ARTBOOK LOGO

ARTBOOK BLOG

RECENT POSTS

DATE 9/11/2017

See inside Guantánamo Bay with Debi Cornwall's 'Welcome to Camp America'

DATE 9/10/2017

A 13-year-old star is born at the 1982 Porsche Tennis Grand Prix

DATE 9/9/2017

Catch Grace Coddington and Michael Roberts at the BOOKMARC GingerNutz launch today!

DATE 9/8/2017

Fashion Week Favorite: GingerNutz at The Met

DATE 9/7/2017

Celebrate NY Fashion Week with Grace Coddington, Michael Roberts and 'GingerNutz'!

DATE 9/6/2017

The perfect book for now. Jim Marshall: Peace

DATE 9/5/2017

A glimmer of Peace in Jim Marshall's 60s photos

DATE 9/3/2017

Does anything look as great as 70s Women's Tennis?

DATE 9/2/2017

Join Grace Coddington & Michael Roberts at BOOKMARC for the Downtown launch of 'GingerNutz'

DATE 9/2/2017

Forlorn monuments or strange and individualistic works of art?

DATE 9/1/2017

What makes these bus stops so Russian?

DATE 9/1/2017

Michael Roberts & Grace Coddington present ‘GingerNutz' at The Metropolitan Museum.

DATE 8/31/2017

Sex Still Sells! ‘X-rated: Adult Movie Posters of the 60s and 70s’

DATE 8/30/2017

What did X-rated movie posters look like in the 1970s?

DATE 8/29/2017

‘X-rated: Adult Movie Posters of the 60s and 70s’ in stock now!

DATE 8/28/2017

Back in Print! Bauhaus 1919-1933

DATE 8/27/2017

LA Book Launch: X-rated: Adult Movie Posters of the 60s and 70s

DATE 8/24/2017

KAWS: transgressing the borders between art and society

DATE 8/23/2017

Michael Auping on cartoons, abstraction and KAWS

DATE 8/22/2017

So Many Olympic Exertions Reading at Artbook @ Hauser & Wirth

DATE 8/22/2017

'KAWS: Where the End Starts' available at last!

DATE 8/21/2017

New edition of Stan Brakhage's epic 'Metaphors on Vision'

DATE 8/20/2017

Engagingly seedy and colorful: Fred Herzog's Vancouver

DATE 8/16/2017

Albert Elm's enigmatic 'What Sort of Life Is This'

DATE 8/12/2017

Back in stock! Andy Warhol: Prints

DATE 8/11/2017

Peter Schjeldahl on Peter Cain, 1997

DATE 8/10/2017

Back to School

DATE 8/10/2017

Collier Schorr on Peter Cain

DATE 8/9/2017

Bristling with post-Freudian electricity: Anne Collier: Women with Cameras (Anonymous)

DATE 8/8/2017

Michael Williams and the truth about painting

DATE 8/7/2017

A remarkable feat of facsimile publishing: Lee Lozano: Private Book 2

DATE 8/6/2017

In honor of the Newport Jazz Festival: Jim Marshall

DATE 8/5/2017

Kitchen textile designer Marguerita Mergentime featured on Food 52!

DATE 8/4/2017

Dayanita Singh's poetic mini-museum

DATE 8/3/2017

A museum, a book and an object. Dayanita Singh: Museum Bhavan

DATE 8/2/2017

"Not just anyone makes a good pisser"

DATE 8/1/2017

AUTOPHOTO and the old-fashioned idea of freedom

DATE 7/31/2017

Emil Nolde's wild Grotesques

DATE 7/30/2017

Christine Osinski: Summer Days Staten Island, Young Man Pulling a Go Cart

DATE 7/29/2017

Calling all flaneurs, cosmopolitans and bon vivants!

DATE 7/28/2017

Summer Reading: Midnight: The Tempest Essays by Molly Nesbit

DATE 7/27/2017

Retuning perceptions in 'Fred Sandback: Vertical Constructions'

DATE 7/26/2017

Nonchalant flirting with oblivion: Ray Johnson

DATE 7/25/2017

Philip Guston's Nixon Drawings have never been more relevant

DATE 7/24/2017

A book for our times: Philip Guston: Nixon Drawings

DATE 7/23/2017

Tom Bianchi: Fire Island Pines, Polaroids 1975-1983

DATE 7/22/2017

Tom Bianchi's 70s photos of the Gay Community in Fire Island Pines

DATE 7/21/2017

Exactly what's the deal with Russia, again?

DATE 7/21/2017

Hauser & Wirth LA Presents 'Master of Go' Summer Reading Group

DATE 7/21/2017

Hauser & Wirth LA Presents 'In the Deep' Summer Reading Group

DATE 7/21/2017

Fire Island Pines in its infancy and its heyday


EVENTS

SHARON HELGASON GALLAGHER | DATE 11/1/2012

Seven Questions at the Transition from Print to Digital Publishing: Notes from the Van Alen Publishing Summit


On Friday, October 26, ARTBOOK | D.A.P. publisher and president Sharon Helgason Gallagher spoke at the Van Alen Institute's Publishing Summit. Her notes on the transition from print to digital publishing are below.
Note: I was fortunate to participate in the excellent discussion at the Architecture Publishing Summit organized by Jeff Byles at the Van Alen Institute in conjunction with the Designers and Books events. Here's a revision of some of the points I made during my presentation that I wrote up after the keynote at FIT.

DESIGNING THE DIGITAL BOOK AND THE CONTENT ECONOMY

Seven Questions at the Transition from Print to Digital Publishing


1) At what speed do we want to create, design, and enjoy in the digital world? What kind of friction can we find in the digital space to slow us down when we need time to think? Can we design virtual frictions other than the surfeit of information and incessant distraction that currently characterize digital life? Let's get over our crush on the hyperlink and think beyond Massimo Vignelli's little "blue words." What would a "hypolink" be?

2) As we make this transition, what are we leaving behind as exemplars of the printed book? We make a new past each time we make a new future: designers need to expand their practices to include the design of new pasts for the future. What objects do we want the word "book" to denote in the year 2112? Irma Boom spoke of wanting to "build the last book". Shouldn't other designers?

3) How does our design "language game" change when we switch from dealing with "solids" like books and words and pictures to handling something slippery now called "content" that appears to behave more like a fluid or, perhaps, even a gas? Can we come up with a richer -- and more pleasing -- metaphor than "chunking" content?

4) What features of our human makeup should inform the design of virtual reading objects? As I suggested in an earlier post, the book, like the bicycle, has endured as a design object because is it so perfectly suited to the human form. The bicycle: a simple but ingenious design harmoniously suited to the bipedal structure of the human body. The book: a simple but ingenious design of bound pages harmoniously suited to the bilateral structure of the human brain. How can a better understanding of our own human form as digital denizens move us from the app to the apt?

5) If printed media formed a "Fourth Estate" designed to critique a world in which power was articulated in primarily political terms, can new digital forms be designed to function as a "4.1 Estate" in a world in which power is reproduced increasingly as the economic?

6) How can we be proactive in accounting for market externalities as we design new virtual economic objects? Don't we have enough experience now with unintended consequences to think first rather than leaving future generations to clean up our messes? How sure, for example, are we that we won't regret fifty years hence our quick acceptance of advertising as the key monetization model for digital content? Do we really want to expose kids' brains to the amount of advertising they are forced to experience simply to do their homework research on the web? Are we listening for the Rachel Carsons of the digital?

7) Can the publishing industry be taught design thinking? And if you don't believe it can be, what is your design for an alternative sustainable ecosphere that values both culture workers and culture consumers without pitting the two against each other? Can we design an industry and its objects to allow a more dynamic chorus of active and passive voices? Surely, we can do better than the false empowerment of the "Like" button and "fan" culture. Does the invention of the digital make possible a new renaissance of classical forms? Can technologies enabling interactive and collaborative authoring and reading revive the "middle voice" of ancient languages? What are the acoustics of virtual space?


Seven Questions at the Transition from Print to Digital Publishing: Notes from the Van Alen Publishing Summit
Seven Questions at the Transition from Print to Digital Publishing: Notes from the Van Alen Publishing Summit
Seven Questions at the Transition from Print to Digital Publishing: Notes from the Van Alen Publishing Summit
Seven Questions at the Transition from Print to Digital Publishing: Notes from the Van Alen Publishing Summit
Seven Questions at the Transition from Print to Digital Publishing: Notes from the Van Alen Publishing Summit
Seven Questions at the Transition from Print to Digital Publishing: Notes from the Van Alen Publishing Summit
Seven Questions at the Transition from Print to Digital Publishing: Notes from the Van Alen Publishing Summit

DATE 10/19/2016

STEIDL x STRAND

STEIDL x STRAND


ARTBOOK LOGO
 
 

the art world's source for books on art & culture

  

CUSTOMER SERVICE
orders@artbook.com
212 627 1999
M-F 9-5 EST

TRADE ACCOUNTS

800 338 2665

CONTACT

JOBS + INTERNSHIPS

NEW YORK
Showroom by Appointment Only
75 Broad Street, Suite 630
New York NY 10004
Tel   212 627 1999

LOS ANGELES
Showroom by Appointment Only
818 S. Broadway, Suite 700
Los Angeles, CA 90014
Tel. 323 969 8985

ARTBOOK LLC
D.A.P. | Distributed Art Publishers, Inc.


All site content Copyright C 2000-2017 by Distributed Art Publishers, Inc. and the respective publishers, authors, artists. For reproduction permissions, contact the copyright holders.

ARTBOOK AMPERSAT

The D.A.P. Catalog
www.artbook.com