| | | | | |  | ILYA KABAKOV: A RETURN TO PAINTING
Edited by Ulrich Krempel. Text by Karin Hellandsjř, Ilya Kabakov, Ulrich Krempel.
KERBER
ISBN: 9783866786523 | US $69.95
Pub Date: 8/31/2012
Active | In stock
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| | | |  | ILYA & EMILIA KABAKOV: UNDER THE SNOW
Edited by Kurt Wettengl. Foreword by Fernando Francés, Ritta Valorinta. Text by Rod Mengham.
WALTHER KöNIG, KöLN
ISBN: 9783865603487 | US $42.00
Pub Date: 3/1/2008
Active | Awaiting stock
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| | |  | ILYA KABAKOV: THE RED WAGON
Edited by Volker Rattemeyer. Essays by Boris Groys, Jürgen Harten and Renate Petzinger.
VERLAG FUR MODERNE KUNST NURNBERG
ISBN: 9783933096258 | US $55.00
Pub Date: 3/15/2005
Active | Awaiting stock
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| | | | |  | ILYA/EMILIA KABAKOV
CHARTA
ISBN: 9788881583027 | US $34.95
Pub Date: 8/2/2001
Out of print | Not available
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|  | ILYA KABAKOV
Artwork by Ilya Kabakov. Edited by Zdenek Felix.
OKTAGON
ISBN: 9783927789937 | US $48.00
Pub Date: 8/2/2000
Active | In stock
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|  | ILYA KABAKOV
Artwork by Ilya Kabakov. Text by Martin Schick.
HATJE CANTZ PUBLISHERS
ISBN: 9783775790222 | US $12.95
Pub Date: 7/2/2000
Out of print | Not available
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|  | ILYA/EMILIA KABAKOV
Artwork by Ilya Kabakov. Edited by Chiara Bertola. Contributions by Paolo Falcone.
CHARTA
ISBN: 9788881582228 | US $49.95
Pub Date: 8/2/1999
Out of print | Not available
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| Edited by Wolfgang Roth. Text by Ilya Kabakov.
Published by KerberPainting has been a key feature of the countless installations that Ilya Kabakov (born 1933) has produced over the past few decades; it was also his first medium, one to which he has returned in recent years with great vigor. This handsomely produced volume reproduces collage-like paintings from 2010.
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| Edited by Ulrich Krempel. Text by Karin Hellandsjř, Ilya Kabakov, Ulrich Krempel.
Published by KerberSince about 2000, Ilya Kabakov has been slowly turning away from the installation pieces for which he is best known to return to his first medium, painting, with which he addresses personal experiences from the recent past as well as his childhood in Stalin’s Soviet Union. This catalogue presents 60 paintings and three models for unfinished installations.
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| Artist Books 1958-2009Edited by Matthias Haldemann.
Published by KerberThe book form has played a consistently pivotal role in the art of Russian conceptualist Ilya Kabakov (born 1933). Kerber's massive and luxurious clothbound catalogue raisonné of Kabakov's artist's books--companion to their previous two-volume catalogue raisonné of the paintings--is both an artist's book and an academic resource, providing full-color spreads from books published between 1958 to the present.
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| Edited by Renate Petzinger. Text by Boris Groys, Robert Storr.
Published by KerberThis two-volume, slipcased set presents the first complete overview of iconic New York-based, Russian-born artist Ilya Kabakov's paintings. Centered around 130 works produced by Kabakov in Moscow between 1957 and 1987--when he used imaginary characters in his paintings to portray the banality of everyday life in the Soviet Union, providing both a parable on humankind and sardonic commentary on the system's unfulfilled promises and undelivered utopias--this comprehensive catalogue raisonné follows the publication of a two-volume catalogue raisonné of Kabakov's installations in 2004 and includes important essays by curator and critic Robert Storr and acclaimed late-Soviet Postmodern art and literature expert Boris Groys.
Ilya Kabokov was born in 1933 in Dnepropetrovsk, Russia, and immigrated to the U.S. in 1988. Kabokov is a contemporary of other "unofficial" Russian artists like Komar & Melamid--who also immigrated to the U.S.--and Oleg Vassilyev and Ivan Chuikov, who remained.
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| Edited by Jeanne Koles. Introduction by Jonathan Fineberg. Text by Amy Ingrid Schlegel, Matthew Jesse Jackson.
Published by Tufts University Art GalleryIlya Kabakov was born in the USSR in 1933, and immigrated to New York in 1992. He began working with his wife, Emilia, in 1989. The two continue to produce large-scale installations, similar to theatrical mises-en-scenes, that pose provocative questions about the role of individuals in society, connections between spirituality and science and the possibility of utopia. This volume accompanies the exhibition The Center of Cosmic Energy at the Tufts University Art Gallery in Medford, Massachusetts. An introduction by art historian, Jonathan Fineberg, and essays by Tufts Gallery Director, Amy Ingrid Schlegel and Kabakov scholar Matthew Jesse Jackson provide a much-needed contextualization of the Kabakovs' oeuvre, which is widely considered the most important contemporary work to emerge from the former Soviet Union.
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| Edited by Kurt Wettengl. Foreword by Fernando Francés, Ritta Valorinta. Text by Rod Mengham.
Published by Walther König, KölnIn their 2004-2006 work complex, Under the Snow, the renowned Russian-émigré artists Ilya and Emilia Kabakov bring together 23 large-format paintings and 35 works on paper. Various genres are crossed, including abstraction, landscape and historical painting. This volume collects the entire suite for the first time.
|  | STATUS: Temporarily out of stock pending additional inventory. |
| Edited by Thomas Kellein and Bjoern Egging. Essays by Jill Snyder, Amei Wallach, Robert Storr, Rosalie Solow, Boris Groys, Margarita & Victor Tupitsyn, Matthew Jesse Jackson and Yusuke Nakahmara.
Published by Museum of Contemporary Art, ClevelandCounterfactual history is the subject of this catalogue from Ilya Kabakov, a leading figure in installation art and arguably the most important living Russian artist, who often collaborates with his wife, Emilia. Here, through the artwork of three fictitious Russians, including one named Ilya Kabakov, the artist imagines an alternative outcome to the Soviet experiment, one that embraces the populist spirit and idealized subjects of socialist realism and the utopian symbolism of abstraction. In the exhibition The Teacher and the Student: Charles Rosenthal and Ilya Kabakov,” two imaginary characters confront art historical and museological tropes: the model of the provincial artist; the nature of the museum retrospective; and the epoch of the avant garde. The catalogue function wryly as history lesson, morality tale, social critique and personal homage for an artist who has witnessed the failed utopian experiment of the Soviet Union, both as citizens and emigres.
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| Essay by Thomas Kellein.
Published by KerberSince emigrating to the West in 1989, Ilya Kabakov--now 70 years old--and his wife Emilia have become two of the most important masters of the visual arts today. The Kabakovs' work is beyond historical categorization, although the viewer sometimes receives the impression that the work refers to a specific historical point of view and to a real space. Culled for this large 400-page book, 500 almost unknown drawings and 50 models of new architectural projects reveal the Kabakovs' diverse utopic dimension.
|  | STATUS: Out of Print | 5/1/2009
For assistance locating a copy, please see our list of recommended out of print specialists > |
| Edited by Volker Rattemeyer. Essays by Boris Groys, Jürgen Harten and Renate Petzinger.
Published by Verlag Fur Moderne Kunst NurnbergThis book extensively documents Russian-American Ilya Kabakov's Red Wagon project through the artist's sketches and installation photographs. The intricate wooden construction is a work that has been conceived as a poetic allegory of artists' hopes, unrealized dreams and the demise of the former Soviet Union.
|  | STATUS: Temporarily out of stock pending additional inventory. |
| Essays by Chiara Bertola and David Elliott.
Published by ChartaWho is the greatest? Who today can define himself as the greatest? Ilya Kabakov, father of Russian Conceptualism, and his wife Emilia, ask these very questions in Where is Our Place? A project about the paradoxical contrast between contemporary and past art, this book meditates on the inner workings of the art system and artistic experience, identifying the importance of and need for a new critical and ethical awareness in our reception of art. Here different eras exist simultaneously in an incongruous art museum outside of time: contemporary, past, and perhaps also an imaginary projection into the future.
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| Essays by Boris Groys and Ilya Kabakov.
Published by Richter VerlagIn this album, Ilya Kabakov adopts the position of a fictive artist whose "Universal System for Depicting Everything" constitutes what he describes as "an exploration of some sort of fantastic system, namely, a system for a view from the fourth dimension. It is an elaboration, in several sketches, of how our reality, the different qualities of our reality, can be seen from this dimension."
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| 1995-1998Essay by Emilia Kabakov & Ilya Kabakov.
Published by Richter VerlagFor their first collaboration, Ilya and Emilia Kabakov built an immense, spiraling multi-story canvas and wood structure lit from within like a Chinese lantern. Inside, the Kabakovs installed 65 projects that ranged from the sublime to the common-place, and included proposals for gaining self-awareness by becoming a beggar or an angel; for punishing household objects for our mistfortunes; for redistributing the world's energy supply with space-based transmitters; for "cloud management" through a system of pumps and pipes; and even for taking a vacation without ever leaving your bed. Through photographs and essays by the artists, this publication documents the development and realization of The Palace of Projects.
|  | STATUS: Out of print | 11/28/2010
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| Edited by Toni Stooss. Essays by Robert Storr, Rod Mengham, Boris Groys and Oskar Bätschmann
Published by Richter VerlagThe struggle with one's own memories, especially those of an unofficial artist in the last decades of the Soviet Union, has been the dominant theme of the work of Ilya Kabakov (born 1933 in Dnepropetrovsk, Ukraine), since his 1987 move to the west. Kabakov invites us to enter a private sphere and reminds us of the ugly, depressing aspects of Russian Communism's decline into paranoia and oppression. The driving force behind Kabakov's artistic production has remained a recapitulation of his own past under the disintegration of Soviet civilization.
|  | STATUS: Out of print | 11/28/2010
For assistance locating a copy, please see our list of recommended out of print specialists > |
| Public ProjectsContributors include Giairo Daghini, Anna Daneri, Emilia Kabakov, Boris Groys, Ilya Kabakov, Giacinto Pietrantonio, Angela Vettese.
Published by ChartaDuring the summer of 2000 Ilya Kabakov was visiting professor at the Corso Superiore di Arte Visiva at the Ratti Foundation in Como. Together with his wife, Emilia, he offered the students his ideas on total installations, exploring their poetry and meanings. This volume documents the students' end-of-course exhibition and Kabakov's public space installation.
|  | STATUS: Out of print | 5/1/2009
For assistance locating a copy, please see our list of recommended out of print specialists > |
| The Text as the Basis of Visual ExpressionArtwork by Ilya Kabakov. Edited by Zdenek Felix.
Published by OktagonThis comprehensive overview of Ilya Kabakov's installation work of the 1990s contains over 100 images across more than 400 pages, and includes Kabakov's own commentary on his works. Ilya Kabakov was born in Dnepropetrovsk, Soviet Union, in 1933; he left the country in 1984 and now lives and works in New York and Paris. Kabakov is widely regarded as the greatest contemporary Russian artist, and has received the Joseph Beuys prize and the Chevalier of Fine Arts Medal from the French ministry of culture.
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| The Arriving ArchiveArtwork by Ilya Kabakov. Text by Martin Schick.
Published by Hatje Cantz Publishers
|  | STATUS: Out of print | 4/23/2003
For assistance locating a copy, please see our list of recommended out of print specialists > |
| Artwork by Ilya Kabakov. Edited by Chiara Bertola. Contributions by Paolo Falcone.
Published by Charta
|  | STATUS: Out of print | 4/1/2008
For assistance locating a copy, please see our list of recommended out of print specialists > |
| Published by Richter VerlagBeautifully produced to accompany Kabakov's Brussels installation, On the Roof follows the structure of the work with photographs from a family album: pictures of childhood, youth, a wedding, the first children and grandparents. Ultimately the reader sees that this is an autobiography of the lives of Kabakov and his wife. Turing the pages, we become participants in the private lives of many people, though Kabakov leaves no doubt that the “true” story is closed to us.
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