ARTBOOK LOGO

ARTBOOK BLOG

FROM THE SHELVES
WHAT'S NEW?
EVENTS
BOOKS IN THE MEDIA
AT FIRST SIGHT
FEATURED IMAGES
EX LIBRIS
ARTBOOK INTERVIEWS
EXCERPTS & ESSAYS

RECENT POSTS

DATE 5/31/2015

From Bauhaus to Buenos Aires: Grete Stern & Horacio Coppola

DATE 5/29/2015

Kehinde Wiley: The World Stage: Haiti

DATE 5/29/2015

Barbara Kasten: Stages

DATE 5/29/2015

Joel Meyerowitz: Retrospective

DATE 5/28/2015

Joel Meyerowitz: Retrospective

DATE 5/26/2015

Barbara Kasten: Stages

DATE 5/24/2015

Richard Misrach: The Mysterious Opacity of Other Beings

DATE 5/23/2015

Pop Art Myths

DATE 5/22/2015

Pop Art Myths

DATE 5/22/2015

Beach Seeing: Richard Misrach's Mysterious Opacity of Other Beings

DATE 5/20/2015

How Posters Work

DATE 5/20/2015

Andrew Savulich: The City

DATE 5/19/2015

How Posters Work

DATE 5/19/2015

Zanele Muholi at the Brooklyn Museum

DATE 5/18/2015

Florence Henri: Mirror of the Avant-garde 1927–40

DATE 5/18/2015

Gillian Laub's 'Southern Rites' debuts on HBO tonight

DATE 5/17/2015

ARTBOOK & König Books: This Week at Frieze NY!

DATE 5/17/2015

John McCracken: Works from 1963-2011

DATE 5/16/2015

Marlene Dumas: Sweet Nothings

DATE 5/16/2015

Saturday: Sarah Thornton Signing at Frieze New York

DATE 5/15/2015

Yoko Ono: One Woman Show, 1960–1971

DATE 5/15/2015

ARTBOOK & König Books present Fluxus & Yoko Ono titles at Frieze

DATE 5/14/2015

Mina Stone: Cooking for Artists

DATE 5/14/2015

Art Book Lovers Unite! ARTBOOK & König Books Return to Frieze New York

DATE 5/14/2015

Ladies of the Avant-Garde

DATE 5/13/2015

Christopher Williams: Printed in Germany

DATE 5/11/2015

Chris Burden: 1946 – 2015

DATE 5/10/2015

Swedish Details

DATE 5/9/2015

Swedish Details

DATE 5/8/2015

Ingenious 'Hokusai'

DATE 5/7/2015

Ernst Haas: On Set

DATE 5/6/2015

Jean Prouvé Architecture: 5 Volume Box Set

DATE 5/5/2015

Stephen Sprouse: Xerox/Rock/Art

DATE 5/5/2015

Celebrating the Whitney Museum's Inaugural Show

DATE 5/4/2015

Jesse Pearson on 'Dennis Hopper: Drugstore Camera' & 'Dennis Feldman: Hollywood Boulevard'

DATE 5/3/2015

Both Sides of Sunset: Photographing Los Angeles

DATE 5/2/2015

Ed Templeton: Wayward Cognitions

DATE 5/1/2015

Both Sides of Sunset: Photographing Los Angeles

DATE 5/1/2015

James Mollison: Playground

DATE 5/1/2015

We ♥ Los Angeles

DATE 4/30/2015

50 Artists to Sign 'Both Sides of Sunset' at Paris Photo Los Angeles

DATE 4/28/2015

Dayanita Singh: Museum of Chance

DATE 4/26/2015

Caspar Wolf and the Aesthetic Conquest of Nature

DATE 4/26/2015

Peter Doig

DATE 4/26/2015

Visit ARTBOOK at Paris Photo Los Angeles

DATE 4/24/2015

Black Dolls

DATE 4/24/2015

Tseng Kwong Chi: Performing for the Camera

DATE 4/24/2015

Off the Richter Scale! 'Earthquakes, Mudslides, Fires & Riots: California and Graphic Design, 1936-1986' Launches at AIGA SF

DATE 4/22/2015

303 Gallery Launches Jens Hoffmann: (Curating) From A to Z

DATE 4/21/2015

Jan Schoonhoven

DATE 4/21/2015

Hokusai


EVENTS

CORY REYNOLDS | DATE 2/7/2013

What is the Future of Art Book Publishing? Join us February 12 at The New York Public Library


ARTBOOK | D.A.P., ARLIS / NY and The New York Public Library present a panel discussion investigating how diverse publishers approach their long term viability in the commercial and academic marketplaces.

In the face of Amazon.com, bookstore closures, self-publishing options, and shrinking library budgets, who is publishing art books today, and how are they reaching consumers and researchers alike? Commercial publishers and distributors, as well as independent and grassroots organizations, must confront the sea-change in how readers interact with the printed word. E-books and other digital formats are gaining in popularity for fiction readers and an increasing number of academic disciplines, yet very few art books meet the digital demand, even as more images of art are available online. Moreover, art books remain expensive to produce due to the necessity of high-quality, and often high-priced, image reproductions, among other vexing issues. 
 
 The panel features leading figures in the rapidly changing world of art book publishing, including: Margaret Chace, Associate Publisher, Skira/Rizzoli; Paul Chan, artist and founder of Badlands Unlimited; Sharon Gallagher, President and Publisher of ARTBOOK | D.A.P.; and Chul R. Kim, Associate Publisher, The Museum of Modern Art, New York. The discussion will be moderated by NYPL Senior Art Librarian Arezoo Moseni. 
 

Margaret Chace has worked in art book publishing in New York as an editor and in various management positions since 1983. Currently she is Associate Publisher of Skira Rizzoli, an imprint of Rizzoli International Publications that specializes in art and museum books. She joined Rizzoli in 2010 after 8 years as Managing Editor at The Metropolitan Museum of Art, where she helped manage the publication program of exhibition and collection catalogues, quarterly member bulletins, wall signage, and edited the Metropolitan Museum Journal for 6 years. Prior to the Met, she was Vice President and Managing Editor at Abrams, where she worked for 18 years both editing a diverse range of titles and serving on the management team. 
 
Paul Chan is an artist who lives and works in New York. His work has been exhibited widely in many international shows including: Documenta 13, Kassel, 2012; Before The Law, Ludwig Museum, Cologne, 2011-12; Making Worlds, 53rd Venice Biennale, Venice, 2009; Medium Religion, ZKM, Karlsruhe, 2008; Traces du sacrê, Centre Pompidou, Paris, 2008 and the Whitney Biennial, Whitney Museum of Art, New York, 2006. Recent solo exhibitions include Paul Chan: The 7 Lights, Serpentine Gallery, London and New Museum, New York, 2007-2008. In 2007, Chan collaborated with the Classical Theatre of Harlem and Creative Time to produce a site-specific outdoor presentation of Samuel Beckett

In the face of Amazon.com, bookstore closures, self-publishing options, and shrinking library budgets, who is publishing art books today, and how are they reaching consumers and researchers alike? Commercial publishers and distributors, as well as independent and grassroots organizations, must confront the sea-change in how readers interact with the printed word. E-books and other digital formats are gaining in popularity for fiction readers and an increasing number of academic disciplines, yet very few art books meet the digital demand, even as more images of art are available online. Moreover, art books remain expensive to produce due to the necessity of high-quality, and often high-priced, image reproductions, among other vexing issues.

The panel features leading figures in the rapidly changing world of art book publishing, including: Margaret Chace, Associate Publisher, Skira/Rizzoli; Paul Chan, artist and founder of Badlands Unlimited; Sharon Gallagher, President and Publisher of ARTBOOK | D.A.P.; and Chul R. Kim, Associate Publisher, The Museum of Modern Art, New York. The discussion will be moderated by NYPL Senior Art Librarian Arezoo Moseni.

Margaret Chace has worked in art book publishing in New York as an editor and in various management positions since 1983. Currently she is Associate Publisher of Skira Rizzoli, an imprint of Rizzoli International Publications that specializes in art and museum books. She joined Rizzoli in 2010 after 8 years as Managing Editor at The Metropolitan Museum of Art, where she helped manage the publication program of exhibition and collection catalogues, quarterly member bulletins, wall signage, and edited the Metropolitan Museum Journal for 6 years. Prior to the Met, she was Vice President and Managing Editor at Abrams, where she worked for 18 years both editing a diverse range of titles and serving on the management team.

Paul Chan is an artist who lives and works in New York. His work has been exhibited widely in many international shows including: Documenta 13, Kassel, 2012; Before The Law, Ludwig Museum, Cologne, 2011-12; Making Worlds, 53rd Venice Biennale, Venice, 2009; Medium Religion, ZKM, Karlsruhe, 2008; Traces du sacrê, Centre Pompidou, Paris, 2008 and the Whitney Biennial, Whitney Museum of Art, New York, 2006. Recent solo exhibitions include Paul Chan: The 7 Lights, Serpentine Gallery, London and New Museum, New York, 2007-2008. In 2007, Chan collaborated with the Classical Theatre of Harlem and Creative Time to produce a site-specific outdoor presentation of Samuel Beckett's play Waiting for Godot in New Orleans. Chan's essays and interviews have appeared in Artforum, Frieze, Flash Art, October, Tate etc, Parkett, Texte Zur Kunst, Bomb, and other magazines and journals. Chan founded Badlands Unlimited, a press devoted to publishing artists writings and writings about art in paper and digital forms in 2010.

Sharon Gallagher is the President and Publisher of ARTBOOK | D.A.P., the publishing and art book distribution company she co-founded in downtown New York in 1990, then known simply as D.A.P./Distributed Art Publishers. Over the last 20 years, the company has selected, catalogued, publicized and distributed more than 12,000 titles on art, photography, architecture, design and visual culture from the world's most respected museums and fine arts publishers. Under Gallagher's editorial guidance, the D.A.P. Publishing imprint has also published or co-published dozens of major monographs, writing collections and surveys, including Gerhard Richter: Atlas. She is also the co-publisher of Metropolis Books, the urbanism, architecture and design imprint. Since 2008, Gallagher has served as the Executive Director of ARTBOOK, which sells books directly to consumers through its website ARTBOOK.COM, at permanent locations like ARTBOOK @ MoMA P.S.1 and at temporary locations like Frieze New York, Art Basel Miami, the Hong Kong International Art Fair and many others. Under Gallagher's stewardship, ARTBOOK | D.A.P. has embraced not just distribution, but also digital books, publishing, retailing and event management. Prior to founding D.A.P./Distributed Art Publishers, she held positions as the Rights Director and Managing Editor at Abbeville Press. She is a graduate of Yale University, summa cum laude, with honors in Philosophy and in the joint Economics and Political Science Program. She holds an M.A. in Philosophy from Columbia University, where she was a University Fellow.

Chul R. Kim is Associate Publisher at The Museum of Modern Art, New York, where he oversees the digital-publishing strategy and international collaboration for both print and digital projects. He previously served for nine years as Director of Publications and Editor-in-Chief of the Smithsonian's Cooper-Hewitt, National Design Museum. He earned his MA in French Literature at New York University and was a Fulbright Scholar in France.

What is the Future of Art Book Publishing?
What is the Future of Art Book Publishing?
What is the Future of Art Book Publishing?
What is the Future of Art Book Publishing?
What is the Future of Art Book Publishing?
What is the Future of Art Book Publishing?
What is the Future of Art Book Publishing?

DATE 9/26/2014

ARTBOOK @ NYABF

ARTBOOK @ NYABF


ARTBOOK LOGO
 
 

the artworld's favorite source for books on art and culture

  

CUSTOMER SERVICE
orders@artbook.com
212 627 1999
M-F 9-5 EST

TRADE ACCOUNTS

800 338 2665

CONTACT

JOBS + INTERNSHIPS

NEW YORK
Showroom by Appointment Only
155 Sixth Avenue
New York NY 10013
Tel   212 627 1999

LOS ANGELES
Showroom by Appointment Only
818 S. Broadway, Suite 700
Los Angeles, CA 90014
Tel. 323 969 8985

ARTBOOK LLC
D.A.P. | Distributed Art Publishers, Inc.


All site content Copyright C 2000-2013 by Distributed Art Publishers, Inc. and the respective publishers, authors, artists. For reproduction permissions, contact the copyright holders.

ARTBOOK AMPERSAT

The D.A.P. Catalog
www.artbook.com