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AVERY LOZADA | DATE 2/4/2017

We Are All Immigrants

Nuevo New YorkDamiani
Dulce Pinzón: The Real Story of the SuperheroesRM
Phil Collins: Soy Mi MadreAspen Art Press
David Taylor: MonumentsRadius Books/Nevada Museum of Art
JR & Art Spiegelman: The Ghosts of Ellis IslandDamiani
José Parlá: RootsDamiani/Bryce Wolkowitz
I Had Nowhere to GoSpector Books
Mauricio Palos: My Perro RanoRM
David Taylor: MonumentsRadius Books/Nevada Museum of Art
Josef Koudelka: The Making of ExilesEditions Xavier Barral

Nuevo New YorkNuevo New York

Photographs by Hans Neumann & Interviews by Gabriel Rivera-Barraza

Published by Damiani.
By Ben Rodriguez-Cubeñas.

Nuevo New York is a collection of portraits and interviews with influential Latin Americans who came to New York City to pursue their ambitions. The portraits are born out of a collaboration between two authors who made the journey from Latin America to New York themselves--photographer Hans Neumann (born in Peru), and fashion publicist Gabriel Rivera-Barraza (born in Mexico). Each figure included in Nuevo New York is an important player in the fields of fashion and the arts, having lived in New York City for at least five years and having gained recognition for their work. Neumann and Rivera-Barraza trace how their subjects came to be who they are today, and what role the city of New York has played in their trajectories. Interviewees include Andres Serrano, Candy Pratts Price, Carolina Herrera, Enrique Norten, Estrellita Brodsky, Francisco Costa, José Parlá, Lazaro Hernandez, María Cornejo and Nina Garcia.

PUBLISHER
Damiani

BOOK FORMAT
Hardcover, 9.75 x 11.25 in. / 160 pgs / 68 color / 30 bw.

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Catalog: FALL 2016 p. 133   

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Dulce Pinzón: The Real Story of the SuperheroesDulce Pinzón: The Real Story of the Superheroes

Published by RM.

In our thirst for Hollywood action heroes and caped crusaders, we sometimes overlook the everyday heroes in our midst. U.S.–based Mexican photographer Dulce Pinzón (born 1974) pays homage to Mexican immigrant workers in New York, heroes who sacrifice extraordinary hours in extreme conditions for very low wages, all for the sake of families and communities in Mexico who rely on them to survive. The Mexican economy has quietly become dependent on the money sent from workers in the United States, while the U.S. economy has quietly become dependent on the labor of Mexican immigrants. These color photographs present these immigrants in their work environment, but dressed in the costumes of popular American and Mexican superheroes. Short texts present the worker’s “secret identity,” their hometown and the amount of money they send to their families each week.

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RM

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Hardcover, 10.5 x 10.75 in. / 52 pgs / illustrated throughout.

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Catalog: FALL 2012 p. 88   

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Phil Collins: Soy Mi MadrePhil Collins: Soy Mi Madre

Published by Aspen Art Press.
Text by Heidi Zuckerman Jacobson.

Glasgow-based artist Phil Collins' film Soy Mi Madre examines the immigrant populations of Colorado's Roaring Fork Valley, a sizable percentage of which hail from northwestern Mexico. The region relies heavily on service and maintenance work provided largely through this population, who often commute to work in Aspen. Loosely inspired by Jean Genet's The Maids--a seminal example of Theatre of the Absurd that renders surreal the intricate power dynamics that exist between people of divergent socioeconomic groups and exploits the volatility of social identity--Soy Mi Madre portrays the social realities of this region through the melodramatic lens of the telenovela. Reproduced in this volume through a generous selection of stills, the film uses popular Mexican television actors and crew, including Patricia Reyes Spindola, Zaide Silvia Guitérrez, Veronica Langer and Salvador Parra, as well as members of the transsexual prostitute community of Mexico City.

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Aspen Art Press

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Hardcover, 9 x 9 in. / 72 pgs / illustrated throughout.

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Catalog: SPRING 2009 p. 94   

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David Taylor: MonumentsDavid Taylor: Monuments

Published by Radius Books/Nevada Museum of Art.
Text by Claire C. Carter, Daniel D. Arreola, William L. Fox.

In 2007, Arizona artist David Taylor began photographing the monuments that mark the border between Mexico and the United States, aiming to document each of the 276 obelisks installed by the International Boundary Commission following the Mexican/American War. Taylor's documentation is reflective of a survey conducted by the photographer D.R. Payne between 1891 and 1895 under the auspices of the Boundary Commission (now the International Boundary and Water Commission or IBWC). While many people have photographed the border, there has been no full documentation of the monuments in more than 100 years. This volume combines Taylor's series with texts by curator Claire Carter and cultural geographer Daniel Arreola, humanizing a zone in transition in the wake of drug smuggling, immigration debates and a post-9/11 security climate. Monuments exists as a typology, the incongruous obelisks acting as witness to a shifting national identity as expressed through an altered physical terrain.

PUBLISHER
Radius Books/Nevada Museum of Art

BOOK FORMAT
Hardcover, 13 x 11.5 in. / 268 pgs / 276 color.

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Catalog: SPRING 2015 p. 111   

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JR & Art Spiegelman: The Ghosts of Ellis IslandJR & Art Spiegelman: The Ghosts of Ellis Island

Published by Damiani.

In August 2014 the French artist JR received an unprecedented invitation to work in the Ellis Island Immigrant Hospital, a building on the south side of the island that has been abandoned and closed to visitors since 1954. About ten percent of the millions of migrants who passed through Ellis Island, having been deemed not healthy enough to enter the United States, spent some time in the hospital. For Unframed—Ellis Island, documented in The Ghosts of Ellis Island, JR chose about 20 archival photographs of the hospital's patients and staff and wheat-pasted these images around the abandoned building, creating haunting scenes that bring the history of these rooms back to life: a family looking out at the Statue of Liberty in New York Harbor, a small boy lying on an empty bed frame, patients staring out of the caged "psychopathic" ward. The work, which is accessible by guided tour, will remain up "until it decides to disappear." Along with images of JR's photographic interventions in the hospital, this publication includes new illustrations by legendary cartoonist Art Spiegelman, who collaborated with JR on illustrated narratives about Ellis Island's immigrants.
JR (born 1983) is best known for his monumental, wheat-pasted street portraiture projects. His ongoing project Unframed involves installing archival images and images from anonymous photographers in new contexts. JR has carried out Unframed projects in Marseille, São Paulo, Vevey, Atlanta, Baden Baden and Washington, DC. In 2014 he worked inside the theater of the NYC Ballet creating a 6,500-square-foot composite image of NYCB dancers depicted nearly life-size that, when seen from above, forms a giant eye. JR won the TED Prize for 2011.
Art Spiegelman (born 1948) is an American cartoonist, editor and comics advocate based in New York City, best known for his graphic novel Maus (1991). His work as coeditor on the comics magazines Arcade and Raw has been influential, and he spent a decade as contributing artist for The New Yorker where he made several high-profile and sometimes controversial covers.

PUBLISHER
Damiani

BOOK FORMAT
Hardcover, 8.5 x 10.5 in. / 112 pgs / illustrated throughout.

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Catalog: SPRING 2015 p. 63   

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José Parlá: RootsJosé Parlá: Roots

Published by Damiani/Bryce Wolkowitz.

In Roots, José Parlá (born 1973) explores the place of his experiences and travels in the development of his work.

Grounded in Parlá’s personal first-generation Cuban American immigrant family story and an ever-evolving practice inspired by “elsewhere communities” and their contributions to America, Roots considers the relationship between local and family history and one’s past, present and future. A photograph of Parlá’s grandfather Agustin Parlá, one of Cuba’s first aviators, is the point of departure for the work—the aviator is an important source of inspiration for the artist as he undertakes his own border crossings, exploring how multicultural environments impact his perceptions of urban space. Published to accompany exhibitions at the National Young Arts Foundation and SCAD Museum of Art, both being something of a homecoming for the Brooklyn-based artist—a SCAD painting alumnus—Roots surveys a recent body of Parlá’s painting and sculpture.



PUBLISHER
Damiani/Bryce Wolkowitz

BOOK FORMAT
Hardcover, 9.75 x 11.5 in. / 96 pgs / 101 color.

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Catalog: FALL 2017 p. 141   

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I Had Nowhere to GoI Had Nowhere to Go

Published by Spector Books.
By Jonas Mekas.

"Jonas Mekas' diaries have an aching honesty, puckish humor and quiet nobility of character. Many readers curious about the early years of this seminal avant-garde filmmaker will discover here a much more universal story: that of the emigrant who can never go back, and whose solitariness in the New World is emblematic of the human condition." -Phillip Lopate

"I was enormously moved by it." -Allen Ginsberg

Legendary filmmaker Jonas Mekas actually came to filmmaking relatively late in life, and his path to New York was a difficult one. In 1944, Mekas and his younger brother Adolfas had to flee Lithuania. They were interned for eight months in a labor camp in Elmshorn. Even after the war ended, Mekas was prevented from returning to his native Lithuania by the Soviet occupation. Classed as a “displaced person,” he lived in DP camps in Wiesbaden and Kassel for years. It was only at the end of 1949 that Jonas and Aldolfas Mekas finally found their way to New York City.

A new edition of Mekas’ acclaimed memoir, first published by Black Thistle Press in 1991, I Had Nowhere to Go tells the story of the artist’s survival in the camps and his first years as a young Lithuanian immigrant in New York City. Mekas’ memoir—the inspiration for a 2016 biopic by Douglas Gordon—tells the story of how an individual life can move through the larger 20th-century narratives of war and exile and tentatively put down new roots. In the words of Phillip Lopate, “This is a lyrical, essential spiritual anthropology.”

Jonas Mekas (born 1922) lives and works in New York. Filmmaker, writer and poet, he is a cofounder of Anthology Film Archives, one of the world’s largest and most important repositories of avant-garde film. An influential figure in New American Cinema and New York underground culture, he worked with Andy Warhol, George Maciunas, John Lennon and many others. Mekas’ work has been exhibited in museums and festivals worldwide.



PUBLISHER
Spector Books

BOOK FORMAT
Paperback, 5.5 x 8.5 in. / 480 pgs / 37 bw.

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Mauricio Palos: My Perro RanoMauricio Palos: My Perro Rano

Published by RM.

Mexican photographer Mauricio Palos (born 1981) is no stranger to the whims and prejudices of immigration officials: "I was deported from London the first time I attempted to enter the United Kingdom," he records in My Perro Rano; "I was refused entry because they suspected I was going there to work." Here, Palos photographs the desperate hinterland that is the U.S.-Mexico border.

PUBLISHER
RM

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Paperback, 6.5 x 8.75 in. / 112 pgs / 105 color.

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Catalog: SPRING 2011 p. 165   

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David Taylor: MonumentsDavid Taylor: Monuments

Published by Radius Books/Nevada Museum of Art.
Text by Claire C. Carter, Daniel D. Arreola, William L. Fox.

In 2007, Arizona artist David Taylor began photographing the monuments that mark the border between Mexico and the United States, aiming to document each of the 276 obelisks installed by the International Boundary Commission following the Mexican/American War. Taylor's documentation is reflective of a survey conducted by the photographer D.R. Payne between 1891 and 1895 under the auspices of the Boundary Commission (now the International Boundary and Water Commission or IBWC). While many people have photographed the border, there has been no full documentation of the monuments in more than 100 years. This volume combines Taylor's series with texts by curator Claire Carter and cultural geographer Daniel Arreola, humanizing a zone in transition in the wake of drug smuggling, immigration debates and a post-9/11 security climate. Monuments exists as a typology, the incongruous obelisks acting as witness to a shifting national identity as expressed through an altered physical terrain.

PUBLISHER
Radius Books/Nevada Museum of Art

BOOK FORMAT
Hardcover, 13 x 11.5 in. / 268 pgs / 276 color.

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Catalog: SPRING 2015 p. 111   

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Josef Koudelka: The Making of ExilesJosef Koudelka: The Making of Exiles

Published by Editions Xavier Barral.
Edited by Clément Chéroux. Text by Michel Frizot.

"Koudelka's unsentimental, stark, brooding, intensely human imagery reflects his own spirit, the very essence of an exile who is at home wherever his wandering body finds haven in the night."–Cornell Capa

In 1988, Josef Koudelka published what was to become one of his most famous and canonical series: Exiles. These gorgeously austere black-and-white images described the travels and everyday life of the peoples he encountered while roaming Europe. Josef Koudelka: The Making of Exiles is an exploration of the genesis and the making of this photographic journey.

Enhanced by numerous photographs that have never been published—in particular the photographer’s self-portraits—and captions by Koudelka, it includes numerous archival documents (such as reproductions of his travel journals), thumbnail reproductions of the book’s layout, an introduction by curator Clément Chéroux and an essay by photo-historian Michel Frizot, who spent hours interviewing Koudelka.

Josef Koudelka was born in Moravia in 1938. Initially an aeronautic engineer, he launched full time into photography in the late sixties. In 1968, he photographed the Soviet invasion of Czechoslovakia, publishing the results under the pseudonym P.P. (Prague Photographer). Koudelka left Czechoslovakia in 1970 and was briefly stateless before obtaining political asylum in England. Shortly afterwards, he joined Magnum Photos. In 1975 he published Gypsies. Koudelka has exhibited at the MoMA and at the International Centre of Photography in New York, at the Hayward Gallery in London, the Stedelijk Museum in Amsterdam and the Palais de Tokyo in Paris.



PUBLISHER
Editions Xavier Barral

BOOK FORMAT
Hardcover, 9.5 x 11.75 in. / 160 pgs / 45 color / 89 bw.

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Catalog: FALL 2017 p. 44   

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