ARTIST MONOGRAPHS

William Kentridge

Museum Exhibition Catalogues, Monographs, Artist's Projects, Curatorial Writings and Essays


"Over the last 35 years, printmaking has been close to the center of the work I have done. Prints have never been a side journey or in the margins. When I started art school, painting on canvas was the norm and was what I spent my days doing, and I was miserable at it. Both miserable psychologically—trying to do it—and very bad at it. So it was an enormous relief (and pleasure) to suddenly discover the medium of etching. This was a medium in which it was legitimate to use no color, to work monochromatically. And having started etching I could move forward into drawing, specifically into drawing in charcoal, which I began a few years later as an extension of printmaking There have also been many projects that have ended up as either a piece of theater or an animated film which have their origins in printmaking."
Excerpted from William Kentridge: Trace.

 

FORTHCOMING & NEW RELEASES

William Kentridge: Carlton Centre Games Arcade

STEIDL
Edited with text by Warren Siebrits.

Kentridge's early series of intaglio prints from scenes observed in Johannesburg's first skyscraper

Clth, 7 x 10.5 in. / 120 pgs / 56 color. | 6/25/2024 | Awaiting stock
$40.00


                       

ACTIVE BACKLIST

William Kentridge: Catalogue Raisonné Volume 1

STEIDL
Edited with text by Warren Siebrits.

The first installment in an epic catalogue raisonné of Kentridge’s linocuts, etchings, monotypes, posters and more

Slip, clth, 9.5 x 12 in. / 688 pgs / 781 color. | 3/14/2023 | In stock
$295.00


William Kentridge: In Praise of Shadows

DELMONICO BOOKS/THE BROAD
Edited with text by Ed Schad. Foreword by Joanne Heyler. Contributions by William Kentridge, Ann McCoy, Zakes Mda, Walter Murch.

Thirty-five years of South African artist William Kentridge’s dynamic, cross-genre art, with essays by Ann McCoy, Zakes Mda, and Ed Schad, a conversation between the artist and Walter Murch, and an unpublished lecture by Kentridge.

Hbk, 8.25 x 10.5 in. / 288 pgs / 250 color / 50 bw. | 12/20/2022 | In stock
$65.00


William Kentridge

ROYAL ACADEMY OF ARTS
Text by Stephen Clingman, Adrian Locke, Rose Thompson.

Habits of creation: a thematic overview of Kentridge’s multimedia art

Hbk, 8.75 x 11.75 in. / 224 pgs / 223 color / 25 bw. | 11/22/2022 | In stock
$45.00


William Kentridge: Domestic Scenes

STEIDL
Text by William Kentridge, Warren Siebrits.

A luxuriously produced clothbound presentation of Kentridge’s formative print series, with previously unseen images

Clth, 7 x 10.5 in. / 160 pgs / 140 color / 5 bw. | 3/15/2022 | Out of stock
$58.00


William Kentridge: A Poem That Is Not Our Own

WALTHER KöNIG, KöLN
Edited with text by Sébastien Delot, Josef Helfenstein. Text by Eva Falge, Ute Holl, William Kentridge, Leora Maltz-Leca.

Themes of migration, flight and processions in the multimedia art of William Kentridge

Hbk, 6.5 x 9.5 in. / 248 pgs / 89 color. | 10/8/2019 | Out of stock
$55.00


William Kentridge: Why Should I Hesitate

WALTHER KöNIG, KöLN
Text by David Freedberg, Karel Nel.

A collectible, slipcased, two-volume overview on the South African artist William Kentridge, featuring a unique lapis lazuli print

Slip, clth, 2 vols, 8 x 10.5 in. / 440 pgs / 350 color. | 12/15/2020 | In stock
$250.00


William Kentridge: O Sentimental Machine

KERBER
Edited with text by Vinzenz Brinkmann, Kristin Schrader. Text by Michaela Ott, Oliver Primavesi.

Pbk, 6 x 8.5 in. / 288 pgs / 147 color / 128 bw. | 8/28/2018 | Out of stock
$65.00


William Kentridge: Triumphs and Laments

WALTHER KöNIG, KöLN
Edited with an introduction by Carlos Basualdo. Foreword by Federica Galloni. Text by Gabriele Guercio, Salvatore Settis.

Hbk, 5.75 x 8 in. / 300 pgs / 144 color / 48 bw. | 6/19/2018 | Out of stock
$50.00


William Kentridge: No It Is

WALTHER KöNIG, KöLN

Hbk, 6 x 10 in. / 250 pgs / 180 color. | 9/27/2016 | Out of stock
$29.95


William Kentridge: Notes Towards a Model Opera

UCCA/KOENIG BOOKS/MARTA AND COSENTINO

Hbk, 6.5 x 9 in. / 264 pgs / illustrated throughout. | 3/28/2017 | In stock
$30.00


William Kentridge: The Refusal of Time

EDITIONS XAVIER BARRAL
Introduction by William Kentridge. Text by Peter Galison, William Kentridge, Catherine Meyburgh, Philip Miller.

Clth, 9 x 12.25 in. / 400 pgs / 25 color / 300 bw. | 2/28/2013 | Out of stock
$125.00


              

OUT OF PRINT LISTING

William Kentridge: The Nose

WALTHER KöNIG, KöLN
Edited with foreword and introduction by Sabine Schaschl. Text by William Kentridge, Jane Taylor.

Clth, 9 x 11 in. / 240 pgs / 500 color. | 9/29/2015 | Not available
$50.00


William Kentridge: No, It Is

FOURTHWALL BOOKS

Hbk, 6 x 7 in. / 560 pgs / 560 color / Ed of 800 copies. | 8/31/2013 | Not available
$65.00


William Kentridge & Gerhard Marx: Fire Walker

FOURTHWALL BOOKS
Edited by Oliver Barstow, Bronwyn Law-Viljoen. Introduction by Bronwyn Law-Viljoen. Text by Alexandra Dodd, Mpho Matsipa, Zen Marie, Jonathan Cane, Mark Gevisser. Interviews by Oliver Barstow. Photographs by John Hodgkiss, Ben Law-Viljoen, Alistair McLachlan.

Slip Pbk, 7.75 x 11.75 in. / 123 pgs / 123 color. | 3/31/2012 | Not available
$50.00


William Kentridge: Black Box/Chambre Noire

GUGGENHEIM MUSEUM PUBLICATIONS
Essays by Maria-Christina Villase“or and William Kentridge.

Hardcover, 10.75 x 8.5 in. / 128 pgs / 97 color. | 1/1/2006 | Not available
$45.00


William Kentridge: Thinking Aloud

WALTHER KöNIG, KöLN
Artwork by William Kentridge. Contributions by Angela Breidbach.

Paperback, 6 x 9 in. / 128 pgs / 3 color / 81 bw. | 3/15/2005 | Not available
$45.00


William Kentridge: Weighing...And Wanting

MUSEUM OF CONTEMPORARY ART, SAN DIEGO
Essay by Leah Ollman. Introduction by Hugh M. Davies.

Hardcover, 11.25 x 9.75 in. / 44 pgs / 23 color / 1 bw / 85 color film stills. | 7/2/2001 | Not available
$25.00


William Kentridge

SOCIETE DES EXPOSITIONS DU PALAIS DES BEAUX-ARTS DE BRUXELLES
Artwork by William Kentridge. Text by Carolyn Christov-Bakargiev.

Paperback, 9 x 11.75 in. / 192 pgs / 85 color / 160 bw | 4/2/1999 | Not available
$39.00


William Kentridge: Carlton Centre Games ArcadeWilliam Kentridge: Carlton Centre Games Arcade

Published by Steidl.
Edited with text by Warren Siebrits.

Following the publication of his Domestic Scenes (2021) and Catalogue Raisonné Volume 1: Prints and Posters 1974–1990 (2022), South African artist William Kentridge (born 1955) offers a more intimate look at a series of prints, singular and influential in his oeuvre, titled Carlton Centre Games Arcade (1977).
The Carlton Centre in Johannesburg, owned by the mining company Anglo American, was the most expensive and prestigious hotel and shopping complex on the African continent at the time and was just a short walk from Kentridge’s father’s legal practice. This complex was where he decided to begin the process of observational drawing that would lead to his first prolonged engagement with intaglio printing. This book is an opportunity for Kentridge enthusiasts to catch a glimpse of this little-known early series of 14 etchings and also offers a further taste of the ongoing catalogue raisonné project.



PUBLISHER
Steidl

BOOK FORMAT
Clth, 7 x 10.5 in. / 120 pgs / 56 color.

PUBLISHING STATUS
Pub Date
Forthcoming

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Catalog: SPRING 2024 p. 23   

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ISBN 9783969992449 TRADE
List Price: $40.00 CDN $58.00

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Awaiting stock

STATUS: Forthcoming | 6/25/2024

This title is not yet published in the U.S. To pre-order or receive notice when the book is available, please email orders @ artbook.com

William Kentridge: Catalogue Raisonné Volume 1William Kentridge: Catalogue Raisonné Volume 1

Prints and Posters 1974–1990

Published by Steidl.
Edited with text by Warren Siebrits.

William Kentridge (born 1955) has been creating poignant, clever and visually arresting works across a variety of mediums for more than five decades. This book focuses on his long-standing relationships with printmaking and poster design. Over the past three years, South African scholar Warren Siebrits began compiling a five-volume catalogue raisonné of Kentridge’s prints and posters. In this first volume, focusing on graphics produced between 1974 and 1990, Siebrits presents the artist’s earliest forays into linocut, etching and monotype printing, to name but a few. While for many artists printmaking is informed by their work in what have historically been considered more valuable mediums such as painting and drawing, Siebrits emphasizes that Kentridge’s process has been quite the opposite. This intensive look at Kentridge first and foremost as a printmaker is thus crucial for a comprehensive understanding of his diverse and influential oeuvre. The chronology of the prints and posters helps reestablish many lost and obscure tributaries that will prove invaluable for following Kentridge’s trajectory.



PUBLISHER
Steidl

BOOK FORMAT
Slip, clth, 9.5 x 12 in. / 688 pgs / 781 color.

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Catalog: SPRING 2023 p. 102   

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ISBN 9783969991435 SDNR40
List Price: $295.00 CDN $413.00

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William KentridgeWilliam Kentridge

Published by Royal Academy of Arts.
Text by Stephen Clingman, Adrian Locke, Rose Thompson.

The South African artist William Kentridge is internationally renowned for the expressionism of his work in numerous mediums, among them charcoal, printmaking, sculpture and film, as well as his acclaimed theatrical and operatic productions. As elusive as it is allusive, Kentridge’s art is shaped by apartheid and grounded in the politics of the post-apartheid era, and in science, literature and history, while always maintaining space for contradiction and uncertainty.
This volume presents early drawings and etchings from Ubu Tells the Truth; stills from Johannesburg, 2nd Greatest City after Paris and other films; six tapestry works; various drawing series, including Kentridge’s drawings of trees on various supports; a model theater; and more. These are punctuated by six meditations on the exhibition’s themes by Stephen Clingman: Drawn through Time; The Enigmas of Soho; Shadows of the Past, Shadows of the Present; Dualities, or How I Did Not Become; Timespaces, or Two Dancers; and Coda: Vanishings. Along the way, thought-collages, allusions and assemblages come together to create a connective, dimensional way of thinking inspired by Kentridge’s own habits of creation.



PUBLISHER
Royal Academy of Arts

BOOK FORMAT
Hardcover, 8.75 x 11.75 in. / 224 pgs / 223 color / 25 bw.

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Catalog: FALL 2022 p. 68   

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ISBN 9781912520732 TRADE
List Price: $45.00 CDN $63.00

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William Kentridge: In Praise of ShadowsWilliam Kentridge: In Praise of Shadows

Published by DelMonico Books/The Broad.
Edited with text by Ed Schad. Foreword by Joanne Heyler. Contributions by William Kentridge, Ann McCoy, Zakes Mda, Walter Murch.

This far-reaching book presents Kentridge’s dynamic art practice, which originates in charcoal drawing and expands into intersections with film, sculpture, opera and theater performances, printmaking and many other mediums. The volume is organized chronologically and thematically, emphasizing Kentridge’s destabilizing of South African and global narratives through openness to uncertainty, the generative power of the artist’s studio and perpetual change, all as conditions for illuminating repressed and silenced voices in historical records.
An essay by curator Ed Schad is presented along with studio photography, archival material and illuminating illustrations of Kentridge’s work, joining essays by globally recognized literary figures and thinkers Zakes Mda and Ann McCoy. Notably, the volume features a conversation between Kentridge and the famous film and sound editor Walter Murch, as well as a never-before-published lecture by the artist.
The work of William Kentridge (born 1955) has been seen in museums and galleries around the world since the 1990s, including the Museum of Modern Art in New York, the Albertina Museum in Vienna, Musée du Louvre in Paris, Whitechapel Gallery in London, Louisiana Museum in Copenhagen, the Reina Sofia museum in Madrid, the Kunstmuseum in Basel and Zeitz MOCAA and the Norval Foundation in Cape Town. Opera productions include Mozart’s The Magic Flute, Shostakovich’s The Nose and Alban Berg’s operas Lulu and Wozzeck. In 2016 Kentridge founded the Centre for Less Good Idea in Johannesburg, a space for responsive thinking and making through experimental, collaborative and cross-disciplinary art practices. The center hosts an ongoing program of workshops, public performances and mentorship activities.



PUBLISHER
DelMonico Books/The Broad

BOOK FORMAT
Hardcover, 8.25 x 10.5 in. / 288 pgs / 250 color / 50 bw.

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Catalog: FALL 2022 p. 69   

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ISBN 9781636810669 TRADE
List Price: $65.00 CDN $89.00 GBP £55.00

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William Kentridge: Domestic ScenesWilliam Kentridge: Domestic Scenes

Published by Steidl.
Text by William Kentridge, Warren Siebrits.

This book documents, for the first time, the entire 54 images—as well as an additional 65 plate progressions not previously known to exist—in William Kentridge’s important early series of etchings and aquatints, Domestic Scenes (1980). One of today’s most respected contemporary artists, Kentridge (born 1955) was only 25 years old and relatively unknown when he made these images, which are pivotal in how they shaped his thinking, studio practice and conceptual approach. Presenting a range of human interactions in domestic environments and revealing influences from Matisse to Francis Bacon, from Giacomo Balla to Niki de Saint Phalle, the prints receive in this book fascinating new commentary from Kentridge, who shares his working methods as well as personal memories of the prints’ subjects and creation.
Framed by detailed research by Warren Siebrits, the compiler of Kentridge’s upcoming catalogue raisonné of prints and posters, Domestic Scenes provides some of the earliest evidence of the artist “stalking the drawing”: returning to the etching plate time and again to make additions and alterations. The book features a tipped-in image and a pull-out poster.



PUBLISHER
Steidl

BOOK FORMAT
Clth, 7 x 10.5 in. / 160 pgs / 140 color / 5 bw.

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Catalog: SPRING 2022 p. 60   

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ISBN 9783969990421 TRADE
List Price: $58.00 CDN $80.00

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STATUS: Out of stock

Temporarily out of stock pending additional inventory.

William Kentridge: Waiting for the SibylWilliam Kentridge: Waiting for the Sibyl

Published by Walther König, Köln.
Edited by Anne McIlleron. Text by William Kentridge.

This volume publishes the libretto of William Kentridge’s (born 1955) chamber opera Waiting for the Sibyl, which was made for the Teatro dell’Opera di Roma and first performed there in September 2019. Music for the opera was composed by Nhlanhla Mahlangu and Kyle Shepherd. The images and phrases were projected on variously sized screens in the opera, sometimes in sync with the sung text, sometimes independent of any sung text. In the opera production, the right-hand page generally featured text, and the left-hand page a mixture of drawings and the shadow of a dancer cast onto its surface.

William Kentridge: Waiting for the Sibyl includes more and different drawings than are used in the opera. This book is compiled and published in the time of the COVID-19 pandemic, i.e. during a time in which it is not possible to perform the opera live. It is therefore undertaken in anticipation of the time when the opera can be seen in its full form.



PUBLISHER
Walther König, Köln

BOOK FORMAT
Hardcover, 7.75 x 10.5 in. / 360 pgs / 352 color.

PUBLISHING STATUS
Pub Date
Out of stock indefinitely

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Catalog: SPRING 2021 p. 111   

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ISBN 9783960988656 FLAT40
List Price: $89.95 CDN $125.93

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William Kentridge: A Poem That Is Not Our OwnWilliam Kentridge: A Poem That Is Not Our Own

Published by Walther König, Köln.
Edited with text by Sébastien Delot, Josef Helfenstein. Text by Eva Falge, Ute Holl, William Kentridge, Leora Maltz-Leca.

In more than three decades, William Kentridge (born 1955) has produced an oeuvre spanning diverse mediums including animated film, drawings, prints and rare books, stage production and sculpture. A Poem That Is Not Our Own establishes a link between his early drawings and films from the 1980s and 1990s and his most recent work, bringing into focus the thematic complex of migration, flight, and processions in his oeuvre. It illustrates how these themes first emerge in Kentridge's early graphic work and grow more prominent over the years as he explores their potential in ever more opulent creations.

Included here are the first presentations of The Head & The Load, which premiered at the Tate Modern, London, in the summer of 2018. An extravagant production involving film projections, shadow play and an ensemble of performers, the sprawling procession, which defied conventional genre boundaries, shed light on a neglected chapter of history: Africa's role in World War I.



PUBLISHER
Walther König, Köln

BOOK FORMAT
Hardcover, 6.5 x 9.5 in. / 248 pgs / 89 color.

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Active

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Catalog: SPRING 2020

PRODUCT DETAILS
ISBN 9783960986256 FLAT40
List Price: $55.00 CDN $75.00

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STATUS: Out of stock

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William Kentridge: Thick TimeWilliam Kentridge: Thick Time

Published by Whitechapel Gallery.
Edited with text by Iwona Blazwick. Text by Homi Bhabha, Sabine Breitwieser, Michael Juul Holm, Joseph Koerner, Denise Wendel.

William Kentridge (born 1955) is a beloved figure, heralded for his work in drawing, film animation, sculpture and performance. Published to accompany a major exhibition which tours to four venues in Europe, William Kentridge: Thick Time undertakes an overview of the artist’s recent works, focusing on a sequence of five key pieces dating from 2003 to 2015. These encompass three immersive audiovisual installations, including The Refusal of Time, selected works on paper, and ideas for theatre and opera design.

The fully illustrated monograph includes new critical writings on each of the works presented by venue curators Iwona Blazwick and Sabine Breitwieser; Michael Juul Holm, head of publications at Louisiana Museum of Modern Art; Harvard art historian Joseph Koerner; Denise Wendel, a writer interested in the relationship between art, theater and music; and influential Harvard postcolonial studies academic Homi Bhabha. The volume also features a selected exhibition history and bibliography.

William Kentridge was born in 1955 in Johannesburg, South Africa, where he continues to live and work. He is the recipient of several awards, including the Carnegie, and is represented by the Marian Goodman Gallery in New York. A major retrospective co-organized by the Hirshhorn Museum and Sculpture Garden; the New Museum of Contemporary Art, New York; and the Museum of Contemporary Art, Chicago recently toured the U.S. and appeared in Capetown, South Africa. In 2005 his production of The Magic Flute opened at La Monnaie opera house in Brussels, Belgium.

Homi Bhabha is a central figure in cultural studies and has been invited to to deliver lectures around the world at important institutions, including The University of London, England, whilst holding a more permanent position at the University of Chicago and Harvard University since 1997.

PUBLISHER
Whitechapel Gallery

BOOK FORMAT
Paperback, 9.75 x 11.25 in. / 256 pgs / 200 color.

PUBLISHING STATUS
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Out of stock indefinitely

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Catalog: FALL 2016 p. 85   

PRODUCT DETAILS
ISBN 9780854882502 TRADE
List Price: $35.00 CDN $47.50

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William Kentridge: No, It IsWilliam Kentridge: No, It Is

Published by Fourthwall Books.

No, It Is contains 280 new drawings by William Kentridge (born 1955), selected from a series of approximately 500 drawings made over a three-month period toward the end of 2012. Combining a series of flipbook sequences, it includes self-portraits of the artist sitting down and standing up, contorting himself or dancing; text-based series; geometric blocks of color; and calligraphic renderings of trees that verge on abstraction. As with the artist’s previous book works, all of the drawings are executed on the pages of antiquarian publications, from manuals on photography and electricity, dictionaries and guides to polishing leather to Robert Burton’s Anatomy of Melancholy. Satisfyingly chunky at 560 pages, and limited to an edition of only 800 copies, No, It Is is the largest flipbook-style publication that Kentridge has yet undertaken.

PUBLISHER
Fourthwall Books

BOOK FORMAT
Hardcover, 6 x 7 in. / 560 pgs / 560 color / Ed of 800 copies.

PUBLISHING STATUS
Pub Date
Out of print

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Catalog: FALL 2013 p. 122   

PRODUCT DETAILS
ISBN 9780987042903 TRADE
List Price: $65.00 CDN $75.00

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STATUS: Out of print | 00/00/00

For assistance locating a copy, please see our list of recommended out of print specialists

William Kentridge: Why Should I HesitateWilliam Kentridge: Why Should I Hesitate

Putting Drawings to Work

Published by Walther König, Köln.
Text by David Freedberg, Karel Nel.

Covering 40 years of South African artist William Kentridge's (born 1955) internationally acclaimed production in drawing, stop-frame animation, video, prints, sculpture, tapestry and large-scale installation, Why Should I Hesitate stands as a definitive statement on his vast oeuvre. This deluxe production, published in an edition of 1,800 copies, is comprised of two slipcased volumes with a unique print in lapis lazuli, each copy stamped and numbered.

The title references Kentridge’s primary practice of drawing and how this core activity informs and enables his studio practice. It also references the impact of individual action on history and the reverse—how history shapes the contemporary and the future—and serves as a commentary on various shifting hegemonies of power politics, economies, language and the authority to narrate history.



PUBLISHER
Walther König, Köln

BOOK FORMAT
Slip, clth, 2 vols, 8 x 10.5 in. / 440 pgs / 350 color.

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Active

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Catalog: SPRING 2020 p. 139   

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ISBN 9783960987147 SDNR30
List Price: $250.00 CDN $350.00

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William Kentridge: O Sentimental MachineWilliam Kentridge: O Sentimental Machine

Published by Kerber.
Edited with text by Vinzenz Brinkmann, Kristin Schrader. Text by Michaela Ott, Oliver Primavesi.

In this book, the works of William Kentridge (born 1955) enter into dialogue with the grand narratives of civilization, based on the sculpture collection of Frankfurt's Liebieghaus, which spans 5,000 years, forming a quasi-fictitious guide to the collection.



PUBLISHER
Kerber

BOOK FORMAT
Paperback, 6 x 8.5 in. / 288 pgs / 147 color / 128 bw.

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Catalog: FALL 2018 p. 158   

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ISBN 9783735604491 TRADE
List Price: $65.00 CDN $87.00

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STATUS: Out of stock

Temporarily out of stock pending additional inventory.

William Kentridge: Triumphs and LamentsWilliam Kentridge: Triumphs and Laments

Published by Walther König, Köln.
Edited with an introduction by Carlos Basualdo. Foreword by Federica Galloni. Text by Gabriele Guercio, Salvatore Settis.

Triumphs and Laments celebrates William Kentridge’s (born 1955) monumental frieze, drawn along the banks of the Tiber River in Rome, as well as the performance which inaugurated it. This reprint of Kentridge’s artist’s book serves as an illustrated guide to one of his most memorable and ambitious projects. Designed with the early Baedekers in mind, it acts as an essential component to viewing Kentridge’s erased-graffiti figures and to understanding the process of their creation. Gatefolds, a poster and a leporello of the frieze are included. The texts, which include a conversation between the artist and Carlos Basualdo, as well as two essays by Salvatore Settis and Gabriele Guercio, explore the meaning of the work and its resonance with the millennia-long history of Rome.



PUBLISHER
Walther König, Köln

BOOK FORMAT
Hardcover, 5.75 x 8 in. / 300 pgs / 144 color / 48 bw.

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Catalog: SPRING 2018 p. 122   

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ISBN 9783960981817 FLAT40
List Price: $50.00 CDN $67.50

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STATUS: Out of stock

Temporarily out of stock pending additional inventory.

William Kentridge: Notes Towards a Model OperaWilliam Kentridge: Notes Towards a Model Opera

Published by UCCA/Koenig Books/Marta and Cosentino.

To accompany William Kentridge's (born 1955) Notes Towards a Model Opera project in China, the artist's personal notebooks--filled with annotations, drawings and ideas--were meticulously reproduced in this eponymous publication to allow the reader into Kentridge's own thought process. With an in-depth profile of Kentridge by author Andrew Solomon, and essays by China art historian Alfreda Murck and UCCA director Philip Tinari, Notes Towards a Model Opera is a personal exploration of the layered meanings behind the aesthetics and ideals of socialist China as well as an exploration of the artist himself.

PUBLISHER
UCCA/Koenig Books/Marta and Cosentino

BOOK FORMAT
Hardcover, 6.5 x 9 in. / 264 pgs / illustrated throughout.

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Catalog: FALL 2015 p. 126   

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ISBN 9780996215602 TRADE
List Price: $30.00 CDN $40.00

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William Kentridge: FortuneWilliam Kentridge: Fortune

Published by RM/MUAC.
Text by Amanda de la Garza, Néstor García Canclini, Lilian Tone.

South African artist William Kentridge (born 1955) has produced a body of work in which he traverses the boundaries of traditional media such as drawing, etching and stop-motion animation. Fortune surveys his exhibitions and projects from the Museo Universitario de Arte Contemporáneo (MUAC) in Mexico.

PUBLISHER
RM/MUAC

BOOK FORMAT
Paperback, 6.5 x 8.75 in. / 120 pgs / 61 color.

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Pub Date
Out of stock indefinitely

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Catalog: SPRING 2016 p. 186   

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ISBN 9788416282166 FLAT40
List Price: $19.95 CDN $27.95

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Not available

STATUS: Out of stock indefinitely.

William Kentridge: No It IsWilliam Kentridge: No It Is

Published by Walther König, Köln.

No It Is documents two recent major presentations of work by South African artist William Kentridge (born 1955): his exhibition at the Martin-Gropius-Bau in Berlin and his performances at the Berliner Festspiele in summer 2016. This artist’s book incorporates a libretto for a performed guided tour of the exhibition--a performance which is both a guide to the exhibition and an exhibit within it--and writings by or conversations with Kentridge about the two projects.

The exhibition includes early drawings, animated films, installations, large-scale projections such as More Sweetly Play the Dance and theatrical pieces ranging from Winterreise, an evening of Schubert lieder, collaborations with the Handspring Puppet Company and chamber opera. In the performance series, titled Drawing Lessons, Kentridge discusses his working methods and his political context, from the Apartheid era to the present.

PUBLISHER
Walther König, Köln

BOOK FORMAT
Hardcover, 6 x 10 in. / 250 pgs / 180 color.

PUBLISHING STATUS
Pub Date
Active

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Catalog: SPRING 2016 p. 93   

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William KentridgeWilliam Kentridge

Published by nai010 publishers.
Text by Jaap Guldemond, William Kentridge.

The South African artist William Kentridge (born 1955) has achieved a worldwide reputation with his large, poetic and incisive installations. Over the last decades the versatile artist has developed a multidisciplinary way of working that combines film, animation, drawing, music and theater. Typical of his work are the powerful charcoal drawings that he turns into moving images. Kentridge's work explores the historically charged past of his native country. The artist is producing an impressive large-scale installation for EYE Filmmuseum in Amsterdam, to be shown on eight large screens and accompanied by a soundtrack of an African brass band. This publication of Kentridge's texts, sketches, set photographs and film stills lays bare the process by which this unusual project came into being and places it within the context of his oeuvre.

PUBLISHER
nai010 publishers

BOOK FORMAT
Paperback, 6 x 9 in. / 112 pgs / 100 color.

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Catalog: FALL 2015 p. 126   

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ISBN 9789462082137 TRADE
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William Kentridge: The NoseWilliam Kentridge: The Nose

Published by Walther König, Köln.
Edited with foreword and introduction by Sabine Schaschl. Text by William Kentridge, Jane Taylor.

This publication is devoted to William Kentridge's (born 1955) multimedia cycle The Nose (based on Gogol's short story of the same name), comprised of the video installation "I Am Not Me, the Horse Is Not Mine," plus sculptures, tapestries and works on paper. Kentridge describes this cycle as an elegy for the artistic language of the Russian Constructivists.

PUBLISHER
Walther König, Köln

BOOK FORMAT
Clth, 9 x 11 in. / 240 pgs / 500 color.

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Catalog: SPRING 2016 p. 186   

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ISBN 9783863357719 FLAT40
List Price: $50.00 CDN $60.00

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William Kentridge: Secondhand ReadingWilliam Kentridge: Secondhand Reading

Published by Fourthwall Books.

Secondhand Reading began life as a film constructed from a succession of drawings made by William Kentridge (born 1955) in 2013, on the pages of old books. Conceived as a kind of secondhand reading in which books are translated into a filming of books, it is both a narrative--it begins at the beginning and will eventually get to the end--and an acknowledgment of the necessity of repetition, inconsistency and the illogical. One of today's most preeminent and popular artists, Kentridge has made many flip books and book-length works that attest to his longstanding interest not only in film (he has been making animated films for two decades) but also in the relationship between drawing, photography and filmmaking. At 800 pages, Secondhand Reading is by far his most ambitious volume. An exquisitely produced publication, it boasts a robust French-fold dustjacket.

PUBLISHER
Fourthwall Books

BOOK FORMAT
Clth, 8 x 11 in. / 800 pgs / 800 color.

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Catalog: FALL 2014 p. 125   

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ISBN 9780992226312 TRADE
List Price: $85.00 CDN $112.50

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William Kentridge & Nalini Malani: The Shadow Play as Medium of MemoryWilliam Kentridge & Nalini Malani: The Shadow Play as Medium of Memory

Published by Charta.
Text by Andreas Huyssen.

This comparative study of contemporary artists William Kentridge (born 1955) and Nalini Malani (born 1946) focuses on their use of the shadow play as a medium of memory. Independently of each other, both artists have deployed this centuries-old performative art form in works that are widely considered to be highpoints of their respective careers--works such as Kentridge’s installation The Refusal of Time and Malani’s video/shadow play In Search of Vanished Blood. Both artists belong to a generation whose experience is shaped by colonialism and decolonization; their works reflect on the long-term traces of historical trauma, partition and apartheid, always in aesthetically complex forms (rather than in documentary or agit-prop style). In creative dialogue with modernism and the historical avant-garde, they provide persuasive examples of a new negotiation between aesthetics, ethics and politics.

PUBLISHER
Charta

BOOK FORMAT
Hardcover, 6.75 x 9.5 in. / 80 pgs / 32 color.

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Catalog: SPRING 2014 p. 120   

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ISBN 9788881588756 TRADE
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William Kentridge: The Refusal of TimeWilliam Kentridge: The Refusal of Time

Published by Editions Xavier Barral.
Introduction by William Kentridge. Text by Peter Galison, William Kentridge, Catherine Meyburgh, Philip Miller.

William Kentridge’s recent work is situated on the border between art and science: by examining our perception and understanding of time, he reconsiders the creative process. A work in progress in the truest sense, The Refusal of Time continues and deepens the polymorphic, dreamlike, political and humanist body of work developed by Kentridge from his very earliest days as an artist. An installation with performance elements, The Refusal of Time was conceived by Kentridge and science historian Peter Galison for Documenta 13, and realized in collaboration with video filmmaker Catherine Meyburgh and composer Philip Miller, both of whom worked with Kentridge and Galison for a year. Time in its various manifestations--narrative, fragmented, slowed down and speeded up; distortions of space-time; simultaneity--is explored through various media, including dance, film, music and spoken word. The book itself is a work of art; it includes sketches and notebooks, all the texts read during the performance, pictures from the rehearsals and workshop as well as highlights of the show, interviews and drawings created specially for it by Kentridge.

PUBLISHER
Editions Xavier Barral

BOOK FORMAT
Clth, 9 x 12.25 in. / 400 pgs / 25 color / 300 bw.

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Catalog: SPRING 2013 p. 27   

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ISBN 9782365110075 TRADE
List Price: $125.00 CDN $170.00

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A Universal Archive: William Kentridge as PrintmakerA Universal Archive: William Kentridge as Printmaker

Published by Hayward Gallery Publishing.
Foreword by Roger Malbert. Text by Rosalind Krauss. Interview by Kate McCrickard.

South African artist William Kentridge (born 1955) is internationally acclaimed for his drawings, films, and theatre and opera productions. He is also an innovative and prolific printmaker--of etchings, engravings, aquatints, silkscreens, linocuts and lithographs--often experimenting with challenging formats and combinations of printing techniques to create highly worked, intensely atmospheric imagery. His prints range in scale from intimate etchings and drypoints to linocuts on rice paper and canvas measuring over eight feet high and are reproduced on a variety of materials, a tactile approach which is echoed in the design and production of this volume. This unique and beautifully presented book includes almost 100 prints from 1988 to the present, with a stress on experimental, collaborative and serial works. Kentridge’s distinctive use of light and shadow and silhouettes, his concern with memory and perspective, and his absorption in literary texts are all strongly in evidence throughout this book, which provides new insights into the working methods of this prolific artist.

PUBLISHER
Hayward Gallery Publishing

BOOK FORMAT
Paperback, 8.25 x 9.75 in. / 144 pgs / 100 bw.

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Catalog: SPRING 2013 p. 27   

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ISBN 9781853323010 TRADE
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William Kentridge & Gerhard Marx: Fire WalkerWilliam Kentridge & Gerhard Marx: Fire Walker

Published by Fourthwall Books.
Edited by Oliver Barstow, Bronwyn Law-Viljoen. Introduction by Bronwyn Law-Viljoen. Text by Alexandra Dodd, Mpho Matsipa, Zen Marie, Jonathan Cane, Mark Gevisser. Interviews by Oliver Barstow. Photographs by John Hodgkiss, Ben Law-Viljoen, Alistair McLachlan.

In 2009, William Kentridge and Gerhard Marx were commissioned to make a public sculpture for the city of Johannesburg, on the occasion of the 2010 Soccer World Cup. Their sculpture was based on Kentridge’s drawing of a woman street vendor--known colloquially in Johannesburg as a fire walker--carrying a burning brazier on her head. “Fire Walker” thus stands for the ordinary citizen, whose survival depends on his or her ability to negotiate contested urban terrain. The 36-feet-high figure was installed at the foot of the Queen Elizabeth Bridge, on a site formerly used by street traders and taxi washers. This volume documents the commission and also includes two photo essays on street vendors and old city monuments.

PUBLISHER
Fourthwall Books

BOOK FORMAT
Slip Paperback, 7.75 x 11.75 in. / 123 pgs / 123 color.

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Catalog: SPRING 2012 p. 95   

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ISBN 9780986985027 TRADE
List Price: $50.00 CDN $67.50

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William Kentridge: LexiconWilliam Kentridge: Lexicon

Published by A.S.A.P..

Lexicon is a facsimile cloth edition of an antiquarian Latin-Greek dictionary which the internationally celebrated South African artist William Kentridge (born 1954) has embellished with black ink drawings of what might seem at first to be animal silhouettes. In reproducing the work (which is uncollected elsewhere), this beautifully designed artist's book mischievously pits the model of the flipbook against the fragility of the antiquarian original, and flipping its pages animates Kentridge's lively, spiky drawings into a continuously morphing image that transforms from a cat to a coffee pot over the course of the book's 160 pages. This image is based on a disintegrating sculpture that reflects the artist's interest in the instability of objecthood. Lexiconis accompanied by a DVD containing a short film in which Kentridge flips the pages himself.

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BOOK FORMAT
Clth, 6.75 x 9 in. / 160 pgs / 78 color / DVD (NTSC only).

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Catalog: FALL 2011 p. 83   

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ISBN 9780979764240 TRADE
List Price: $40.00 CDN $54.00 GBP £35.00

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William Kentridge: Carnets D'EgypteWilliam Kentridge: Carnets D'Egypte

Published by Editions Dilecta/Editions du Musée du Louvre.
Text by William Kentridge. Afterword by Marie-Laure Bernadac.

Carnets D'Egypte is William Kentridge's multimedia excavation of one of his favorite subjects: ancient Egypt. "Egypt has to be both believed and disbelieved at the same time," he proposes, explaining his attraction to its intermingling of myth and history in the era of the pharaohs; here, he approaches this intermingling, and attendant questions of orientalism, in works that draw on western traditions of depicting Egypt, by such artists as Carracci, Delacroix, Le Brun, Poussin and Degas. In a scrapbook dossier composed of charcoal and pen-and-ink drawings, collages, animated films and performance pieces, Kentridge investigates such mythically proportioned Egyptian roles as the scribe, the architect and the artist, often inserting himself into the dialogue as a visible presence. This beautifully made book, which includes a DVD with three films, affirms Kentridge at his eclectic and erudite best.

PUBLISHER
Editions Dilecta/Editions du Musée du Louvre

BOOK FORMAT
Hardcover, 8.75 x 6.25 in. / 80 pgs / 85 color / DVD (PAL Only).

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Catalog: SPRING 2011 p. 83   

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ISBN 9782916275857 TRADE
List Price: $32.00 CDN $42.50

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William Kentridge: TraceWilliam Kentridge: Trace

Prints from The Museum of Modern Art

Published by The Museum of Modern Art, New York.
Text by Judith B. Hecker, William Kentridge.

William Kentridge's art brings together drawing, film animation, sculpture and performance. He also applies his astonishing draftsmanship to the techniques of printmaking, including etching, screenprinting, lithography and linoleum cut. In fact printmaking has always been essential to his work, from his earliest forays into artmaking in the 1970s to his recent operas. “Printmaking has been not just an edge to or a side journey from the work that I've been making over the last 30 years or so,” the artist has said, “but is very much a key to it.” Kentridge's love of the printed image extends to books, and he often draws and prints on unbound pages from encyclopedias, ledgers and the like. In Trace, both a catalogue of prints from the Museum's collection and an artist's book, Kentridge uses translucent pages interspersed throughout the book to respond to his prints reproduced beneath them, in a dialogue between past and present. The book also includes a lecture by Kentridge on printmaking, illuminating its relevance to his broader practice.

PUBLISHER
The Museum of Modern Art, New York

BOOK FORMAT
Hardcover, 8 x 10 in. / 112 pgs / 100 color.

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Catalog: SPRING 2010 p. 83   

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ISBN 9780870707797 TRADE
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William Kentridge: Repeat-from the BeginningWilliam Kentridge: Repeat-from the Beginning

Published by Charta/Fondazione Bevilacqua La Masa.
Text by William Kentridge, Francesca Pasini, Jane Taylor, Angela Vettese.

In the summer of 2008, South African artist William Kentridge debuted his production of Claudio Monteverdi's opera, The Return of Ulysses, at Venice's Teatro La Fenice. In addition to designing many of the opera's sets and props, Kentridge created a new video, which was projected prior to the performance. This volume is primarily composed of stills from that video, in which Kentridge translates themes central to Monteverdi's portrayal of Homer's classic protagonist--human brotherhood, chance and love--into his trademark hand-drawn animation.
Since the 1990s, Kentridge has maintained a multimedia practice, producing and often combining drawings, films and theater. Since 1992, he has collaborated with the Handspring Puppet Company. During the late 1970s and 1980s, he produced posters, drawings and theater pieces in opposition to South African apartheid.

PUBLISHER
Charta/Fondazione Bevilacqua La Masa

BOOK FORMAT
Paperback, 6.75 x 9.5 in. / 112 pgs / 115 color / 42 bw.

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Catalog: SPRING 2009 p. 94   

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ISBN 9788881587100 TRADE
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William Kentridge: Black Box/Chambre NoireWilliam Kentridge: Black Box/Chambre Noire

Published by Guggenheim Museum Publications.
Essays by Maria-Christina Villase“or and William Kentridge.

In the course of designing his recent production of Mozart's The Magic Flute, artist and animated filmmaker William Kentridge created a mechanized theater maquette. When he saw the miniature stage's potential as sculpture, projection site, and installation, he began to imagine Black Box, the freestanding structure whose development and installation are documented here. A movement-filled, visually charged piece, it is peopled with two-dimensional mechanical figures, completed with scenic elements and lit by flickering video. A digital projector displays animated films created from Kentridge's charcoal drawings and sculptures. Kentridge considers his title term in three senses: a "black box" theater, a "chambre noire" as it relates to photography, and a "black box" flight data recorder, as used in airline disasters. The clandestine fourth reference may be to his ongoing exploration of German history and its convergence with South African history through Namibia, a former German colony that came under South African control prior to gaining its independence. Black Box evokes all that, and the joyful mechanics of pre-cinematic visual spectacles, magic lanterns, the camera obscura and the zoetrope. A unique and richly layered meditation on the act of seeing, on vision and experience, and on the nature of knowledge itself.

PUBLISHER
Guggenheim Museum Publications

BOOK FORMAT
Hardcover, 10.75 x 8.5 in. / 128 pgs / 97 color.

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Catalog: SPRING 2006 p. 111   

PRODUCT DETAILS
ISBN 9780892073399 TRADE
List Price: $45.00 CDN $55.00

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STATUS: Out of print | 5/18/2011

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William Kentridge: Thinking AloudWilliam Kentridge: Thinking Aloud

Published by Walther König, Köln.
Artwork by William Kentridge. Contributions by Angela Breidbach.

William Kentridge combines political content with an individualistic mythology; photographed drawings, framed and re-photographed, serve as material for his animated films. The dialogue between Kentridge and Angela Breidbach in Thinking Aloud ranges from the development of central perspective in artistic space to contemporary film.

PUBLISHER
Walther König, Köln

BOOK FORMAT
Paperback, 6 x 9 in. / 128 pgs / 3 color / 81 bw.

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Catalog: SPRING 2005 p. 134   

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ISBN 9783883759081 SDNR30
List Price: $45.00 CDN $55.00

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STATUS: Out of print | 4/1/2008

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William Kentridge: Weighing...And WantingWilliam Kentridge: Weighing...And Wanting

Published by Museum of Contemporary Art, San Diego.
Essay by Leah Ollman. Introduction by Hugh M. Davies.

South African artist William Kentridge makes drawings that he erases, alters, or augments, all the while filming them to bring the drawings to life. William Kentridge: Weighing... and Wanting focuses on the the artist's 1998 film of the same name, and the drawings he used to make the film. Weighing... and Wanting is one of Kentridge's most personal films, and its poignancy is expressed through the intimacy of the large-scale color reproductions of the charcoal drawings. Over 80 film stills are reproduced in the catalogue, enabling the reader to follow the film sequence. An insightful essay on the drawings and film, and biographic information about William Kentridge completes the catalogue.

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BOOK FORMAT
Hardcover, 11.25 x 9.75 in. / 44 pgs / 23 color / 1 bw / 85 color film stills.

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Catalog: FALL 2001

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ISBN 9780934418584 TRADE
List Price: $25.00 CDN $30.00

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STATUS: Out of print | 11/28/2010

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William KentridgeWilliam Kentridge

Published by Societe des Expositions du Palais des Beaux-Arts de Bruxelles.
Artwork by William Kentridge. Text by Carolyn Christov-Bakargiev.



PUBLISHER
Societe des Expositions du Palais des Beaux-Arts de Bruxelles

BOOK FORMAT
Paperback, 9 x 11.75 in. / 192 pgs / 85 color / 160 bw

PUBLISHING STATUS
Pub Date
Out of print

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Catalog: SPRING 1999

PRODUCT DETAILS
ISBN 9789074816090 TRADE
List Price: $39.00 CDN $45.00

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STATUS: Out of print | 6/1/2005

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