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STAFF PICKS | FROM THE SHELVES

AVERY LOZADA | DATE 5/9/2017

Oh Mamí! Mothers Day Staff Picks

Marguerita Mergentime: American Textiles, Modern IdeasWest Madison Press LLC
Matisse in the StudioMFA Publications, Museum of Fine Arts, Boston
Sophie Calle: Rachel MoniqueEditions Xavier Barral
Nancy Borowick: The Family ImprintHatje Cantz
101 Danish Design IconsHatje Cantz
Karl Blossfeldt: MasterworksD.A.P.
We Learn at HomeDUNG BEETLE LTD
Oscar Heyman: The Jewelers’ JewelerMFA Publications, Museum of Fine Arts, Boston
Japan ModernNAi010 Publishers/Rijksmuseum
Renoir: IntimacyMuseo Thyssen-Bornemisza

Marguerita Mergentime: American Textiles, Modern IdeasMarguerita Mergentime: American Textiles, Modern Ideas

Published by West Madison Press LLC.
Edited by Donna Ghelerter. Foreword by Madelyn Shaw. Text by Virginia Bayer, Linda Florio, Donna Ghelerter.

Marguerita Mergentime's textiles reshaped the sensibility of the 20th-century American home

Marguerita Mergentime: American Textiles, Modern Ideas serves as a definitive source on this lauded American designer. Working in the heady milieu of 1930s New York, Mergentime (1894–1941) became best known for strikingly new printed fabrics, making her mark with tablecloths created to enliven American households with color, humor and entertainment. A member of the influential American Union of Decorative Artists and Craftsmen (AUDAC), Mergentime was a woman whose career placed her alongside Donald Deskey and Russel Wright, as well as visionary architect Frederick Kiesler, who designed the furnishings in her New York apartment.

Mergentime reshaped the sensibility of the 20th-century home at a time when modernism was being defined, contributing original textiles to Radio City Music Hall, Wright’s American Way and the 1939 New York World’s Fair. Articles and advertisements promoted her career across the United States. Today her Radio City designs can still be seen in the legendary venue, and her fabrics reside in museum collections including the Museum of Modern Art; the Cooper Hewitt, Smithsonian Design Museum; the Brooklyn Museum; the Museum at FIT; and the Allentown Art Museum.

In this volume, essays highlight Mergentime’s life and career, and over 150 images illustrate her designs that brought asymmetry, politics, folk art and quizzes to the table. Marguerita Mergentime: American Textiles, Modern Ideas reintroduces the woman who asked, “Are you allergic to meaningless uninspired patterns in printed cloths?” and places her squarely back on the scene.



PUBLISHER
West Madison Press LLC

BOOK FORMAT
Hardcover, 8.25 x 10 in. / 144 pgs / 145 color / 39 bw.

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Catalog: FALL 2017 p. 30   

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Matisse in the StudioMatisse in the Studio

Published by MFA Publications, Museum of Fine Arts, Boston.
Edited by Ellen McBreen, Helen Burnham. Text by Suzanne Preston Blier, Ann Dumas, Jack Flam, Claudine Grammont, Hélène Ivanoff, Marie-Thérèse Pulvenis de Seligny.

The personal objects in Matisse’s studio form a secret history in his art
This book is the first in English to explore the essential role that Henri Matisse’s personal collection of objects played in his studio practice. The artist traveled with his collection even to temporary residences, and letters to family members often included requests for objects to be moved to where he was working, revealing them to be critical creative stimulants. Featured frequently in the modern master’s bold paintings, drawings and cutouts, and influencing the development of his work in sculpture, Matisse’s objects formed a secret history hiding in plain sight.
Works that span Matisse’s entire career are presented here alongside the objects that inspired them, from Asian vases and African masks to intricate textiles from the Islamic world. An introduction and five chapters take readers through studies of the object as actor and the studio as theater, the importance of African art in Matisse’s renderings of the human form and his sitters’ inner selves, and the invention and transformation of his own language of signs. With lush illustrations and archival images, Matisse in the Studio provides exceptional insights into the artist at work.

Henri Matisse (1869–1954) was a painter, draftsman, sculptor and printmaker before turning to paper cut-outs in the 1940s. He followed a career-long path that he described as “construction by means of color.”

Ellen McBreen is Associate Professor of Art History at Wheaton College, Massachusetts.

Helen Burnham is Pamela and Peter Voss Curator of Prints and Drawings at the Museum of Fine Arts, Boston.

Suzanne Preston Blier is Allen Whitehill Clowes Professor of Fine Arts and of African and African American Studies at Harvard University.

Ann Dumas is Curator at the Royal Academy of Arts, London.

Jack Flam is Distinguished Professor Emeritus of Art and Art History at Brooklyn College and The Graduate Center of the City University of New York, and President of the Dedalus Foundation.

Claudine Grammont is Director and Chief Curator of the Musée Matisse, Nice.

Hélène Ivanoff is a postdoctoral research fellow at the Frobenius Institute of Johann Wolfgang Goethe University, Frankfurt.

Marie-Thérèse Pulvenis de Seligny is the former Director and Chief Curator of the Musée Matisse, Nice.

PUBLISHER
MFA Publications, Museum of Fine Arts, Boston

BOOK FORMAT
Hardcover, 9 x 11 in. / 216 pgs / 190 color.

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Sophie Calle: Rachel MoniqueSophie Calle: Rachel Monique

Published by Editions Xavier Barral.
Text by Sophie Calle, Monique Szyndler.

The haunting story of Sophie Calle’s mother, told through diary excerpts and family photographs
“She was called successively Rachel, Monique, Szyndler, Calle, Pagliero, Gonthier, Sindler,” reads the first lines of Sophie Calle: Rachel Monique, embroidered on the cover. “My mother liked people to talk about her. Her life did not appear in my work, and that annoyed her. When I set up my camera at the bottom of the bed in which she lay dying—fearing that she would pass away in my absence, whereas I wanted to be present and hear her last words—she exclaimed, ‘Finally.’”
Sophie Calle: Rachel Monique tells the story of Monique Szyndler, Sophie Calle’s mother who died in 2007, through diary excerpts and photographs selected by the artist from family albums. Described as “haunting” and “a mystery novel that tirelessly searches for a missing person,” the Rachel Monique project honors a daughter’s complicated relationship with her mother and the artist’s deeply felt grief.
This volume, presenting Calle’s installation of Rachel Monique at the Palais de Tokyo, was designed in close collaboration with the artist. The cover text is embroidered to create a precious object, and all of the texts relating to the installation are beautifully embossed. Sophie Calle: Rachel Monique is a highly personal and moving book, intimate and universal in its expressions of mourning and memory.

Sophie Calle (born 1953) creates works exploring the tensions between the observed, the reported, the secret and the unsaid. She has mounted solo shows at major museums across the world and represented France at the Venice Biennale in 2007, where her film of her mother’s deathbed, Couldn’t Capture Death, premiered.

PUBLISHER
Editions Xavier Barral

BOOK FORMAT
Clth, 6.75 x 9.5 in. / 208 pgs / 38 color / 57 bw.

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Catalog: SPRING 2017 p. 50   

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Nancy Borowick: The Family ImprintNancy Borowick: The Family Imprint

A Daughter's Portrait of Love and Loss

Published by Hatje Cantz.
Edited with text by Nancy Borowick. Introduction by James Estrin.

When American photojournalist Nancy Borowick’s (born 1985) parents Howie and Laurel were diagnosed with stage-four cancer and underwent simultaneous treatment, she did the only thing she knew how to do: she documented it. By turning the camera on her family’s life during this most intimate time, Borowick learned a great deal about herself, family and relationships in general. Borowick's father died in 2013, and her mother followed 364 days later. The lessons she garnered from Howie and Laurel were plentiful: always call when the airplane lands, never pass on blueberry pie, and most importantly, family is love and love is family.
“Though it is nothing she would have wished for, in a relatively short time Nancy Borowick became an expert in photographing death.” —The New York Times

PUBLISHER
Hatje Cantz

BOOK FORMAT
Hardcover, 9 x 11 in. / 200 pgs / 200 color.

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Catalog: SPRING 2017 p. 138   

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101 Danish Design Icons101 Danish Design Icons

Published by Hatje Cantz.
Edited by Lars Dybdahl.

A definitive history of 20th-century Danish design through 101 classic objects
Denmark has long loomed large in international design history. Today, Danish furniture, textiles, home appliances and utensils from the 1960s and ‘70s are more popular than ever, for sale at design galleries and a rarity at flea markets. This publication provides an extensive overview of those everyday objects that have to this day written design history both in Denmark and worldwide. Along with 32 leading scholars and journalists, the Head of the Library and Research at the Designmuseum Danmark in Copenhagen, Lars Dybdahl, explores the fascinating history of the individual objects. Playfully presented and situated in their historical context, the catalog sheds new light on this unique world of objects. Among the design classics included are the Carlsberg lager label, the Dursley-Pedersen bicycle, the PH lamp, Dansk Standard cutlery, the Beolit 39 radio, the Spoke-Back Sofa, the Flag Halyard Chair, Kobenstyle kitchenware, the Nilfisk vacuum cleaner, LEGO, the Trinidad stacking chair and ECCO shoes.Designers include Arne Jacobson, Georg Jensen, Finn Juhl, Borge Mogensen, Verner Panton and Hans J. Wegner.

PUBLISHER
Hatje Cantz

BOOK FORMAT
Hardcover, 8 x 10.5 in. / 464 pgs / 250 color.

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Catalog: SPRING 2017 p. 21   

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Karl Blossfeldt: MasterworksKarl Blossfeldt: Masterworks

Published by D.A.P..
Edited by Ann Wilde, Jürgen Wilde. Foreword and text by Hansjörg Küster.

Through Blossfeldt's lens, plants and flowers become gorgeous formal gestures
Karl Blossfeldt was a pioneer of botanical photography, though his interest in the plant world was initially educational. Fascinated by the structure of plants, whose seemingly artistic forms resulted from biological necessity, he realized that photography could be a useful teaching tool, allowing his students to see and compare natural forms. Working with a homemade camera, Blossfeldt gathered and photographed his own plant samples, magnifying them by up to 45 times. From around 1898 onward, he shot some 6,000 images, which he used primarily as visual aids in his classes.
Eventually published as Art Forms in Nature (1928) and Art Forms in Nature, Second Series (1932), Blossfeldt’s photographs had a lasting impact on the art of his day and were enthusiastically embraced by both the Surrealist and New Objectivity movements. His books brought him overnight fame and are still considered landmarks in the history of art and photography. Karl Blossfeldt: Masterworks presents a remarkable collection of Blossfeldt’s strikingly austere yet poetic portraits of plants, which capture their timeless beauty in intimate detail.

Karl Blossfeldt (1865–1932) was a photographer, sculptor, teacher and artist who worked in Berlin. Blossfeldt had no formal photographic training, but was singled out by Walter Benjamin in his “Little History of Photography” for the way his plant photography could reveal something present in the natural world not normally visible to the naked eye, helping to usher in a new, distinctively photographic way of seeing.

PUBLISHER
D.A.P.

BOOK FORMAT
Hardcover, 9.5 x 14.5 in. / 160 pgs / 70 duotone.

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We Learn at HomeWe Learn at Home

Published by DUNG BEETLE LTD.
By Miriam Elia.

In We Learn at Home, Miriam Elia’s follow-up to last year’s hit We Go to the Gallery, Mummy takes John and Susan out of their local school to be reeducated at home—though not before tagging the walls of St. James’ Primary with the words “Fascist Scum.” In order to introduce their young minds to a new, alternative worldview, Mummy will ground all learning in a feelings-based outlook, free of any actual facts or skills, and reevaluate core subjects such as mathematics, religion, philosophy and art. John and Susan burn the Union Jack, debate and learn to paint their inner children. Key vocabulary for young readers includes terms such as “Marx” and “Buddha.”
Pocket-sized, printed in bold colors and written in clear, simple English, the Dung Beetle Learning series pays tribute to and skewers the much-loved British Ladybird early learning children’s books of the 1960s, with our child protagonists learning about contemporary art and politics rather than helping their parents around the house. In We Go to the Gallery, Susan found that the decay of Western civilization smells like rubbish, John learned that some toys are only for venture capitalists and the siblings discovered that God is dead. What new lessons will Mummy teach?

PUBLISHER
DUNG BEETLE LTD

BOOK FORMAT
Hardcover, 4.75 x 7 in. / 48 pgs / 20 color.

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Oscar Heyman: The Jewelers’ JewelerOscar Heyman: The Jewelers’ Jeweler

Published by MFA Publications, Museum of Fine Arts, Boston.
Text by Yvonne J. Markowitz, Elizabeth Hamilton.

For the past 95 years, Oscar Heyman & Bros. has sat ... at the helm of jewelry royalty. —Antiques & Fine Art Magazine (2007)
Since its founding in 1912, Oscar Heyman & Brothers has created fabulous jewels for some of the world’s elite houses, causing it to be known in the trade as “the jewelers’ jeweler.” The Heyman Brothers arrived in New York from Eastern Europe in the early 1900s, bringing with them their training in their uncle’s workshop. The company quickly established a name for itself in the industry, working with top houses such as Cartier, Van Cleef & Arpels and Tiffany & Co., producing superbly constructed, beautifully designed pieces with the finest materials. The firm is still family run, and now retails merchandise under its own name, specializing in working with unique and colorful gemstones, cut and polished in their own workshop.
This lavishly illustrated history reveals “the jewelers’ jeweler” to the wider public, following the firm’s growth from its origin as a Russian immigrant family enterprise in New York City to its establishment as an important ally of major retailers throughout the global jewelry trade. Enhanced with dazzling photographs of new and vintage pieces, as well as brilliant, full-color design drawings from the firm’s archives that are works of art in their own right, Oscar Heyman: The Jewelers’ Jeweler reveals Oscar Heyman’s important role in the story of modern American jewelry.

PUBLISHER
MFA Publications, Museum of Fine Arts, Boston

BOOK FORMAT
Hardcover, 8 x 9.25 in. / 160 pgs / 130 color.

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Catalog: SPRING 2017 p. 22   

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Japan ModernJapan Modern

Japanese Prints from the Elise Wessels Collection

Published by NAi010 Publishers/Rijksmuseum.
By Marije Jansen.

Japan Modern presents an overview of Japanese printing in the first half of the 20th century. Japan was flourishing in the years following the turn of the century: modern city culture offered plenty of opportunities, the landscape changed, the rights of women began to improve and optimism abounded. At the same time, these vast cultural shifts produced feelings of nostalgia. Prints made in this period portray the turbulent times unlike anything else. Using an ancient wood-carving technique, artists show us modern life: streets scenes with high-rise buildings, cars, railroads, factories and Japanese women with modern hairdos dancing and drinking cocktails. However, more traditional subjects, such as idealized portraits of women and romantic landscapes are portrayed as well. Unique in the Netherlands, the Elise Wessels collection of modern Japanese prints is counted among the best in its field (outside of Japan). This superbly designed volume displays its assets to superb effect.



PUBLISHER
NAi010 Publishers/Rijksmuseum

BOOK FORMAT
Hardcover, 8.5 x 11 in. / 264 pgs / 194 color.

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Catalog: FALL 2017 p. 133   

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Renoir: IntimacyRenoir: Intimacy

Published by Museo Thyssen-Bornemisza.
Text by Guillermo Solana, Colin B. Bailey, Flavie Durand-Ruel Mouraux.

Renoir used volume and texture to conjure intimacy—from social intimacy among family and friends, to the erotic
The filmmaker Jean Renoir, son of Impressionist painter Pierre-Auguste Renoir, described how his father “looked at flowers, women and clouds in the sky as other men touch and caress.” Impressionism is generally conceived of as purely visual, an optical exploration of light-dappled surfaces and shifting colors. Renoir: Intimacy instead focuses on the central role of tactile sensations in Renoir’s canvases.
In all the different phases of his long career, working in a variety of genres (including group scenes, portraits, nudes, still lifes and landscapes), Renoir powerfully evoked the sense of touch. Renoir: Intimacy reveals the ways Renoir made use of the tactile qualities of volume, material and texture as a vehicle to depict intimacy in its different forms—from social intimacy among family and friends, to the erotic—and how that imagery is viscerally connected to the sensuality of the artist’s brushstroke and the physical surfaces of his paintings. Published to accompany an exhibition at the Museo Thyssen-Bornemisza in Madrid, this gorgeous volume includes more than 75 works by the artist, loaned from museums and private collections worldwide.

Pierre-Auguste Renoir (1841–1919) was a founder of the style that became known as Impressionism, and one of its most prolific members. Described by Herbert Read as “the final representative of a tradition which runs directly from Rubens to Watteau,” Renoir was a connoisseur and champion of feminine beauty. Surviving most of his contemporaries, Renoir lived to see his paintings hung at the Louvre alongside the old masters he so revered.

PUBLISHER
Museo Thyssen-Bornemisza

BOOK FORMAT
Hardcover, 10 x 11 in. / 200 pgs / 110 color / 35 bw.

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Catalog: SPRING 2017 p. 16   

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