Published by Kunsthaus Bregenz/Kunstraum Dornbirn. Text by Rudolf Sagmeister, J. M. Coetzee, Berlinde De Bruyckere, et al.
Belgium-based Berlinde de Bruyckere (born 1964) makes sculptures in wax, wood, wool, horse skin and hair. Here, texts from Rudolf Sagmeister and De Bruyckere explore the work in relation to Christian iconography and the theme of metamorphosis.
PUBLISHER Kunsthaus Bregenz/Kunstraum Dornbirn
BOOK FORMAT Hardcover, 8.75 x 11.75 in. / 160 pgs / illustrated throughout.
PUBLISHING STATUS Pub Date 5/24/2016 Active
DISTRIBUTION D.A.P. Exclusive Catalog: FALL 2015 p. 174
PRODUCT DETAILS ISBN 9783863357092FLAT40 List Price: $45.00 CDN $55.00
AVAILABILITY Out of stock
STATUS: Out of stock
Temporarily out of stock pending additional inventory.
De Bruyckere’s (born 1964) eerie figurative sculptures of headless, battered human and animal forms explore vulnerability and loneliness. With text excerpts by J.M. Coetzee, internationally acclaimed South-African novelist and essayist.
BOOK FORMAT Paperback, 6.75 x 10.25 in. / 144 pgs / 14 color.
PUBLISHING STATUS Pub Date 9/30/2013 Out of print
DISTRIBUTION D.A.P. Exclusive Catalog: FALL 2013 p. 179
PRODUCT DETAILS ISBN 9789490693909FLAT40 List Price: $35.00 CDN $40.00
Published by Walther König, Köln. Preface by Peter Pakesch.Text by Katrin Bucher Trantow, K. Ludwig Pfeiffer, Elisabeth Schlebrugge.
Berlinde De Bruyckere (born 1964) creates sculptures, installations and drawings that use natural materials such as wax, animal skins and hair, wool and wood to express the vulnerability of mankind and nature. The sculptures and watercolors presented here were created between 2001 and 2013.
Published by Walther König, Köln. Text by Ulrike Groos, Georg Imdahl, Beate Söntgen.
The encounter of artists Berlinde De Bruyckere and Martin Honert in the exhibition provides the Kunsthalle Düsseldorf with a great opportunity of presenting two exceptional positions in the field of contemporary sculpture. The title itself alludes to both a special approach towards the subject matter and the actual context of the works themselves; both sculptors derive their creative impetus from the realm of things concealed, from memory and remembrance, from the substrate and sediments of dreams, as well as from images and photographs.