Published by Royal Academy Publications. Text by John Milner, Natalia Murray, Nick Murray, Masha Chlenova, Ian Christie, John E. Bowlt, Nicoletta Misler, Zelfira Tregulova, Faina Balakhovskaya, Evgenia Petrova, Christina Lodder.
One hundred years after the Russian Revolution, this comprehensive survey explores all aspects of its groundbreaking art One hundred years after the Russian Revolution, Revolution: Russian Art, 1917–1932 explores one of the most momentous periods in modern world history through its groundbreaking art. The October Revolution of 1917 ended centuries of Tsarist rule and left artists such as Malevich, Tatlin, Popova and Rodchenko urgently debating what form a new “people’s art” would take. Painting and sculpture were redefined by Kandinsky’s boldly innovative compositions, Malevich’s dynamic abstractions and the Constructivists’ attempts to transform art into technical engineering. Photography, architecture, film and graphic design also experienced revolutionary changes. These debates were definitively settled in 1932, when Stalin began to suppress the avant-garde in favor of Socialist Realism—collective in production, public in manifestation and Communist in ideology. Based around a remarkable exhibition shown in Leningrad’s State Russian Museum in 1932—which was to be the swansong of avant-garde art in Russia—this volume explores that revolutionary 15-year period between 1917 and 1932 when possibilities seemed limitless and Russian art flourished across every medium. Published to accompany a major exhibition at the Royal Academy of Arts, London (the first to attempt to survey the entire artistic landscape of post-Revolutionary Russia), Revolution explores the painting, sculpture, photography, film, poster art and product design of the years after the Russian Revolution. Including contributions from some of the most prominent scholars in the field (John Milner, Natalia Murray, Nick Murray, Masha Chlenova, Ian Christie, John E. Bowlt, Nicoletta Misler, Zelfira Tregulova, Faina Balakhovskaya, Evgenia Petrova and Christina Lodder), Revolution is a timely and authoritative exploration of both the idealistic aspirations and the harsh realities of the Russian Revolution and its aftermath.
Published by FUEL Publishing. Edited with introduction by Dylan Loeb McClain. Text by Dr. George Dean, Jon Crumiller, Larry List, Will Wiles.
The world's most gorgeous and unusual chess sets, spanning hundreds of years and five continents Chess, one of the world’s most popular games, has inspired artists for hundreds of years. Though apparently offering a limited canvas—each set has 32 pieces, each board 64 squares—sets have nevertheless been designed in countless ways, using almost every imaginable material, from precious metals, to ivory and rock crystal. They have taken many forms, from figural to abstract, and used many diverse themes, from the historical and political to the beauty and variety of the animal kingdom. This book brings together some of the most beautiful and unusual chess sets ever made. Spanning hundreds of years and five continents, they are culled from private collections and museums, and include 200 year-old sets made by nameless Indian craftsmen, sets by Peter Carl Fabergé, sets from Soviet gulag prisoners, and sets by leading artists of the 20th century, such as Max Ernst. Each set has been specially photographed for this book, with detailed insights provided by an exceptional group of experts: Dr. George Dean, Jon Crumiller, Larry List and Will Wiles (Dezeen), with an introduction by the book’s editor, Dylan Loeb McClain, former New York Times chess columnist.
Published by Fondation Cartier pour l'art contemporain / Editions Xavier Barral. Edited by Xavier Barral, Philippe Séclier. Text by Clément Chéroux, Marc Desportes, Simon Baker, Nancy W. Barr, Pascal Ory. Contributions by Alain Bublex, Jean Todt, Alain Prost.
The camera’s romance with the car: a photo history
Autophoto explores photography's longstanding and generative relationship to the automobile. Since its invention, the automobile has reshaped our landscape, extended our geographic horizons and radically altered our conception of space and time, influencing the practice of photographers worldwide. The book shows how the car provided photographers with new subject matter and a new way of exploring the world. It brings together 500 works made by 100 historical and contemporary artists from around the world, including Robert Adams, Brassaï, Edward Burtynsky, Langdon Clay, John Divola, Robert Doisneau, William Eggleston, Elliott Erwitt, Walker Evans, Robert Frank, Lee Friedlander, Anthony Hernandez, Yasuhiro Ishimoto, Jacques Henri Lartigue, Joel Meyerowitz, Daido Moriyama, Catherine Opie, Martin Parr, Rosângela Rennó, Ed Ruscha, Hans-Christian Schink, Malick Sidibé, Stephen Shore and Henry Wessel. Capturing formal qualities such as the geometric design of roadways or reflections in a rear view mirror, these photographers invite us to look at the world of the automobile in a new way. Autophoto also includes other projects, such as a series of car models that cast a fresh eye on the history of automobile design, created specifically for the Fondation Cartier show by French artist Alain Bublex, plus a comparative history of automobile design and photography, essays by scholars and quotes by participating artists.
PUBLISHER Fondation Cartier pour l'art contemporain / Editions Xavier Barral
BOOK FORMAT Hardcover, 8.25 x 10.25 in. / 464 pgs / 300 color / 300 duotone.
PUBLISHING STATUS Pub Date 7/25/2017 Active
DISTRIBUTION D.A.P. Exclusive Catalog: FALL 2017 p. 7
PRODUCT DETAILS ISBN 9782869251311TRADE List Price: $65.00 CDN $85.00
AVAILABILITY In stock
in stock $65.00
UPS GROUND IN THE CONTINENTAL U.S. FOR CONSUMER ONLINE ORDERS
Published by Reel Art Press. Edited by Dagon James. Foreword by David Talbot. Afterword by Peter Frampton.
It has been said of Michael Zagaris’ photographic oeuvre that it is the “last untouched rock archive.” Zagaris was responsible for shooting everyone in the rock music scene in San Francisco in the 1970s and ’80s, including The Clash, Grateful Dead, Blondie, Sex Pistols, Bob Dylan, Eric Clapton, Lou Reed and the Velvet Underground, Patti Smith, Led Zeppelin, and many more. Zagaris’ photographs are some of the best portraits of their kind. Because a lot of his work was taken for pleasure rather than pay, the vast majority of his archive has remained unseen until now. Total Excess is the complete anthology of his incredible rock photography. This is the first book in a series of collaborations between Reel Art Press and Zagaris. Michael Zagaris (born 1945) grew up in the Central Valley of California. In 1967 he entered law school and also started working for Robert Kennedy as a speechwriter. The trauma of witnessing Kennedy’s assassination at close quarters propelled Zagaris away from politics and law and into photography, and he began covering rock music in San Francisco. He also captured some of the most vital counterculture figures of that period, including Billy Bowers, Divine, Peter Berlin, The Cockettes and Jim Carroll, who used one of Zagaris’ portraits for the cover of his book Basketball Diaries. In 1973 he began as a team photographer for the San Francisco 49ers, and the Oakland As in 1981, both of which he continues to shoot to this day. Zagaris lives in San Francisco.
From 1974 to 1976, Langdon Clay (born 1949) photographed the cars he encountered while wandering the streets of New York City and nearby Hoboken, New Jersey, at night. Shot in Kodachrome with a Leica and deftly lit with then-new sodium vapor lights, the pictures feature a distinct array of makes and models set against the gritty details of their surrounding urban and architectural environments, and occasionally the ghostly presence of people. “I experienced a conversion of sorts in making a switch from the ‘decisive moment’ of black and white to the marvel of color, a world I was waking up to every day,” Clay writes of this work. “At the time it seemed like an obvious and natural transition. What was less obvious was how to reflect my world of New York City in color … I discovered that night was its own color and I fell for it.” Langdon Clay was born in New York City in 1949. He grew up in New Jersey and Vermont and attended school in New Hampshire and Boston. Clay moved to New York in 1971 and spent the next sixteen years photographing there, around the country and in Europe for various magazines and books. In 1987 he moved to Mississippi where he has since lived with his wife, photographer Maude Schuyler Clay, and their three children.
Published by MFA Publications. Text by Winston S. Goodfellow and Beverly Rae Kimes. Foreword and Interview by Darcy Kuronen. Introduction by Ralph Lauren. Photographs by Michael Furman.
Bugatti and Bentley, Alfa and Aston, Mercedes and McLaren—these are not merely cars, they are some of the most exquisite automobiles ever assembled, selected by Ralph Lauren, one of the foremost designers of our time. This breathtaking volume features 29 of these wonders—from such unparalleled masterpieces as the 1930 Mercedes Benz “Count Trossi,” the 1938 Alfa Romeo Mille Miglia, and the 1938 Bugatti Atlantic Coupe to marvels from Jaguar, Aston Martin, Ferrari, Porsche and even a Ford “Woody”—each of these vehicles is lovingly photographed and presented with authoritative elegance. Complementing the images are sketches of these and other cars—rarely seen drawings that give insight into the conceptual and development stages of the automobiles. Now in its fourth printing, Speed, Style, and Beauty is the first book on cars to center its discussion squarely on the car's role as an art object. The 29 chapters, by two of the best known and most respected authors writing about cars today, gives the indispensable background information, but also approaches the cars the way an art historian would approach fine sculpture—treating them as consummate works of decorative art for the modern age. With over 160 color images by world-renowned photographer Michael Furman, plus an introductory interview with Ralph Lauren who discusses the links between the cars and his overall design philosophy, this is an elegant yet informative book that will delight both the rampant car enthusiast and aficionados of great design in any form. The sleekly curved chrome and steel of these timeless dream machines conjures the glamour of the 1930s, the opulent ease of the 1950s and the charged excitement of the 1980s—the perfect marriage of speed, style and beauty.
Published by T. Adler Books. Text by E.B. White, John F. Kennedy.
Snapshots from the moon: NASA photographs from the earliest manned space flights
NASA’s Apollo program landed the first humans on the moon in 1969. In the next three years, Apollo sent 10 more men to the moon in five subsequent missions. The first moon landing in particular is a legendarily well-documented event, representing one of those rare moments in which the world was united in awe, witnessing the feat together on their television screens. But each Apollo mission also generated hundreds of photographs, many of which have only recently been released by NASA. A selection of these images--shot by the astronauts themselves with suit-mounted and handheld Hasselblad cameras--are gathered in this beautifully designed, affordable volume.
Many of the photographs, though shot originally for scientific, documentary purposes, have an extraordinary snapshot quality, boasting inadvertently artful compositions and effects: in one, a pair of astronaut’s legs emerges upside down from the bottom of the frame; in another, a striding astronaut appears to glow against the black recesses of space.
Contextualized with background information about the Apollo Missions and the role of photographic documentation in them, the photographs in The Moon 1968–1972 are fascinating documents of the majesty of outer space, but also record the surface of the moon as a landscape of wonder. This is the moon of which E.B. White wrote in the July 1969 issue of The New Yorker: “The moon, it turns out, is a great place for men. One-sixth gravity must be a lot of fun, and when Armstrong and Aldrin went into their bouncy little dance, like two happy children, it was a moment not only of triumph but of gaity.”
Segal's celebration of this regal feline also records the cheetah's alarming path toward extinction For the past 15 years, American photographer Mark Segal’s fascination with the world’s fastest land mammal has taken him across the US, Europe, Kenya, Namibia and South Africa. What started out as an aesthetic obsession evolved as he deepened his understanding of this fierce yet fragile creature and its rapid path toward extinction. “My desire changed from simply wanting to experience cheetahs for my own selfish curiosity to wanting to contribute to their conservation.” Over the last five years, Segal has traveled to various cheetah research and conservation centers, in an effort to show the beauty of this magnificent predator and to draw awareness to its endangered state in the wild. Known for his moody and emotional portrait and fashion work, Segal takes a personal approach to photographing nature—employing a vision that differs distinctly from most wildlife photographers. The images collected in this monograph, designed by Fabien Baron, stand at a waypoint in Segal’s elusive and ongoing odyssey toward a deeper understanding of this regal feline and the mysterious hold it has on him. His wish is that viewers will be captivated as he is by the beauty of the cheetah and will recognize the imperative to protect the animal and ensure its survival on our planet. Mark Segal will donate all his profits from the sale of this book to cheetah conservation, notably the Cheetah Conservation Fund in Namibia.
Published by FUEL Publishing. Edited by Damon Murray, Stephen Sorrell. Text by Alexei Plutser-Sarno.
Soviet propaganda against the demon drink: the latest in Fuel’s Russian pop culture series From the acclaimed authors of the Russian Criminal Tattoo Encyclopaedias and Soviet Space Dogs comes Alcohol, a glorious and exhaustive collection of previously unpublished Soviet anti-alcohol posters. The book includes examples from the 1960s through to the 1980s, but focuses on posters produced during Mikhail Gorbachev’s campaign initiated in 1985. These posters attempted to sober up Soviet citizens by forcing them to confront the issues associated with excessive alcohol consumption. This government-led urgency allowed the poster designers to present the anti-alcohol message in the most graphic terms: they depicted drunks literally trapped inside the bottle or being strangled by “the green snake.” Their protagonists are paralytic freeloaders and shirkers who always neglect their families, drive under the influence, produce substandard work, are smashed when pregnant and present a constant danger to fellow citizens. A two-part essay by renowned cultural historian Alexei Plutser-Sarno attempts to explain, from a Russian perspective, the reasons behind this phenomenon.
Published by Reel Art Press. Foreword by D.A. Pennebaker.
In this previously unpublished photo-essay, the legendary boxer Muhammed Ali is captured up close and unguarded in the run-up to the "Rumble in the Jungle"
In October 1974, Muhammad Ali attempted to regain the world heavyweight boxing championship title that was stripped from him when he refused the Vietnam draft seven years earlier. He faced the brutal, undefeated George Foreman in Zaire, Africa, the fight he had dubbed “The Rumble in The Jungle.” Only weeks before, on August 11–12, photographer Peter Angelo Simon was invited to experience the private world of one of the most famous people on the planet as he prepared mentally and physically for the biggest challenge of his life.
This two-day photo-essay includes many previously unpublished photographs and captures Ali the man, unguarded, away from the glare of the media spotlight at his Pennsylvania sanctuary. It includes a foreword by D.A. Pennebaker, the foremost chronicler of American counterculture in the 1960s, and an introduction by Peter Angelo Simon, who writes: “I shot 33 rolls in the two days. Ali said nobody had ever taken so many pictures of him. I believe these photographs reveal aspects of Ali’s fascinating character not previously seen.” Few photographers got as close to the boxer behind the legend. This extraordinary book reveals the preparation for a seminal moment in cultural and political history.
Peter Angelo Simon has explored many forms of photographic expression in his wide-ranging career. His work has been featured in books, advertising campaigns, corporate communication, and magazines worldwide, including the New York Times Magazine. His photographs have been exhibited in museums and galleries internationally, including the Smithsonian.
D. A. Pennebaker is an American documentary filmmaker and foremost chronicler of American counterculture in the sixties.