| | | | | | | |  | LIAM GILLICK: PROXEMICS Edited by Lionel Bovier. JRP|RINGIER ISBN: 9783905701012 | US $22.00 Pub Date: 1/15/2006 Active | In stock
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| Original RecordingsEdited by Robert Eikmeyer. Published by Verlag für moderne Kunst NürnbergAn audio portrait of British artist Liam Gillick (born 1964), An Idea Just Out of Reach was recorded at the Hamburger Bahnhof in Berlin in February 2009, and records his thoughts on everything from his own work to larger matters of contemporary art. As a talker and an interlocutor, Gillick proved to be quick-witted and always open to new perspectives.
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| Text by Luca Cerizza. Published by JRP|RingierLiam Gillick’s designs for conference rooms, corridors and offices solidify the artist’s sustained interest in negotiating the middle-ground between corporate culture and contemporary art. This illustrated reader contains an essay by Gillick on the dissolution of the public/private dichotomy within the grey zone of semi-public/semi-private spheres.
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| Essay by Lilian Haberer. Published by JRP|RingierThis new monograph, the first in 10 years to bring together a truly substantial body of Gillick's work, takes as its focus the artist's projects of the last five years, proposing a new reading of his oeuvre. It draws attention to the rigor of the thinking developed in both his sculptural work and his writings, as well as to his sharp visual sense of the structural and formal properties of his materials. Gillick appeared on the scene at the beginning of the 1990s, right in the middle of the YBA phenomenon, and has since had wide exposure in exhibitions like Documenta, Manifesta and the Venice Biennale, and in being nominated for the 2002 Turner prize.
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| Selected Essays, 1988-2000Edited by Lionel Bovier. Published by JRP|RingierNo less versatile in his writing than in his installations, films, architecture and sculpture, Liam Gillick unites his critical essays in this collection, most of which were originally printed in art magazines or exhibition catalogues. Lauded for his ingenious reinterpretation of Conceptual and Minimalist art, Liam Gillick has often used language, whether in type on a wall or on a page, as a site of artistic, theoretical and political intervention. He reveals himself here as a witness of and major actor in the largely European 1990s art scene that included Philippe Parreno, Pierre Huyghe, Carsten Höller, Angela Bulloch, Douglas Gordon and Rirkrit Tiravanija. A key publication of discussions, references, and artistic engagements of the 1990s, the book also allows an examination of the renewed importance at this time of Felix Gonzalez-Torres, John Baldessari and Allen Ruppersberg.
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| Artwork by Bridget Riley, Liam Gillick, Sarah Morris, Matthew Ritchie. Published by Parkett
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