| | | | | |  | GEORG BASELITZ: BILDWEG
Text by Eva Karcher, Carla Schulz-Hoffmann.
DUMONT BUCHVERLAG
ISBN: 9783832191320 | US $59.95
Pub Date: 2/28/2010
Active | Awaiting stock
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| | | | | |  | PICASSO: PAINTING AGAINST TIME
Edited by Werner Spies. Preface by Klaus Albrecht Schröder. Text by Jean Clair and Armin Zweite.
HATJE CANTZ
ISBN: 9783775719223 | US $65.00
Pub Date: 6/1/2007
Out of print | Not available
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|  | BASELITZ, PAINTER
Edited by Helle Crenzien, Detlev Gretenkort and Michael Juul Holm.
LOUISIANA MUSEUM OF MODERN ART
ISBN: 9788791607257 | US $33.00
Pub Date: 8/15/2006
Active | In stock
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|  | GEORG BASELITZ: OUTSIDE
Edited by Stefan Ratibor. Essay by Goerg Simmel. Introduction by David Sylvester.
GAGOSIAN GALLERY
ISBN: 9781880154472 | US $40.00
Pub Date: 8/2/2001
Out of print | Not available
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|  | GEORG BASELITZ
CHARTA
ISBN: 9788881581184 | US $45.00
Pub Date: 8/2/1997
Out of print | Not available
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|  | GEORG BASELITZ: FRAU PAGANISMUS
Artwork by Georg Baselitz. Contributions by Heinrich Heil.
ANTHONY D'OFFAY
ISBN: 9780947564568 | US $17.50
Pub Date: 1/2/1995
Out of print | Not available
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| Text by Rudi Fuchs.
Published by KerberThis catalogue juxtaposes recent works by two towering figures of contemporary German painting: Georg Baselitz (born 1938) and Arnulf Ranier (born 1929). Although Ranier’s overpainted reproductions of landscapes and classical portraits differ in style from Baselitz’s abstract gesturalism, the work of both artists share a vivid palette and an infectious joie de vivre. Published for an exhibition at the Arnulf Rainer Museum in Baden, this volume celebrates their mutual qualities of comedic vitality. The works reproduced here date from around 2008 to the present, and range in character from warm, messy, de Kooningesque abstraction (Baselitz) to luminous, bold overpaintings of art historical reproductions and old photographs (Rainer)--all exhibiting an insistent freshness and freedom.
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| Text by Eva Karcher, Carla Schulz-Hoffmann.
Published by DuMont BuchverlagAs a young painter coming into art in the early 1960s, Georg Baselitz (born 1938) was swift to reject the gestural abstraction that had dominated European and American painting since the end of World War Two, embracing instead a bold figurative expressionism. Often confounding optical habits by inverting his motifs, or pushing them close to abstraction, Baselitz forged new tensions and resistances in painting, and even today, he remains driven by fundamental questions on the potentials and limits of his art. Bildweg is published on the occasion of the artist's seventieth birthday, and ranges across his work, from the "Schwarz-weiss Negativ (Black and White Negative)"--one of the first "headstand" pictures--to his recent "remix" of his well-known large-format work "The Bridge Ghost's Supper."
|  | STATUS: Temporarily out of stock pending additional inventory. |
| Edited by Toni Stooss.
Published by DuMont BuchverlagGeorg Baselitz (born 1938) is among Germany's most pre-eminent painters, and a protagonist of postmodern painting in Europe. This volume surveys his career to date.
|  | STATUS: Temporarily out of stock pending additional inventory. |
| From the Remix SeriesPublished by David Nolan GalleryGerman painter Georg Baselitz emerged in the 1960s and quickly distinguishing himself as one of the preeminent artists of the postwar era. Almost 50 years later, we now know his upside-down imagery so well that it is almost superfluous to mention it; yet its function still resonates, allowing us to see the painting beyond its content, in essence, to free seeing from thinking. In this volume of works on paper from Baselitz's Remix series, the artist trades in his heavily applied oil paints for a suite of vibrant watercolors graced by india ink to revisit the iconic themes and motifs from his work of the 60s, 70s and 80s. In music, to "remix" is to repeat or to copy in some way; here, to remix is to add through imitation or a retelling. The remixed work is purposefully self-reflexive and pushes at the boundaries of Baselitz's practice as a painter.
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| Edited by Detlev Gretenkort.
Published by Walther König, KölnPostwar East German Neo-Expressionist Georg Baselitz and Belgian photographer Benjamin Katz have been close friends and artistic colleagues for close to five decades. Over the past two years, Baselitz has engaged in a reworking of his early paintings--using a more direct style, a lighter and quicker manner, in large formats. In this volume, Baselitz's new works are juxtaposed with photographs by Katz, who has taken hundreds of portraits of the artist and his working environment over the past half century. In fact, it was Katz who, in 1963, organized Baselitz's first solo exhibition in the newly founded Berliner Galerie together with Michael Werner. This legendary exhibition caused a scandal and made the artist famous overnight.
|  | STATUS: Out of print | 5/18/2011
For assistance locating a copy, please see our list of recommended out of print specialists > |
| Published by Walther König/Contemporary Fine Arts, BerlinThis oversized collection of new works on paper by the German neo-Expressionist Georg Baselitz is beautifully printed on deluxe paper and includes a tipped in centerfold on glossy paper. Here Baselitz revisits and remixes early works in fresh new ways. "As a Saxonian you always see ghosts. That is over."
|  | STATUS: Temporarily out of stock pending additional inventory. |
| Text by Siegfried Gohr.
Published by nyehaus/foundation 20 21This beautifully designed catalogue, published to accompany the Winter 2007 exhibition of this important German neo-Expressionist's work at Nyehaus, New York, comes housed in a stunning monochrome cobalt-blue linen-bound clamshell box with the artist's name embossed upside down and inside out on the front cover. Inside is a Coptic-stitched monograph, exquisitely printed on lush paper, which features a selection of Baselitz's work from the 1960s and 70s--including oils on canvas, pastels, gouaches, and works in graphite, ink, crayon and other media. Designed by the prominent New York firm Helicopter, the book's cover typography conveys the characteristic disorientation that Baselitz's work induces when he inverts his work's subject matter in order to free up its content. Inside, texts are printed in both English and German, while the typefaces address Baselitz's struggle to reconcile his conservative German heritage with his contemporary sensibilities as an artist. Essay by Siegfreid Gohr, scholar and friend of the artist.
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| Edited by Werner Spies. Preface by Klaus Albrecht Schröder. Text by Jean Clair and Armin Zweite.
Published by Hatje CantzNo other painter has had a more lasting influence on twentieth-century art than Pablo Picasso. Among the many phases and styles encompassed by his oeuvre, Picasso's late period--which he spent in Mougins, in the South of France, until his death in 1973--has a very special position. For the highly charged paintings that Picasso made during the last decade of his life, often featuring close-ups of the kiss or copulation, seem to cling with all their might to the artist's intense sensuality, his desire for embrace. They are marked by a great restlessness whose aim must be to exorcise death itself. "Wild" paintings rapidly executed by Picasso's masterly hand, the late canvases stand in marked contrast to the artist's detailed, carefully executed drawings of the same period, which are dominated by a unique joy in narrative.
This substantial new volume, edited by Werner Spies, former director of the Centre Georges Pompidou in Paris and the most important Picasso expert of our day, examines almost 200 works, including paintings, drawings, prints and sculptures, shedding light on the specific methods and dialectics in Picasso's later work. In particular, the sense of the artist's race against time is made clear through the exciting dialogue that emerges here between painting and drawing. As Picasso himself said, "The works that one paints are a way of keeping a diary."
|  | STATUS: Out of print | 11/25/2008
For assistance locating a copy, please see our list of recommended out of print specialists > |
| Edited by Helle Crenzien, Detlev Gretenkort and Michael Juul Holm.
Published by Louisiana Museum of Modern ArtEver since 1963, when East Berlin's renowned art academy, Hochschule der Kunste, expelled Georg Baselitz for what's been translated as "sociopolitical immaturity," and the police confiscated work from his first solo show, he's officially been an art-world bad boy. More than 40 years into his career, he's still literally turning his subjects upside down, and he is considered one of Europe's most influential painters. This collection of more than 100 works spanning from Baselitz's earliest years to the present day offers an unparalleled overview of his oeuvre, as well as insight into the subtle changes that have come to his work as he has matured: In recent years the distinctive visual universe that grew out of the artist's study of art, myth and literature has expanded to make room for the personal, for memories of an upbringing in the German and Slavic cultural borderland, for everyday life and his family and for revisiting works by himself and others.
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| Edited by Stefan Ratibor. Essay by Goerg Simmel. Introduction by David Sylvester.
Published by Gagosian GalleryIn this new body of work, Georg Baselitz continues to explore canine imagery, a theme that has run from his earliest animal paintings to his recent work.The majority of these paintings were completed in Imperia, Italy, during the summer of 2000. Whilst there, Baselitz acquired a large-scale 16th-century Italian frame, which inspired him to carve, sculpt, and paint frames for this series.
|  | STATUS: Out of print | 10/22/2002
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| Artwork by Georg Baselitz. Edited by Danilo Eccher. Contributions by Heinrich Heil, Fabrice Hergott.
Published by ChartaThis comprehensive survey of Baselitz's work also includes an entire notebook of drawings which Baselitz considered to be a complete work all on it's own.
|  | STATUS: Out of print | 8/1/2007
For assistance locating a copy, please see our list of recommended out of print specialists > |
| Artwork by Georg Baselitz. Contributions by Heinrich Heil.
Published by Anthony d'OffayPrice L 12.
|  | STATUS: Out of print | 12/21/2001
For assistance locating a copy, please see our list of recommended out of print specialists > |
| Published by Hatje Cantz Publishers
|  | STATUS: Out of print | 4/23/2003
For assistance locating a copy, please see our list of recommended out of print specialists > |
| Published by Anthony d'Offay
|  | STATUS: Out of print | 12/21/2001
For assistance locating a copy, please see our list of recommended out of print specialists > |
| Artwork by Georg Baselitz.
Published by Gachnang & Springer
|  | STATUS: Out of print | 4/23/2003
For assistance locating a copy, please see our list of recommended out of print specialists > |
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