DATE 12/24/2015

Sylvie Fleury, Santa Baby

DATE 12/18/2015

The Bauhaus: #itsalldesign, Marcel Breuer Children's Chair

DATE 12/15/2015

Henri Matisse, 'White Alga on Red and Green Background' (1947)

DATE 12/14/2015

Picasso Sculpture, Bull

DATE 12/13/2015

ARCANA Launch and Signing for 'The Soviet Photobook'

DATE 12/11/2015

We Go to the Gallery

DATE 12/10/2015

Andy Warhol: Prints, Marilyn Monroe

DATE 12/9/2015

Andy Warhol: Prints, Electric Chair

DATE 12/8/2015

Agnes Martin, Untitled 1959 purple and grey painting

DATE 12/7/2015

International Pop

DATE 12/6/2015

Peter Schlesinger: A Photographic Memory 1968-1989, Amanda Lear

DATE 12/5/2015

Peter Schlesinger: A Photographic Memory 1968-1989, Reto Guntli backflip

DATE 12/4/2015

Hans J. Wegner: Just One Good Chair

DATE 12/3/2015

Martin Hyers and William Mebane's "HERE – 77070019" (2010)

DATE 12/2/2015

Marilyn Minter: Pretty/Dirty

DATE 12/2/2015

Jenny Holzer: War Paintings, Formica 3086

DATE 12/2/2015

Jordan Wolfson & Laura Owens Joint Book Launch at Ooga Booga, LA

DATE 12/1/2015

Modern Taste: Art Deco in Paris 1910-1935, Simone Kahn, Man Ray 1926 portrait

DATE 11/30/2015

Philippe Halsman's Jump Book, Brigitte Bardot

DATE 11/29/2015

Strand Books presents Dan Martensen, Author of 'Wolves Like Us: Portraits of the Angulo Brothers'

DATE 11/29/2015

Hiroshi Sugimoto: Seascapes, Lake Superior, Eagle River

DATE 11/27/2015

Vogue: Like a Painting, Paolo Roversi

DATE 11/27/2015

Vogue: Like a Painting, Peter Lindbergh

DATE 11/26/2015

Vogue: Like a Painting, Grant Cornett Still Life

DATE 11/26/2015

Vogue: Like a Painting, Grant Cornett Still Life

DATE 11/25/2015

Class Distinctions: Dutch Painting in the Age of Rembrandt and Vermeer, Courtyard of a House in Delft

DATE 11/25/2015

Hiroshi Sugimoto Talk & Book Signing at The Strand

DATE 11/24/2015

Walter Chandoha: The Cat Photographer, Gift Kitty

DATE 11/23/2015

Walter Chandoha: The Cat Photographer

DATE 11/22/2015

Henry Leutwyler: Ballet

DATE 11/21/2015

Don McCullin, Sunday Morning, Chapel Market

DATE 11/20/2015

Holiday Gift Guide 2015: For Kids (& Parents)

DATE 11/19/2015

Leendert Blok: Silent Beauties, Color Photographs from the 1920s, TULIPA, Bleu celeste

DATE 11/18/2015

Artbook Corporate and Executive Gifts

DATE 11/18/2015

ARCANA Presents 'Photography is Magic' Multi-Photographer Signing with Charlotte Cotton

DATE 11/17/2015

Hans Schärer 'Madonnas & Erotic Watercolors' Opens at Swiss Institute

DATE 11/15/2015

Japanese Inspirations

DATE 11/14/2015

Henri Cartier-Bresson: The Decisive Moment, Sunday on the banks of the Marne

DATE 11/14/2015

Barbara Kasten: The Diazotypes

DATE 11/13/2015

Imponderable: The Archives of Tony Oursler, ESP Practitioner with Coins

DATE 11/12/2015

Peter Schlesinger: A Photographic Memory 1968-1989 at BOOKMARC

DATE 11/11/2015

ARTBOOK & Swiss Institute to Launch 'Imponderable: The Archives of Tony Oursler'

DATE 11/11/2015

Don McCullin, US Soldier Rescuing Vietnamese Woman

DATE 11/10/2015

'Both Sides of Sunset' Panel and Signing at the Brand Library

DATE 11/10/2015

Henri Cartier-Bresson: The Decisive Moment, Punjab India

DATE 11/9/2015

Henri Cartier-Bresson: The Decisive Moment, Christian Bérard, Jean-Paul Sartre

DATE 11/9/2015

Chef Mina Stone to Sign and Cook from 'Cooking for Artists' at As Of Now, LA

DATE 11/8/2015

Richard Learoyd: Day for Night, Agnes with Eyes Closed

DATE 11/7/2015

Richard Learoyd: Day for Night, Nancy with Tears

DATE 11/6/2015

Alvin Baltrop: The Piers

DATE 11/5/2015

Joaquín Torres-García: The Arcadian Modern, Construction in White and Black



Squinting Just Hard Enough: Erin C. Dunigan's 'Encounters in Publishing'

This week, our own Erin Dunigan began blogging for the NYC literary magazine, Slice. Her first contribution to the Encounters in Publishing feature is excerpted below.

Squinting Just Hard Enough: Erin C. Dunigan

Encounters in Publishing #8: Squinting Just Hard Enough
by Erin C. Dunigan

I think I've attended too many panels on "The Life Expectancy of the Book" and The Future of Art Book Publishing lately. After working in the industry for only four years I already get the unshakable feeling that anything representing the "old world" of printed books and city streets lined with bookstores is more like something out of a movie than real life.

This really hit home a month ago when my company (a distributor and publisher of contemporary art books) sent me to sunny, smoggy Los Angeles to work at Paris Photo, a gigantic photography fair. Normally the festivities are held at the Grand Palais in Paris but this year the fair's organizers decided to expand onto American soil. They chose none other than Paramount Studios as their new stomping ground, honoring the age-old tradition of art fair as spectacle. Photo books are among the most collectible and expensive in the art book market so it made sense for my company, along with a handful of other publishers including Taschen, Steidl, and Kehrer Verlag, to be there. And I was more than happy to be sent along for the ride, hello Hollywood!

While the exhibiting galleries took over three sound stages, the photo book dealers and publishers moved into an area called the “New York City Back Lot,” an uncanny replica of random parts of the Big Apple. The fake sets were shabby and in desperate need of a paint job (I suppose post-production is really where the magic happens), but if I squinted hard enough it was almost like I never left New York. Well, minus the fact that streets were actually lined with bookstores! My company, ARTBOOK | D.A.P., transformed a hollowed out, ceiling-less “Café” into a working shop. This unfortunately seemed to confuse the caffeine junkies looking for a fix, who found Henri Cartier-Bresson in place of cappuccinos (we eventually invested in an espresso machine). Our space was packed with the latest and greatest photo books and we hosted a number of signings with photo world celebrities, including Todd Hido who had an eager line of fans that wrapped around the "block!" Over the four-day event our sales were through the roof and everyone went home happy and slightly buzzed on a book-selling adrenaline rush.

It was a glamorous and surreal affair…but in the end I was left feeling both optimistic and confused. It was awesome to see hordes of die-hard book collectors lining up to make a purchase. But was it merely the California sunshine or the magic of Paramount? Was I squinting just hard enough to see a perfectly intact world of publishing and booming book sales? On the plane ride home, after much thought, I realized that's not why people are so enchanted with the magic of Hollywood; people go out to see movies because it’s a world they choose to believe in just for a few hours, whether or not it really exists. Now that I’m back in New York, I find myself missing those doppelganger city streets with block after block of bookstores, and palm trees off in the distance.

For more 'Encounters in Publishing,' visit Slice Magazine.
Squinting Just Hard Enough: Erin C. Dunigan's 'Encounters in Publishing'
Squinting Just Hard Enough: Erin C. Dunigan's 'Encounters in Publishing'
Squinting Just Hard Enough: Erin C. Dunigan's 'Encounters in Publishing'
Squinting Just Hard Enough: Erin C. Dunigan's 'Encounters in Publishing'
Squinting Just Hard Enough: Erin C. Dunigan's 'Encounters in Publishing'
Squinting Just Hard Enough: Erin C. Dunigan's 'Encounters in Publishing'
Squinting Just Hard Enough: Erin C. Dunigan's 'Encounters in Publishing'


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