ARTIST MONOGRAPHS

Douglas Gordon

Museum Exhibition Catalogues, Monographs, Artist's Projects, Curatorial Writings and Essays


 

FORTHCOMING & NEW RELEASES

Douglas Gordon: Pretty Much Every Film and Video Works from about 1992 Until Now

WALTHER KöNIG, KöLN
Text by Odile Burluraux.

Hbk, 4 x 6 in. / 224 pgs / 102 color. | 10/31/2014 | Awaiting stock
ISBN 9783863355258 | $55.00


       

ACTIVE BACKLIST

Douglas Gordon

KERBER
Edited by Susanne Gaensheimer, Klaus Görner. Preface by Susanne Gaensheimer.Text by Michael Fried, Klaus Görner, Caoimhin Mac Giolla Léith. Interview by James Franco.

Hbk, 9.75 x 11.5 in. / 234 pgs / 189 color / 30 bw. | 8/31/2012 | In stock
ISBN 9783866786288 | $65.00


Douglas Gordon: Timeline

THE MUSEUM OF MODERN ART, NEW YORK
Essay by Klaus Biesenbach.

Hardcover, 12.75 x 9.75 in. / 304 pgs / 334 color. | 6/1/2006 | Not available
ISBN 9780870703904 | $60.00


Double-Cross: The Hollywood Films Of Douglas Gordon

ART GALLERY OF YORK UNIVERSITY/THE POWER PLANT
Essay by Philip Monk.

Paperback, 5 x 7.5 in. / 272 pgs / 64 color. | 3/2/2004 | In stock
ISBN 9780921047964 | $20.00


  

OUT OF PRINT LISTING

Douglas Gordon: Kidnapping

NAI010 PUBLISHERS
Artwork by Douglas Gordon. Edited by Marente Bloemheuvel. Text by Jan Debbaut, Francis McKee.

Hardcover, 8.6 x 10.2 in. / 128 pgs / 32 color / 32 bw | 12/2/1998 | Not available
ISBN 9789070149659 | $49.95


Douglas Gordon: Pretty Much Every Film and Video Works from about 1992 Until NowDouglas Gordon: Pretty Much Every Film and Video Works from about 1992 Until Now

Published by Walther König, Köln.
Text by Odile Burluraux.

In this artist's-book-cum-career-survey, Scottish video artist Douglas Gordon (born 1966) collects more than 100 stills from his acclaimed films and video installations--designing them as bound postcards that can be removed and used. In the exhibition this volume acompanies, the artist piled 101 monitors atop each other, along with beer crates and stacks of books, to present 82 visual works in a single, nonhierarchical reenvisioning of his oeuvre. Including iconic works such as "24 Hour Psycho" (1993), "Between Darkness and Light (After William Blake)" (1997) and "Play Dead; Real Time" (2003), along with many of his most recent works, the exhibition and this volume offer a unique, imaginatively realized survey. Gordon provides concise and illuminating notes on the work illustrated on the verso of each card.

PUBLISHER
WALTHER KöNIG, KöLN

BOOK FORMAT
Hardcover, 4 x 6 in. / 224 pgs / 102 color.

PUBLISHING STATUS
PUB DATE 10/31/2014
Forthcoming

DISTRIBUTION
D.A.P. EXCLUSIVE
CATALOG: FALL 2014 p. 122   

PRODUCT DETAILS
ISBN 9783863355258 FLAT40
LIST PRICE: $55.00 CDN $55.00

AVAILABILITY
Awaiting stock

STATUS: Forthcoming | 10/31/2014

This title is not yet published in the U.S. To pre-order or receive our notice when the book is published, please email orders @ artbook.com

Douglas GordonDouglas Gordon

Published by Kerber.
Edited by Susanne Gaensheimer, Klaus Görner. Preface by Susanne Gaensheimer.Text by Michael Fried, Klaus Görner, Caoimhin Mac Giolla Léith. Interview by James Franco.

Famed for his 24-Hour Psycho, Scottish-born, New York–based artist Douglas Gordon (born 1966) is one of the most influential video and film artists of his generation. Produced in close collaboration with the artist, this catalogue looks at his latest works in the context of his earlier oeuvre.

PUBLISHER
KERBER

BOOK FORMAT
Hardcover, 9.75 x 11.5 in. / 234 pgs / 189 color / 30 bw.

PUBLISHING STATUS
PUB DATE 8/31/2012
Active

DISTRIBUTION
D.A.P. EXCLUSIVE
CATALOG: FALL 2012 p. 159   

PRODUCT DETAILS
ISBN 9783866786288 TRADE
LIST PRICE: $65.00 CDN $65.00

AVAILABILITY
In stock

in stock  $65.00


free shipping

UPS GROUND IN THE CONTINENTAL U.S. FOR CONSUMER ONLINE ORDERS

Douglas Gordon: TimelineDouglas Gordon: Timeline

Published by The Museum of Modern Art, New York.
Essay by Klaus Biesenbach.

Throughout his career, Douglas Gordon has engaged in an ongoing reflection on the motion picture, examining the relationship between the movies and our common knowledge and perception of them. In altering, monumentalizing, and alienating our collective understanding of film, he visualizes, pictures, and "sculpts" time. Douglas Gordon, which was organized by MoMA curator Klaus Biesenbach, collects images and texts from the past 40 years (a nod to Gordon's birth date of 1966), all of which deal with ideas of visual memory, shared visual knowledge, and the interwoven texture of imagined and remembered sounds and images. It explores the relationship between film and psychoanalysis, and the way in which these systems of thought have affected the idea of individual biography: Gordon is acutely attuned to the relation of such deep experiences as love, longing, loss, and trauma to what one feels while watching film. He understands how films refer to other films, how they superimpose themselves upon each other and upon their viewers' memories, and how, through their ubiquity and accessibility, films express and represent the ideals and fears of their times. Essay by Klaus Biesenbach.

PUBLISHER
THE MUSEUM OF MODERN ART, NEW YORK

BOOK FORMAT
Hardcover, 12.75 x 9.75 in. / 304 pgs / 334 color.

PUBLISHING STATUS
PUB DATE 6/1/2006
Active

DISTRIBUTION
D.A.P. EXCLUSIVE
CATALOG: SPRING 2006 p. 108   

PRODUCT DETAILS
ISBN 9780870703904 TRADE
LIST PRICE: $60.00 CDN $60.00

AVAILABILITY
Not available

STATUS: Out of stock

Temporarily out of stock pending additional inventory.

Double-Cross: The Hollywood Films Of Douglas GordonDouble-Cross: The Hollywood Films Of Douglas Gordon

Published by Art Gallery of York University/The Power Plant.
Essay by Philip Monk.

How to double-cross Hollywood as an artist? This first monograph on British artist Douglas Gordon analyses all of the artist's video projection installations that are based on his appropriations of Hollywood film noir or Hitchcock films, examining Gordon's language works as well. Counter to the usual interpretations of Gordon's work as a dichotomy between good and evil, Double-Cross argues that his work is all about dissemblance, with the dichotomy only one deception among others. It also argues that, with the inaugural separation of the components of sound and image in his work, one of the artist's disguises is that of an author. All the fragments of the artist's work--projections, language works, photography--add up to the production of a criminal author. His final disguise is that of an experimental filmmaker whose subject is not the film noir themes of trust, guilt, fate, and the madness of the double that appear as the content of his work, but the temporality of the spectator's engagement.

PUBLISHER
ART GALLERY OF YORK UNIVERSITY/THE POWER PLANT

BOOK FORMAT
Paperback, 5 x 7.5 in. / 272 pgs / 64 color.

PUBLISHING STATUS
PUB DATE 3/2/2004
Active

DISTRIBUTION
D.A.P. EXCLUSIVE
CATALOG: SPRING 2004

PRODUCT DETAILS
ISBN 9780921047964 TRADE
LIST PRICE: $20.00 CDN $20.00

AVAILABILITY
In stock

in stock  $20.00


free shipping

UPS GROUND IN THE CONTINENTAL U.S. FOR CONSUMER ONLINE ORDERS

Douglas Gordon: KidnappingDouglas Gordon: Kidnapping

Published by nai010 publishers.
Artwork by Douglas Gordon. Edited by Marente Bloemheuvel. Text by Jan Debbaut, Francis McKee.

PUBLISHER
NAI010 PUBLISHERS

BOOK FORMAT
Hardcover, 8.6 x 10.2 in. / 128 pgs / 32 color / 32 bw

PUBLISHING STATUS
PUB DATE 12/2/1998
Out of print

DISTRIBUTION
D.A.P. EXCLUSIVE
CATALOG: FALL 1998

PRODUCT DETAILS
ISBN 9789070149659 TRADE
LIST PRICE: $49.95 CDN $49.95

AVAILABILITY
Not available

STATUS: Out of print | 4/24/2004

For assistance locating a copy, please see our list of recommended out of print specialists >




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