Essay by Beate Reinfenscheid. Afterword Urs Roeber.
Published by Kerber
Inspired by the work of Kurt Schwitters, which he saw in Paris in 1954, Arman began experimenting with printmaking during the 1950s, and prints and other works on paper have been an essential part of his oeuvre since then. This is the first extensive retrospective and documentation of his works on paper, and as such, will be an essential publication on the artist's work.
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