| Ulrike Flaig | | MONOGRAPHS & CATALOGS Ulrike Flaig: Soundcheck - Installations Edited by Renate Wiehager. Essays by Christoph Tannert, Beat Wyss. In her complex work SOUNDCHECK, Ulrike Flaig presents the viewer with an artist's field of investigation. Her installations feature floodlights, vodka glasses, rifle dummies, nylon stockings, light beams, shadowgraphs, sounds and go to book page >> HATJE CANTZ PUBLISHERS ISBN: 9783775790260 $16.95 | Not available Ulrike Flaig Text by Anja Osswald, Renate Puvogel. In this comprehensive monograph, the Berlin-based artist Ulrike Flaig, born in 1962, presents fast” and slow” sculptures, video productions with live musicians, photographs, notations and small objects juxtaposed against her larger go to book page >> HATJE CANTZ ISBN: 9783775720618 $60.00 | Not available | |
| | | |  | ULRIKE FLAIG Text by Anja Osswald, Renate Puvogel. HATJE CANTZ ISBN: 9783775720618 | US $60.00 Pub Date: 2/1/2008 Out of print | Not available
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|  | ULRIKE FLAIG: SOUNDCHECK - INSTALLATIONS Edited by Renate Wiehager. Essays by Christoph Tannert, Beat Wyss. HATJE CANTZ PUBLISHERS ISBN: 9783775790260 | US $16.95 Pub Date: 2/2/2001 Out of print | Not available
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| About Time Expansion Zones and Night-A-CarriersText by Anja Osswald, Renate Puvogel. Published by Hatje CantzIn this comprehensive monograph, the Berlin-based artist Ulrike Flaig, born in 1962, presents “fast” and “slow” sculptures, video productions with live musicians, photographs, notations and small objects juxtaposed against her larger installations. In all of her work, Flaig addresses aspects of time, rhythm and identity.
|  | STATUS: Out of print | 5/18/2011 For assistance locating a copy, please see our list of recommended out of print specialists > |
| Edited by Renate Wiehager. Essays by Christoph Tannert, Beat Wyss. Published by Hatje Cantz PublishersIn her complex work SOUNDCHECK, Ulrike Flaig presents the viewer with an artist's field of investigation. Her installations feature floodlights, vodka glasses, rifle dummies, nylon stockings, light beams, shadowgraphs, sounds and letters. Some of her works look like rough-hewn shacks or makeshift shelters; others resemble delicate transitory visions dissolving before the viewer's eyes. Change itself, the very state of transition and movement, is a recurring theme in Flaig's experimental groupings. Here drawing, photography, film, installation, and sound production are equally valid means to an end. Flaig shows a space where things breathe, flow, blink, reflect, where pictures and sounds are made--the space where the not-yet-determined can revel in its state of suspense. This deliberate, non-finite quality of her installations serves to generate an evocative, disjointed pictorial narrative guiding the viewer to the event horizon of the artist's aesthetic vision.
|  | STATUS: Out of print | 4/23/2003 For assistance locating a copy, please see our list of recommended out of print specialists > |
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