published by Hatje Cantz Publishers
|  | STATUS: Out of print | 10/23/2003
For assistance locating a copy, please see our list of recommended out of print specialists > |
| Artwork by Martin Kippenberger.
Published by Museum Boijmans van BeuningenKippenberger's latest artist book explores the furnished world and cheekily juxtaposes modern images with visions of the 19th century.
|  | STATUS: Out of print | 12/21/2001
For assistance locating a copy, please see our list of recommended out of print specialists > |
| The Artist and His FamiliesBy Susanne Kippenberger. Translated by Damion Searls.
Published by J&L BOOKSOver the course of his 20-year career, Martin Kippenberger (1953-1997) cast himself alternately as hard-drinking carouser and confrontational art-world jester, thrusting these personae to the forefront of his prodigious creativity. He was also very much a player in the international art world of the 1970s right up until his death in 1997, commissioning work from artists such as Jeff Koons and Mike Kelley, and acting as unofficial ringleader to a generation of German artists. Written by the artist's sister, Susanne Kippenberger, this first English-language biography draws both from personal memories of their shared childhood and exhaustive interviews with Kippenberger's extended family of friends and colleagues in the art world. Kippenberger gives insight into the psychology and drive behind this playful and provocative artist. This is the eBook edition of Kippenberger, originally published in print form in January 2012.
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