ARTBOOK BLOGEventsStore NewsMuseum Stores of the MonthNew Title ReleasesStaff PicksImage GalleryBooks in the MediaExcerpts & EssaysArtbook InterviewsEx LibrisAt First SightThe Artbook 2023 Gift GuidesArtbook Featured Image ArchiveArtbook D.A.P. Events ArchiveDATE 4/25/2024 The Strand presents Joshua Charow launching 'Loft Law'DATE 4/21/2024 Time & Space Limited presents "Memory as Various: Bernadette Mayer's 'Memory'"DATE 4/13/2024 Unnameable Books presents "Reading from Bernadette Mayer's 'Memory'"DATE 3/31/2024 Behold the photographic work of Jay DeFeo, born OTD in 1929DATE 3/30/2024 Seminary Co-op presents the Chicago launch of Danny Lyon's 'This Is My Life I'm Talking About'DATE 3/23/2024 On view now! 'Surrealism and Us'DATE 3/20/2024 Sublime punk protest in 'Velvet Terrorism: Pussy Riot's Russia'DATE 3/15/2024 A gorgeous and compelling new exploration of bodega culture from rising star, Tschabalala SelfDATE 3/15/2024 Vintage girl power in ‘Las Mexicanas’DATE 3/14/2024 Celebrate Pi Day with 'Einstein: The Man and His Mind'DATE 3/12/2024 Kindred Stores presents Anita N. Bateman on 'Where is Africa'DATE 3/12/2024 Hot book alert! ‘God Made My Face’ is NEW from Dancing Foxes Press and Brooklyn MuseumDATE 3/11/2024 Artbook @ MoMA PS1 presents the launch of 'Richard Nonas' | EVENTSJAMES LUCAS | DATE 12/14/2010James Hamilton and Peter Schjeldahl in Conversation at The NYPL, December 14, 2010Photographer James Hamilton and art critic Peter Schjeldahl appeared at The New York Public Library on the evening of December 14 to discuss Hamilton's new book, You Should Have Heard Just What I Seen, published by Thurston Moore and Eva Prinz's Ecstatic Peace Library. Topics ranged from bad behavior at the Chelsea Hotel to the importance of working in the darkroom. Schjeldahl also recalled Hamilton's unique ability to capture the photographic imagery of his own words when they worked on assignment together at the Village Voice. Well before the era of the digital camera, Hamilton spent his evenings trolling the night clubs, parties and late-night hangouts of New York's demimonde only to rush home to his apartment/darkroom studio in the wee hours, so that he could develop his footage for the next day's paper. |