Published by MER Paper Kunsthalle. Edited by Catherine de Zegher, Lucie Chevalier.
An artist’s book from Malaysian multimedia artist Simryn Gill (born 1959), Wormholes features subtle black-and-white photographs that trace the remains of life in a building that slowly and gradually turns to ruin. Textual interventions by the artist guide the reader through the unsettling atmosphere.
PUBLISHER MER PAPER KUNSTHALLE
BOOK FORMAT Paperback, 7.5 x 9.5 in. / 104 pgs / 75 bw.
PUBLISHING STATUS PUB DATE 4/25/2017 Forthcoming
DISTRIBUTION D.A.P. EXCLUSIVE CATALOG: MID SUMMER 2017
PRODUCT DETAILS ISBN 9789492321374FLAT40 LIST PRICE: $25.00 CDN $32.50
AVAILABILITY Awaiting stock
STATUS: Forthcoming | 4/25/2017
This title is not yet published in the U.S. To pre-order or receive our notice when the book is published, please email orders @ artbook.com
Published by MER/Paper Kunsthalle. Edited by Catherine de Zegher. Text by Kajri Jain, Carol Armstrong, Ross Gibson. Conversation with Brian Massumi.
Here Art Grows on Trees features Simryn Gill's latest works commissioned for the Australian Pavilion at the 55th Venice Biennale. Edited by the exhibition curator, Catherine de Zegher, this limited edition monograph includes more than 100 artwork plates printed on different paper stocks that demonstrate the generative and cyclic nature of quotidian beauty in Gill's remarkable oeuvre. The essays by leading international thinkers and writers include: Catherine de Zegher, Carol Armstrong, Lilian Chee, Ross Gibson, Kajri Jain, Brian Massumi and Michael Taussig.
PUBLISHER MER/PAPER KUNSTHALLE
BOOK FORMAT Hardcover, 8.25 x 10.25 in. / 296 pgs / 200 color.
PUBLISHING STATUS PUB DATE 9/30/2013 Active
DISTRIBUTION D.A.P. EXCLUSIVE CATALOG: SPRING 2013 p. 177
PRODUCT DETAILS ISBN 9789490693718FLAT40 LIST PRICE: $50.00 CDN $60.00
AVAILABILITY In stock
in stock $50.00
UPS GROUND IN THE CONTINENTAL U.S. FOR CONSUMER ONLINE ORDERS
Published by Walther König. Text by Russel Storer, Jessica Morgan, Michael Taussig.
Sydney-based Simryn Gill is interested in how we locate ourselves in the world through objects. By photographing, casting, collecting and arranging various objects, she demonstrates how meaning is dependent on context. This first monograph features works from the past two decades and in-depth essays illuminating her idiosyncratic process.