Hans Haacke

ACTIVE BACKLIST

WITH REFERENCE TO HANS HAACKE
Edited and with introduction by Hans Dickel, Oliver Schwarz.
WALTHER KöNIG, KöLN
ISBN: 9783863351038 | US $59.95
Pub Date: 8/31/2012
Active | In stock

HANS HAACKE 1967
Edited by Caroline A. Jones. Text by Edward F. Fry, Caroline A. Jones, Hans Haacke.
MIT LIST VISUAL ARTS CENTER
ISBN: 9780938437772 | US $20.00
Pub Date: 7/31/2012
Active | In stock

HANS HAACKE: WE ARE WHO WE ARE
GENERALI FOUNDATION, VIENNA
ISBN: 9783901107344 | US $39.95
Pub Date: 12/2/2001
Active | Awaiting stock

HANS HAACKE: VIEWING MATTERS
Artwork by Hans Haacke.
RICHTER VERLAG
ISBN: 9783928762618 | US $80.00
Pub Date: 9/2/1999
Active | Awaiting stock

OUT OF PRINT LISTING

HANS HAACKE: FOR REAL
Text by Hans Haacke, Benjamin Buchloh, Rosalyn Deutsche, Walter Grasskamp.
RICHTER VERLAG
ISBN: 9783937572598 | US $60.00
Pub Date: 3/1/2007
Out of print | Not available

HANS HAACKE: BODENLOS/BOTTOMLESS
Artwork by Hans Haacke. Text by Walter Grasskamp, Klaus Bumann, Grace Glueck.
CANTZ
ISBN: 9783893225576 | US $40.00
Pub Date: 9/2/1993
Out of print | Not available

Hans Haacke

With Reference to Hans Haacke

Edited and with introduction by Hans Dickel, Oliver Schwarz.
Published by Walther König, Köln

With Reference to Hans Haacke is a homage to internationally renowned political conceptual artist Hans Haacke (born 1936) on the occasion of his 75th birthday. It comprises more than 100 contributions dedicated to him by three generations of artists--from Vito Acconci to Heimo Zobernig--with more than 300 color illustrations. The effect of Hans Haacke’s work extends far beyond the boundaries of the cultural sphere, and its influence is demonstrated throughout this collection: on the colleagues who know him and on a younger generation who look to him as a pioneer in his contemporary treatments of such issues as ecosystems and the complexity of our social reality. Haacke’s unorthodox work has opened up many debates on the general political, economic and institutional conditions of our conception of art. With Reference to Hans Haacke pays a visual, equally unorthodox tribute to an astounding career.

Hans Haacke 1967

Edited by Caroline A. Jones. Text by Edward F. Fry, Caroline A. Jones, Hans Haacke.
Published by MIT List Visual Arts Center

Hans Haacke 1967 documents the recreation in 2011 at the MIT List Visual Arts Center of a Haacke solo show held at MIT in 1967. Archival photographs from the original installations are included in the catalogue, as is the introductory essay to Haacke’s famously cancelled solo exhibition planned for the Guggenheim in 1971.

Hans Haacke: For Real

Works 1959-2006

Text by Hans Haacke, Benjamin Buchloh, Rosalyn Deutsche, Walter Grasskamp.
Published by Richter Verlag

When Hans Haacke was awarded the Peter Weiss Prize in 2004, he called Weiss' writings "courageous interventions, driven by moral outrage." Since the early 1960s Haacke himself has been a socially engaged artist. Living in New York since 1965 (born Cologne, 1936), he has participated in the public debate through his sculptures, installations, paintings and photographs, as well as by his writings and teaching. In 1971, several works for a solo exhibition at the Guggenheim Museum were deemed "inappropriate" by the Museum's director and he cancelled the show (one was an exposé of the real estate empire of a New York slumlord. At the 1993 Venice Biennial, the artist broke up the marble floor the Nazis had installed in the German pavilion and he displayed the replica of a 1-DM coin minted in the year of German reunification above the entrance. His 2000 installation DER BEVÖLKERUNG (To the population), a work in progress in the German Parliament building in Berlin, also makes reference to the Nazi past but, in addition, addresses contemporary issues of citizenship and the integration of foreign-born residents. Recently, several works have paid critical attention to the Iraq war. This publication was produced for a 2006 retrospective exhibition at the Hamburg Deichtorhallen and the Akademie der Künste in Berlin. It offers a survey of Haacke's works from 1959 to the present. It includes a selection of his writings and essays by Benjamin H.D. Buchloh, Rosalyn Deutsche and Walter Grasskamp.

Hans Haacke: We Are Who We Are

Edited by Sabine Breitwieser. Essays by Hans Haacke, Christian Kravagna, Heidemarie Uhl. Foreword by Dietrich Karner.
Published by Generali Foundation, Vienna

Long known for bringing trenchant analyses of sociopolitical structures into museum contexts, Hans Haacke has in the past exposed corporations who use art sponsorship to booster their image and slum landlords who hide behind diversified corporations. In his first exhibition in Vienna, the title of which gives its name to this book, Haacke tackles Austria's emotionally laden understanding of its own history and national identity. A larger discourse on "the culture of memory" weaves its way through selected historical works of Haacke's, including his 1999 project for the Reichstag, as well as through the artist's own writings, available here for the first time.

Hans Haacke: Viewing Matters

Artwork by Hans Haacke.
Published by Richter Verlag

Throughout his career, Hans Haacke has explored the social, political and economic conditions of making, funding, exhibiting and collecting art. When Haacke curated his own legendary Viewing Matters exhibit at the Museum Boijmans van Beuningen in Rotterdam, he brought into focus the often concealed relationship between commerce and high art in a complex installation that included hundreds of pieces of art, merchandising from the museum store and portraits of the previous directors of the museum. In this publication, the artist explores both the dialects of the art exhibition and the socio-economic role of the museum in contemporary society.

Hans Haacke: Bodenlos/Bottomless

Artwork by Hans Haacke. Text by Walter Grasskamp, Klaus Bumann, Grace Glueck.
Published by Cantz

A survey of Haacke's recent work covering his controversial sculptures, collages, and temporary installations.