ARTBOOK LOGO

ARTBOOK BLOG

RECENT POSTS

DATE 12/14/2016

Never Built New York at Center for Architecture

DATE 12/12/2016

Della Robbia: Sculpting with Color in Renaissance Florence

DATE 12/11/2016

Toilet Paper: Calendar 2017

DATE 12/10/2016

Berenice Abbott: Paris Portraits 1925–1930, Violette Murat

DATE 12/9/2016

Ed Panar: Animals That Saw Me, Volume Two

DATE 12/9/2016

Peter Hujar: Lost Downtown, Candy Darling

DATE 12/9/2016

Janet Sternburg Talk and Signing at Hauser Wirth & Schimmel

DATE 12/7/2016

Robert Rauschenberg

DATE 12/7/2016

Michael Fried & James Welling Launch 'Promesse du Bonheur' at 192 Books

DATE 12/6/2016

Robert Rauschenberg

DATE 12/6/2016

Yamamoto Masao Book Launch at Spaces Corners

DATE 12/5/2016

Robert Rauschenberg

DATE 12/4/2016

Taryn Simon: Paperwork and the Will of Capital

DATE 12/4/2016

ARTBOOK @ Hauser Wirth & Schimmel Presents Lynne Tillman, Colm Tóibín and Chris Kraus

DATE 12/3/2016

Taryn Simon: Paperwork and the Will of Capital

DATE 12/2/2016

Cecilia Dean & James Kaliardos Launch & Sign VISIONAIRE at Design Miami!

DATE 12/2/2016

100 Secrets of the Art World Everything You Always Wanted to Know from Artists, Collectors and Curators, but Were Afraid to Ask

DATE 12/2/2016

100 Secrets of the Art World Everything You Always Wanted to Know from Artists, Collectors and Curators, but Were Afraid to Ask

DATE 12/1/2016

William Christenberry, 1936-2016

DATE 11/30/2016

Join ARTBOOK @ Art Basel Miami 2016

DATE 11/30/2016

Concrete Cuba: Cuban Geometric Abstraction from the 1950s

DATE 11/29/2016

EXQUISITE: Alexander Girard: A Designer's Universe

DATE 11/28/2016

Never Built New York, Frank Lloyd Wright Key Plan for Ellis Island

DATE 11/28/2016

Visit ARTBOOK @ Design Miami 2016

DATE 11/27/2016

Van Cleef & Arpels: The Art & Science of Gems

DATE 11/26/2016

Van Cleef & Arpels: The Art & Science of Gems

DATE 11/25/2016

Van Cleef & Arpels: The Art & Science of Gems

DATE 11/24/2016

William Eggleston: The Democratic Forest

DATE 11/23/2016

One and One Is Four: The Bauhaus Photocollages of Josef Albers

DATE 11/22/2016

Women in Trees

DATE 11/21/2016

Jess Rotter: I’m Bored

DATE 11/20/2016

Francis Picabia: Our Heads Are Round so Our Thoughts Can Change Direction

DATE 11/19/2016

Francis Picabia: Our Heads Are Round so Our Thoughts Can Change Direction, Udnie

DATE 11/18/2016

Jess Rotter: I’m Bored

DATE 11/18/2016

Francis Picabia: Our Heads Are Round so Our Thoughts Can Change Direction, Women with Bulldog

DATE 11/18/2016

New No's from Badlands Unlimited

DATE 11/17/2016

Total Excess: Photographs by Michael Zagaris, backstage Pete Townshend & Jerry Garcia

DATE 11/16/2016

TOTAL EXCESS

DATE 11/15/2016

Donald Judd: Writings

DATE 11/15/2016

Holiday Gift Guide 2016: Stocking Stuffers

DATE 11/14/2016

Holiday Gift Guide 2016: For the Bookworm - Great Reads

DATE 11/14/2016

'Never Built New York' Launches Tonight, LIVE from the NYPL!

DATE 11/13/2016

Never Built New York LIVE from the NYPL!

DATE 11/13/2016

Holiday Gift Guide 2016: For the Art Lover

DATE 11/12/2016

Donald Judd: Writings Launch Events in November & December

DATE 11/12/2016

Never Built New York Live from the NYPL

DATE 11/12/2016

Holiday Gift Guide 2016: For the Photographer and Photography Collector

DATE 11/11/2016

Robert Venturi: Complexity And Contradiction In Architecture

DATE 11/11/2016

Holiday Gift Guide 2016: For the Design Devotee

DATE 11/10/2016

The Ice Plant Celebrates 10 Years of Publishing! Plus Book Signings with Ed Panar & Mike Slack

DATE 11/10/2016

For the Collector: Limited Editions & Catalogues Raisonnés


STAFF PICKS | FROM THE SHELVES

CORY REYNOLDS | DATE 8/29/2012

Top Photo Books, September 2012

Cindy ShermanThe Museum of Modern Art, New York
Rineke Dijkstra: A RetrospectiveGuggenheim Museum Publications
Walker Evans: American PhotographsThe Museum of Modern Art, New York
Larry Sultan & Mike MandelD.A.P./Distributed Art Publishers
Alvin Baltrop: Dreams into GlassContemporary Arts Museum Houston
Ori Gersht: History RepeatingMFA Publications
Lee Friedlander: MannequinFraenkel Gallery
Andrew Moore: CubaDamiani
Lewis HineD.A.P./Distributed Art Publishers, Inc.
Diane Arbus: An Aperture MonographAperture

Cindy ShermanCindy Sherman

Published by The Museum of Modern Art, New York.
By Eva Respini. Text by Johanna Burton. Interview by John Waters.

Published to accompany the first major survey of Cindy Sherman’s work in the United States in nearly 15 years, this publication presents a stunning range of work from the groundbreaking artist’s 35-year career. Showcasing approximately 180 photographs from the mid-1970s to the present, including new works made for the exhibition and never before published, the volume is a vivid exploration of Sherman’s sustained investigation into the construction of contemporary identity and the nature of representation. The book highlights major bodies of work including her seminal Untitled Film Stills (1977–80); centerfolds (1981); history portraits (1989–90); head shots (2000–2002); and two recent series on the experience and representation of aging in the context of contemporary obsessions with youth and status. An essay by curator Eva Respini provides an overview of Sherman’s career, weaving together art historical analysis and discussions of the artist’s working methods, and a contribution by art historian Johanna Burton offers a critical re-examination of Sherman’s work in light of her recent series. A conversation between Cindy Sherman and filmmaker John Waters provides an enlightening view into the creative process.

Cindy Sherman is a ground-breaking American photographer, born in 1954. She began her "Film Stills" series at the age of 23, gaining early recognition, and has followed it with remarkable experiments in color photography. Her art has won her wide recognition and praise, and been collected and exhibited by major museums throughout the world since 1980. A major retrospective exhibition of her work was shown at The Museum of Modern Art, New York; the San Francisco Museum of Modern Art; the Walker Art Center, Minneapolis; and the Dallas Museum of Art. Sherman is the recipient of a MacArthur Foundation "genius" award and a John Simon Guggenheim Memorial Fellowship. She is represented by Metro Pictures gallery in New York.

Eva Respini is a former Curator in the Department of Photography at The Museum of Modern Art, New York where she contributed to numerous publications including Robert Heinecken: Object Matter (2014); Cindy Sherman (2012); and Into the Sunset: Photography’s Image of the American West (2009); Fashioning Fiction in Photography since 1990 (2004).

John Waters is an American filmmaker, actor, writer, and visual artist best known for his cult films, including "Hairspray", "Pink Flamingos", and "Cecil B. DeMented". He lives in Baltimore, Maryland.

Johanna Burton has served as the director of the graduate program at the Center for Curatorial Studies at Bard College.

PUBLISHER
THE MUSEUM OF MODERN ART, NEW YORK

BOOK FORMAT
Clth, 9.5 x 12 in. / 264 pgs / 153 color / 102 bw.

PUBLISHING STATUS
PUB DATE
Active

DISTRIBUTION
D.A.P. EXCLUSIVE
CATALOG: SPRING 2012 p. 3   

PRODUCT DETAILS
ISBN 9780870708121 TRADE
LIST PRICE: $49.95 CDN $60.00

AVAILABILITY
In stock

in stock  $49.95


Free Shipping

UPS GROUND IN THE CONTINENTAL U.S.
FOR CONSUMER ONLINE ORDERS

Rineke Dijkstra: A RetrospectiveRineke Dijkstra: A Retrospective

Published by Guggenheim Museum Publications.
Text by Jennifer Blessing, Sandra S. Phillips. Interview by Jan van Adrichem.

This volume is the first comprehensive monograph on Rineke Dijkstra to be published in the United States. The catalogue accompanies the first U.S. mid-career survey of this important Dutch artist’s work in photography and video; it features the Beach Portraits and other early works such as the photographs of new mothers and bullfighters, together with selections from Dijkstra’s later work including her most recent video installations. Also included are series that she has been working on continuously for years, such as Almerisa (1994–present), which documents a young immigrant girl as she grows up and adapts to her new environment. The catalogue features essays by exhibition curators Jennifer Blessing (Senior Curator of Photography at the Guggenheim) and Sandra S. Phillips (Senior Curator of Photography at the San Francisco Museum of Modern Art); an interview with the artist by Jan van Adrichem; interviews with the artist’s subjects by Sophie Derkzer; short texts on the artist’s series by Chelsea Spengemann; and the most comprehensive exhibition history and bibliography to date.
Rineke Dijkstra came to prominence in the 1990s with her celebrated Beach Portraits, large-scale color photographs of children on the verge of adolescence posed on beaches around the world, from South Carolina to the Ukraine. From that point on, her sensitive and visually riveting portraits have documented individuals caught in transitional states, sometimes due to physical exertion, for example after giving birth or dancing, or charted over time through series. Along with other Western European photographers such as Thomas Struth and Thomas Ruff, Dijkstra has been a leading innovator in the production of large-scale color images, which came to define contemporary photography in the 1990s and have transformed it ever since.

PUBLISHER
GUGGENHEIM MUSEUM PUBLICATIONS

BOOK FORMAT
Hardcover, 9 x 12 in. / 264 pgs / 170 color.

PUBLISHING STATUS
PUB DATE
Out of stock indefinitely

DISTRIBUTION
D.A.P. EXCLUSIVE
CATALOG: SPRING 2012 p. 4   

PRODUCT DETAILS
ISBN 9780892074242 TRADE
LIST PRICE: $55.00 CDN $65.00

AVAILABILITY
Not Available

Walker Evans: American PhotographsWalker Evans: American Photographs

Seventy-Fifth Anniversary Edition

Published by The Museum of Modern Art, New York.
Introduction by Sarah Meister. Text by Lincoln Kirstein.

More than any other artist, Walker Evans invented the images of essential America that we have long since accepted as fact, and his work has influenced not only modern photography but also literature, film and visual arts in other mediums. The original edition of American Photographs was a carefully prepared letterpress production, published by The Museum of Modern Art in 1938 to accompany an exhibition of photographs by Evans that captured scenes of America in the early 1930s. As noted on the jacket of the first edition, Evans, “photographing in New England or Louisiana, watching a Cuban political funeral or a Mississippi flood, working cautiously so as to disturb nothing in the normal atmosphere of the average place, can be considered a kind of disembodied, burrowing eye, a conspirator against time and its hammers.” This seventy-fifth anniversary edition of American Photographs, made with new reproductions, recreates the original 1938 edition as closely as possible to make the landmark publication available for a new generation. American Photographs has fallen out of print for long periods of time since it was first published, and even subsequent editions--two of which altered the design and typography of the book in small but significant ways--are often available only at libraries and rare bookstores. This version, like the fiftieth-anniversary edition produced by the Museum in 1988, captures the look and feel of the very first edition with the aid of new digital technologies.
Walker Evans (1903–1975) took up photography upon his return to New York in 1927, following a year in Paris when his aspiration to become a writer withered in the shadow of Fitzgerald, Hemingway and Joyce. In 1935, Evans was commissioned by the Farm Security Administration to photograph the effects of the Great Depression in the Southeast. During this time he took many of the photographs that appeared in his collaboration with James Agee, Let Us Now Praise Famous Men (1941), a book which has become a defining document of that era. Evans joined the staff of Time magazine in 1945 and shortly thereafter became an editor at Fortune, where he stayed for the next two decades. In 1964, he became a professor at the Yale University School of Art, where he taught until his death in 1975.

PUBLISHER
THE MUSEUM OF MODERN ART, NEW YORK

BOOK FORMAT
Clth, 7.75 x 8.75 in. / 208 pgs / 87 duotone.

PUBLISHING STATUS
PUB DATE
Active

DISTRIBUTION
D.A.P. EXCLUSIVE
CATALOG: FALL 2012 p. 180   

PRODUCT DETAILS
ISBN 9780870708350 TRADE
LIST PRICE: $40.00 CDN $52.50

AVAILABILITY
Awaiting stock

STATUS: Out of stock

Temporarily out of stock pending additional inventory.

Larry Sultan & Mike MandelLarry Sultan & Mike Mandel

Published by D.A.P./Distributed Art Publishers.
Text by Charlotte Cotton, Connie Lewallen, Thomas Wagner, Carter Ratcliff, Jonathan Lethem.

The artistic collaboration between Larry Sultan (1946-2009) and Mike Mandel (born 1950) began in 1972, when they were both graduate students at the San Francisco Art Institute. Over the next 30 years, they created 20 photographic projects: two publications (including the landmark book Evidence); two exhibitions; the film, JPL; three public commissions; and 12 billboard series displayed on sites throughout California and the continental U.S. This collaboration enabled Sultan and Mandel to evolve a seemingly authorless style; most of their works adapted found imagery from archives or from popular media, neutralizing the intended commercial or documentary content by uncovering and emphasizing the inherent banality.
This substantial overview surveys Sultan and Mandel's 30 years of collaboration beginning with early billboard projects investigating themes of Californian culture and wealth, such as "Oranges on Fire" and "Cornucopia", based on a 1955 hand-tinted postcard of a model posing amid ripe oranges, and bearing the tagline: "California Gold Fills the Horn of Plenty To Overflowing." Their billboard projects continue with the tongue in cheek Ties and Whose News? in which the secondary title, "Whose News Abuses You?" is slyly imbedded in the image; and the duo's final billboard collaboration, Trouble Spots, a billboard project that used conflated and opposing ideologies in both fictitious and real locations.
Larry Sultan and Mike Mandel continues this extensive overview by chronicling their work with sourced images in the exhibitions Replaced (1975); Newsroom (1983); and the publications How to Read Music in One Evening (1974) and Evidence (1977). Five critical essays provide further insights on their collaboration.

PUBLISHER
D.A.P./DISTRIBUTED ART PUBLISHERS

BOOK FORMAT
Hardcover, 10 x 11.5 in. / 264 pgs / 190 color.

PUBLISHING STATUS
PUB DATE
Active

DISTRIBUTION
D.A.P. EXCLUSIVE
CATALOG: SPRING 2012 p. 62   

PRODUCT DETAILS
ISBN 9781935202820 TRADE
LIST PRICE: $70.00 CDN $85.00

AVAILABILITY
Awaiting stock

STATUS: Out of stock

Temporarily out of stock pending additional inventory.

Alvin Baltrop: Dreams into GlassAlvin Baltrop: Dreams into Glass

Published by Contemporary Arts Museum Houston.
Edited and with text by Valerie Cassel Oliver. Introduction by Douglas Crimp. Forward by Bill Arning.

Dreams into Glass accompanies the first major museum exhibition of African-American photographer Alvin Baltrop (1948–2004), whose career unfolded in the late 1960s amid a period of turbulent social and political upheaval. Following a stint in the Navy, Baltrop returned to New York in the 1970s and immersed himself in the city’s decaying landscape, documenting a post-industrial wasteland of vacant manufacturing buildings that included the piers located along the Hudson River in lower Manhattan. It was here that Baltrop captured his most iconic images of nocturnal danger and despair alongside intimate and voyeuristic portraits of the homeless, teenage runaways, prostitutes and clandestine sexual encounters. During this period, Baltrop captured Gordon Matta-Clark’s monumental piece “Day’s End” and the work of graffiti artist, Tava, now lost to history. This survey features over three decades of vintage and reprinted photographs as well as archival material--from Baltrop’s intimate portraits of Navy friends and other enlisted men to his poetic body abstractions and street photography to the documentation of an era of gay sexual abandon between the Stonewall riots and the AIDS pandemic.

PUBLISHER
CONTEMPORARY ARTS MUSEUM HOUSTON

BOOK FORMAT
Paperback, 10 x 8.5 in. / 60 pgs / 10 color / 30 bw.

PUBLISHING STATUS
PUB DATE
Active

DISTRIBUTION
D.A.P. EXCLUSIVE
CATALOG: FALL 2012 p. 90   

PRODUCT DETAILS
ISBN 9781933619392 TRADE
LIST PRICE: $14.95 CDN $17.50

AVAILABILITY
Awaiting stock

STATUS: Out of stock

Temporarily out of stock pending additional inventory.

Ori Gersht: History RepeatingOri Gersht: History Repeating

Published by MFA Publications.
Text by Al Miner, Yoav Rinon. Interview by Ronni Baer.

History Repeating is the first comprehensive survey of the Israeli-born photographer and video artist Ori Gersht (born 1967). This richly illustrated book presents the best of Gersht’s achingly beautiful images, and explores how he intertwines spectacles of painterly and narrative imagery with personal and collective memory, metaphysical journeys, contextualized spaces and the history of art and photography. Be it in the scars left on the sunlit yet war-torn buildings in Sarajevo, the white noise of his train journey to Auschwitz, or the clearing of trees in a forest that once stood witness to mass murder in Ukraine, Gersht’s vision bridges a history that is full of violent horror and a world of emergent, transcendent beauty. From the radiant optical glow of pollution in the atmosphere to his freeze-frame shots of shattering floral arrangements frozen by liquid nitrogen, Gersht’s calm is one that comes after the storm. In his 2010 series of Japanese landscapes, the ghostly visual static of cherry-blossom petals echo the militarism and sacrificed youth of World War II and the more recent nuclear fallout of Fukushima, but in their own extreme transience, they also manage to embody the possibility of spiritual renewal. History Repeating demonstrates the thin line between beauty and brutality and the sublime draftsmanship behind history’s various traumatic scars. History repeats itself: first as tragedy, then as unexpected beauty.

PUBLISHER
MFA PUBLICATIONS

BOOK FORMAT
Clth, 9.75 x 11.75 in. / 256 pgs / 130 color.

PUBLISHING STATUS
PUB DATE
Active

DISTRIBUTION
D.A.P. EXCLUSIVE
CATALOG: FALL 2012 p. 82   

PRODUCT DETAILS
ISBN 9780878467792 TRADE
LIST PRICE: $60.00 CDN $70.00

AVAILABILITY
In stock

in stock  $60.00


Free Shipping

UPS GROUND IN THE CONTINENTAL U.S.
FOR CONSUMER ONLINE ORDERS

Lee Friedlander: MannequinLee Friedlander: Mannequin

Published by Fraenkel Gallery.

Lee Friedlander is one of the few artists in any medium to have sustained a body of influential work over five decades. To make the photographs in Mannequin, he returned to the hand-held, 35-mm camera that he used in the earliest decades of his career. Over the past three years, Friedlander has roamed the sidewalks of New York City, Los Angeles and San Francisco, focusing on storefront windows and reflections that conjure marketplace notions of sex, fashion and consumerism, while recalling Atget’s surreal photographs of Parisian windows made 100 years earlier. Thoroughly straightforward, their unsettling and radical new compositions suggest photographs that have been torn up and pasted back together again in near-random ways.
Lee Friedlander (born 1934) first came to public attention in the landmark exhibition New Documents, at The Museum of Modern Art, New York, in 1967. The range of his work since then—including portraits, nudes, still lifes and studies of people at work—is anchored in a uniquely vivid and far-reaching vision of the american scene. More than 40 books about his work have been published since the early 1970s, including Self-Portrait, Sticks and Stones, Cherry Blossom Time in Japan, Family, America by Car, People at Work and The New Cars 1964. His career was the focus of a major traveling retrospective organized by The Museum of Modern Art in 2005. His work can be found in depth in the collections of The Museum of Modern Art, the Metropolitan Museum of Art, the San Francisco Museum of Art and the National Gallery of Art, among many others.

PUBLISHER
FRAENKEL GALLERY

BOOK FORMAT
Hardcover, 9 x 13 in. / 112 pgs / 103 duotone.

PUBLISHING STATUS
PUB DATE
Active

DISTRIBUTION
D.A.P. EXCLUSIVE
CATALOG: FALL 2012 p. 22   

PRODUCT DETAILS
ISBN 9781881337324 TRADE
LIST PRICE: $49.95 CDN $60.00

AVAILABILITY
In stock

in stock  $49.95


Free Shipping

UPS GROUND IN THE CONTINENTAL U.S.
FOR CONSUMER ONLINE ORDERS

Andrew Moore: CubaAndrew Moore: Cuba

Published by Damiani.
Introduction by Joel Smith. Text by Orlando Luis Pardo Lazo.

American photographer Andrew Moore began photographing in Cuba in 1998, and over the next fourteen years he made ten further visits, working to reveal the many facets of the island’s unique character and life. In 2002, he published some of this work in Inside Havana, which is now out of print. This new edition includes many of Moore’s older classic images but reconceives its predecessor with a new layout and finer, larger reproductions. Cuba also features many older photographs never previously published, as well as new photographs made specifically for this edition. The afterword was especially commissioned for this edition from Orlando Luis Pardo Lazo, one of Cuba’s leading independent bloggers.
Working with a large format camera, Moore insightfully records the shifting fortunes of Cuba, in superb photographs full of painterly light and dynamic color. His images span a tremendous variety of subjects, ranging from humble interiors to magnificent modernism, as well as portraits and landscapes. One theme introduced in this revised version is the contrast between the frayed patinas of Cuban homes and the great, unspoiled beauty of the island’s nature. Cuba is a stirring portrait of a country isolated from the globalized world, overflowing with its own remarkable riches.
The photographs of Andrew Moore (born 1957) are represented in the collections of the Metropolitan Museum of Art, the Whitney Museum, Yale University Art Gallery, The Museum of Fine Arts Houston, the Library of Congress, the Israel Museum, the George Eastman House and the Canadian Centre for Architecture.

PUBLISHER
DAMIANI

BOOK FORMAT
Hardcover, 15.75 x 11.75 in. / 128 pgs / 68 color.

PUBLISHING STATUS
PUB DATE
Active

DISTRIBUTION
D.A.P. EXCLUSIVE
CATALOG: FALL 2012 p. 10   

PRODUCT DETAILS
ISBN 9788862082525 TRADE
LIST PRICE: $75.00 CDN $90.00

AVAILABILITY
In stock

in stock  $75.00


Free Shipping

UPS GROUND IN THE CONTINENTAL U.S.
FOR CONSUMER ONLINE ORDERS

Lewis HineLewis Hine

Published by D.A.P./Distributed Art Publishers, Inc..
Text by Alison Nordström, Elizabeth McCausland.

In 1905, a young sociologist named Lewis Hine Wickes decided to pursue photography as the medium with which to denounce injustice and poverty. Hine was one of the first photographers to document the wave of mass immigration from an impoverished Europe to an economically booming America, and his portraits of immigrants at Ellis Island offered a more positive image of this influx. Later, while working with the National Child Labor Committee, Hine compiled a vast corpus of images that showed how American industry was making use of child labor, helping to bring about changes in U.S. child labor law. But as he wearied of photographing poverty, Hine developed an idealized vision of the worker that emphasized the dignity of labor--a vision that culminated in his legendary Men at Work series, first published in 1932 and today a classic American photobook. "We call this the Machine Age," he wrote in its introduction, "But the more machines we use, the more do we need real men to make and direct them." This beautifully produced volume, which includes a complete facsimile of Men at Work, is compiled from the collection of the George Eastman House, to whom Hine's son bequeathed his archive after his death. It includes both well-known series and recently discovered early works, plus rare family photographs, ephemera and a detailed chronology. The works are arranged in thematic groupings: "Ellis Island," "Tenements," "Child Labor," "Chicago and New York," "Pittsburgh," "Europe," "Black America," "Empire State Building" and "New Deal."
Lewis Hine (1874-1940) was born in Wisconsin and studied sociology at the University of Chicago. He served as official photographer for the WPA and for the construction of the Empire State Building. His later years were filled with professional struggles due to loss of patronage.

PUBLISHER
D.A.P./DISTRIBUTED ART PUBLISHERS, INC.

BOOK FORMAT
Clth, 8.75 x 10 in. / 264 pgs / 230 duotone.

PUBLISHING STATUS
PUB DATE
Out of print

DISTRIBUTION
D.A.P. EXCLUSIVE
CATALOG: SPRING 2012 p. 85   

PRODUCT DETAILS
ISBN 9781935202769 TRADE
LIST PRICE: $65.00 CDN $75.00

AVAILABILITY
Not Available

STATUS: Out of print | 00/00/00

For assistance locating a copy, please see our list of recommended out of print specialists >

Diane Arbus: An Aperture MonographDiane Arbus: An Aperture Monograph

Fortieth-Anniversary Edition

Published by Aperture.
Edited by Marvin Israel, Doon Arbus.

When Diane Arbus died in 1971 at the age of 48, she was already a significant influence--even something of a legend--for serious photographers, although only a relatively small number of her most important pictures were widely known at the time. The publication of Diane Arbus: An Aperture Monograph in 1972--along with the posthumous retrospective at The Museum of Modern Art--offered the general public its first encounter with the breadth and power of her achievements. The response was unprecedented. The monograph, composed of 80 photographs, was edited and designed by the painter Marvin Israel, Diane Arbus’ friend and colleague, and by her daughter Doon Arbus. Their goal in producing the book was to remain as faithful as possible to the standards by which Arbus judged her own work and to the ways in which she hoped it would be seen. Universally acknowledged as a photobook classic, Diane Arbus: An Aperture Monograph is a timeless masterpiece with editions in five languages, and remains the foundation of her international reputation. A quarter of a century has done nothing to diminish the riveting impact of these pictures or the controversy they inspire. Arbus’ photographs penetrate the psyche with all the force of a personal encounter and, in doing so, transform the way we see the world and the people in it.

PUBLISHER
APERTURE

BOOK FORMAT
Paperback, 9.25 x 11 in. / 182 pgs / 82 duotone.

PUBLISHING STATUS
PUB DATE
No longer our product

DISTRIBUTION
CONTACT PUBLISHER

PRODUCT DETAILS
ISBN 9781597111751 TRADE
LIST PRICE: $39.95 CDN $50.00

AVAILABILITY
Not Available



DATE 9/21/2016

Paris in Print

DATE 8/5/2016

DATE 8/5/2016

VIVA BRASIL!

DATE 6/27/2016

City of Angels

DATE 6/20/2016

Free to Love

DATE 5/31/2016

Summer of Love

DATE 5/10/2016

Chris Killip Booklist

DATE 5/1/2016

Cinco de Mayo!

DATE 3/20/2016

Spring Has Sprung!

DATE 2/14/2016

Love Stories

DATE 2/10/2016

Lookin' Good

DATE 1/8/2016

Wise Women

DATE 1/1/2016

Black Mountain

DATE 11/15/2015

Japanese Inspirations

DATE 10/15/2015

Scary!

DATE 10/8/2015

Hippie Modernism

DATE 9/17/2015

We ❤ Artist Books!

DATE 9/12/2015

Fashion: The Classics

DATE 8/14/2015

Back to School

DATE 8/3/2015

International Pop!

DATE 7/20/2015

High Design

DATE 7/13/2015

Squares!

DATE 7/11/2015

Photobook Classics

DATE 7/3/2015

What Nerve!

DATE 6/29/2015

Black and White

DATE 6/22/2015

Surf's Up

DATE 6/17/2015

More Books for Dads!

DATE 6/2/2015

For Dads

DATE 5/1/2015

We ♥ Los Angeles

DATE 1/30/2015

Wishing for Spring



ARTBOOK LOGO
 
 

the art world's source for books on art & culture

  

CUSTOMER SERVICE
orders@artbook.com
212 627 1999
M-F 9-5 EST

TRADE ACCOUNTS

800 338 2665

CONTACT

JOBS + INTERNSHIPS

NEW YORK
Showroom by Appointment Only
155 Sixth Avenue
New York NY 10013
Tel   212 627 1999

LOS ANGELES
Showroom by Appointment Only
818 S. Broadway, Suite 700
Los Angeles, CA 90014
Tel. 323 969 8985

ARTBOOK LLC
D.A.P. | Distributed Art Publishers, Inc.


All site content Copyright C 2000-2013 by Distributed Art Publishers, Inc. and the respective publishers, authors, artists. For reproduction permissions, contact the copyright holders.

ARTBOOK AMPERSAT

The D.A.P. Catalog
www.artbook.com