| Rosa Barba | | MONOGRAPHS & CATALOGS Rosa Barba: White Is an Image Text by Lynne Cooke, Elisabeth Lebovici, Raimundas Malasauskas, Francesco Manacorda. Sicilian filmmaker Rosa Barba (born 1972) interrogates and decontextualizes the language of mainstream moviemaking through the medium of film itself and in sculptural installations. This selection of film stills, preproduction sketches
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HATJE CANTZ
ISBN: 9783775730198
$55.00 | In stock Rosa Barba: Time as Perspective Text by Laurie Anderson, Mirjam Varadinis, Solveig Øvstebø, et al. This publication presents the newest project of Sicilian-born, Berlin-based artist Rosa Barba (born 1972). The project revolves around a 35-millimeter film, Time as Perspective, shot in the desert landscape of Texas,
go to book page >>
HATJE CANTZ
ISBN: 9783775735605
$55.00 | Awaiting stock | |
| | | |  | ROSA BARBA: TIME AS PERSPECTIVE
Text by Laurie Anderson, Mirjam Varadinis, Solveig Øvstebø, et al.
HATJE CANTZ
ISBN: 9783775735605 | US $55.00
Pub Date: 8/31/2013
Forthcoming
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|  | ROSA BARBA: WHITE IS AN IMAGE
Text by Lynne Cooke, Elisabeth Lebovici, Raimundas Malasauskas, Francesco Manacorda.
HATJE CANTZ
ISBN: 9783775730198 | US $55.00
Pub Date: 12/31/2011
Active | In stock
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| Text by Laurie Anderson, Mirjam Varadinis, Solveig Øvstebø, et al.
Published by Hatje CantzThis publication presents the newest project of Sicilian-born, Berlin-based artist Rosa Barba (born 1972). The project revolves around a 35-millimeter film, Time as Perspective, shot in the desert landscape of Texas, which she portrays in an almost archaeological idiom.
|  | STATUS: Forthcoming | 8/31/2013
This title is not yet published in the U.S. To pre-order or receive our notice when the book is published, please email orders @ artbook.com |
| Text by Lynne Cooke, Elisabeth Lebovici, Raimundas Malasauskas, Francesco Manacorda.
Published by Hatje CantzSicilian filmmaker Rosa Barba (born 1972) interrogates and decontextualizes the language of mainstream moviemaking through the medium of film itself and in sculptural installations. This selection of film stills, preproduction sketches and photographs illustrates Barba's preoccupation with the truth claims of mass-circulated cultural artifacts.
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