Carsten Höller

ACTIVE BACKLIST

CARSTEN HöLLER: THE DOUBLE CLUB
Text by Hans Ulrich Obrist.
PROGETTO PRADA ARTE SRL
ISBN: 9788887029529 | US $100.00
Pub Date: 8/31/2012
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CARSTEN HöLLER
Edited by Helle Crenzien, Detlev Gretenkort, Michael Juul Holm.
LA FáBRICA
ISBN: 9788415303435 | US $65.00
Pub Date: 2/29/2012
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CARSTEN HöLLER: 2001-2010
Edited by Barbara-Brigitte Mak.
HATJE CANTZ
ISBN: 9783775723954 | US $75.00
Pub Date: 2/28/2011
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CARSTEN HöLLER: SOMA
Edited by Dorothée Brill, Udo Kittelmann. Text by Claude Lévi-Strauss, John Brough.
HATJE CANTZ
ISBN: 9783775727648 | US $25.00
Pub Date: 4/30/2011
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CARSTEN HöLLER: CARROUSEL
Text by Carl Roitmeister.
KUNSTHAUS BREGENZ
ISBN: 9783865604170 | US $50.00
Pub Date: 8/1/2008
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CARSTEN HöLLER: REGISTER
Essay by Germano Celant. Introduction by Miuccia Prada.
FONDAZIONE PRADA
ISBN: 9788887029178 | US $60.00
Pub Date: 2/2/2002
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OUT OF PRINT LISTING

CARSTEN HöLLER: ONE DAY ONE DAY
Edited by Jan Aman. Text by Jan Aman, Nathalie Ergino.
WALTHER KöNIG, KöLN
ISBN: 9783865600721 | US $40.00
Pub Date: 3/1/2007
Out of print | Not available

Carsten Höller

Carsten Höller: The Double Club

Text by Hans Ulrich Obrist.
Published by Progetto Prada Arte srl

Carsten Höller’s chunky artist’s book The Double Club documents the London nightclub of the same name, which operated in 2008–09. Each room in the space was divided into Congolese and Western areas, creating an environment where guests enjoyed the fruitful coexistence of two different cultures.

Carsten Höller

Artist's Portfolio

Edited by Helle Crenzien, Detlev Gretenkort, Michael Juul Holm.
Published by La Fábrica

Trained as an agronomic engineer, Carsten Höller (born 1961) is known for his frequent use of mushrooms as a motif and theme in his installations and projects. His Artist’s Portfolio comprises a set of 19 photographs of sculptures of fungi. These works were produced in polyester, synthetic resin, wire, polyurethane, cardboard, stainless steel and wood, and then painted in acrylic.

Carsten Höller: 2001-2010

184 Objects, Experiments, Events

Edited by Barbara-Brigitte Mak.
Published by Hatje Cantz

Often associated with "Relational Aesthetics," Carsten Höller has become known for his sensory environments that disrupt prescribed human behavior by twisting perception, and eliciting spontaneous reactions of confusion. In this monograph, Höller documents, in chronological order, each of his works dating from 2001 to the present, supplementing them with interviews.

Carsten Höller: Soma

Documents

Edited by Dorothée Brill, Udo Kittelmann. Text by Claude Lévi-Strauss, John Brough.
Published by Hatje Cantz

In Soma, Belgian artist Carsten Höller (born 1961) traces the myth of the titular healing drink made by Vedic nomads in northern India during the second century BC. Drinking soma was thought to provide access to the divine. This publication collects writings on soma, from the early eighteenth century to the present, on which Höller drew for his most recent hallucinatory installation.

Carsten Höller: Carrousel

Text by Carl Roitmeister.
Published by Kunsthaus Bregenz

In the spring of 2008, Stockholm-based artist Carsten Höller presented four major works at Austria's Kunsthaus Bregenz--some for the first time. Together, they created a "labyrinth of seduction and doubt," according to the museum--a sort of carousel of circular motion and irritated perception.

Carsten Höller: One Day One Day

Edited by Jan Aman. Text by Jan Aman, Nathalie Ergino.
Published by Walther König, Köln

One Day One Day is two books in one--read it from either side--documenting two shows in one, two large light installations held in the same space on alternating days. Separate press kits, websites, invitations and openings meant visitors didn't always grasp the double nature of the work.

Carsten Höller: Register

Essay by Germano Celant. Introduction by Miuccia Prada.
Published by Fondazione Prada

In an effort to implicate a wider public in the experience and production of art, Carsten Höller employs strategies of direct involvement that help to abolish the barrier between the work of art and the spectator. Sculptures and installations designed for the Fondazione Prada insist on visitor interaction, and the act is reciprocated: the works change progressively through intermittent lights that transmit vibrations to the visitor's body. A hallucinatory subversion of private sensation results, in accord with Höller's aspiration to sabotage the complacencies of everyday life. Complete with a biography and bibliography, this catalogue is the most exhaustive documentation of Höller's challenging work to date.