Following Martin Parr's celebrated Boring Postcards series, a new installment of his bizarre postcard collection. Domestic icons in a Catholic tradition, these cards were produced in the countries of Southern Europe during the 1970s, showing shamelessly idealized photographs of romantic lovers--frolicking in the hills, holding hands in the sunset, staring dreamily into each others eyes--and of perfect families--greeting Dad after work, in the kitchen baking a cake with Mom, singing together at the piano... A revealing social-historical document and very funny, for all fans of Martin Parr and connoisseurs of photographic kitsch.
Published by nai010 publishers. Text by Winy Maas, Alexander Sverdlov, Felix Madrazo, The Why Factory.
Flexible working hours, cheap flights to every far-flung corner of the planet, millions of downloadable films, television programs and songs at our disposal: we have become a society of leisure devotees and connoisseurs of pleasure. But who is paying attention to the civic and ecological effects of leisure as we slowly become addicted to its consumption? In The Death of Leisure, The Why Factory reveals the footprint our leisure activities have left behind on our cities, architecture and landscapes, and aims to elevate these conversations within architecture and urban planning to a higher tier of socio-cultural debate. The Death of Leisure includes articles by Felix Madrazo, Alexander Sverdlov and Winy Maas, Chair of Architecture and Urban Design at Delft University of Technology and leader of The Why Factory.
Published by Chris Boot. Introduction by Martin Parr.
In the late 1960s and early 1970s, the John Hinde Studio, based in Dublin, produced a series of postcards to be sold at Butlin's holiday camps throughout the British Isles. Famous for their “hi-de-hi” catchphrase, redcoat hosts and bargain packages with all entertainment included, Butlin's annually hosted over a million holidaying Britons throughout the 1970s. It was the challenging job of two German (Elmar Ludwig and Edmund Nägele) and one British photographer (David Noble) to execute the photographs to Hinde's rigorous formula and standards. With innovative use of color and elaborate staging (the trademarks of a John Hinde postcard), each photograph is painstakingly produced, with often large casts of real holidaymakers acting their allocated roles in these narrative tableaux of the Butlin's quiet lounges, ballrooms and Beachcomber bars. Shot with large-format cameras and lit like a film set, these photographs were an extraordinary undertaking in their production values, and helped John Hinde become one of the most successful postcard publishers in the world. Most of the John Hinde Butlin's photographs have only ever been published as postcards. This new affordable edition of Our True Intent Is All For Your Delight, first published to critical acclaim and popular success in 2002, is published to mark the 75th anniversary of Butlins.
Published by nai010 publishers. Essay by Tracy Metz. Photographs by Janine Schrijver and Otto Snoek.
Leisure time is increasingly a decisive factor in the changing landscape of the Netherlands, and in the trajectory of Dutch society, as both urban and rural zones are reconceived to accommodate a culture at play. In Fun! Leisure and Landscape, photographers Janine Schrijver and Otto Snoek collaborate with journalist and editor Tracy Metz to create a report on this social and spatial phenomenon, through interviews with designers, administrators, business people and sociologists, and in photographic essays.
Published by FUEL Publishing. Edited by Jonny Trunk, Damon Murray, Stephen Sorrell.
For early devotees of leather, rubber and vinyl fetish wear, Atomage magazine was the underground bible of the 1970s. Founded, designed and published by the English designer John Sutcliffe as a platform for his extraordinary talents as a manufacturer of weatherproofs for lady pillion riders, it quickly became a rallying point for explorers of every kind of fledgling clothing scene, functioning as both an instruction manual and a mirror. The experimental clothing showcased in its pages, including items made by the readers themselves, transformed a passion for a sexual proclivity into a cult phenomenon. From motorbiking and mask-wearing, to mudlarking and wading worship, Atomage covered every conceivable variant on and use for fetish wear. The amateur photographs reproduced here reflect a golden age of DIY enthusiasm, before fetish became the industry it is today, and inadvertently depict a suburbia from which dressing for pleasure was a necessary escape. The outrageous costumes found in Atomage also served as inspiration to a then-new generation of fashion designers such as Vivienne Westwood, and many of these costumes have since been acquired by high-end collections. Compiling the most astonishing imagery from all 32 issues of this now extremely rare and sought after cult magazine, Dressing for Pleasure illustrates not just Sutcliffe's exceptional designs, but also, through their own photography and writings, the fantasies and desires of the Atomage followers.
Published by Exact Change. By Denton Welch. Foreword by William Burroughs.
First published in 1945, In Youth Is Pleasure is a beautiful and unassuming coming-of-age novel by the English writer and painter Denton Welch (1915–1948). Painfully sensitive and sad Orville Pym is 15 years old, and this novel recounts the summer holiday after his first miserable year at public school--but as in all of Welch’s work, what is most important are the details of his characters’ surroundings. Welch is a Proustian writer of uncanny powers of observation who, as William S. Burroughs wrote, “makes the reader aware of the magic that is right under his eyes.” Film director John Waters includes this novel as one of his “Five Books You Should Read to Live a Happy Life If Something Is Basically the Matter with You,” and writes: “Maybe there is no better novel in the world than Denton Welch’s In Youth Is Pleasure. Just holding it in my hands, so precious, so beyond gay, so deliciously subversive, is enough to make illiteracy a worse social crime than hunger.” Also included in this edition is the first U.S. publication of “I Left My Grandfather’s House.” This first-person account of an idyllic walking tour in the British countryside undertaken when Welch was 18 makes a fascinating companion piece to the fictionalized, though no less autobiographical, In Youth Is Pleasure.
BOOK FORMAT Paperback, 6 x 8 in. / 272 pgs.
PUBLISHING STATUS PUB DATE 3/31/2013 Active
DISTRIBUTION D.A.P. EXCLUSIVE CATALOG: SPRING 2013 p. 69
PRODUCT DETAILS ISBN 9781878972132TRADE LIST PRICE: $17.95 CDN $20.00
AVAILABILITY In stock
in stock $17.95
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FEDEX GROUND IN THE CONTINENTAL U.S. FOR CONSUMER ONLINE ORDERS
Published by Soul Jazz Records Publishing. Compiled by Gilles Peterson, Stuart Baker.
The momentum of the 1960s civil rights movement and the explosion of Rock music and the underground press in that decade impacted Jazz in amazing ways, both musically and culturally. Years before Punk, musicians like John Coltrane, Pharoah Sanders, Sun Ra, Don Cherry, The Art Ensemble of Chicago and others took control of their work by recording, releasing and distributing their music themselves, often in runs as low as 500 copies. As a result, Jazz music got a whole new look. The record sleeves of this era (roughly 1965-1983) are as iconic and historically unique as the music itself, which, in the wake of innovations by Ornette Coleman and Cecil Taylor, boldly abandoned tonal anchors for the wilder shores of improvisation, incorporating Gospel, Asian, Rock and electronic influences. Soul Jazz Records has issued many releases relating to this music, and Freedom, Rhythm and Sound is the first ever collection of this fascinating goldmine of album art, which represents the first wave of inspired independent production within popular music. The book provides a large introduction contextualizing the music and artwork, as well as interviews with many of the people involved. Alongside the musicians mentioned above, these include Kelan Phil Cohran, Charles Tyler, Steve Reid, Mary Lou Williams, Horace Tapscott, Lloyd McNeil, Phil Ranelin, Marcus Belgrave, Paris Smith, Jayne Cortez, Joe McPhee, Weldon Irvine, Shamek Farrah, Cecil McBee, Stanley Cowell, Tribe, The Last Poets, The Pharoahs and many others. 30 years on, their works are exemplary in their untamed DIY energy and graphic boldness.
PUBLISHER SOUL JAZZ RECORDS PUBLISHING
BOOK FORMAT Hardcover, 12 x 12 in. / 180 pgs / 400 color.
PUBLISHING STATUS PUB DATE 10/31/2009 Active
DISTRIBUTION D.A.P. EXCLUSIVE CATALOG: FALL 2009 p. 37
PRODUCT DETAILS ISBN 9780955481727TRADE LIST PRICE: $39.95 CDN $50.00
AVAILABILITY Awaiting stock
STATUS: Out of stock
Temporarily out of stock pending additional inventory.
Published by Guggenheim Museum. Essay by Robert Rosenblum. Interview by David Sylvester.
For his recent series of work entitled Easy Fun-Ethereal, Jeff Koons employs new computer technology to merge populist icons into desktop collages, which he then transforms into traditional oil paintings rendered with photorealist precision. Drawn from glossy magazines and advertisements, the imagery includes smiley-faced sandwiches, spiraling roller coasters, succulent lips and abstract juice splashes. These hybrids of fun and fantasy simultaneously celebrate childhood pleasures and adult sexual desire: in keeping with Koons's stated intention to "communicate with the masses," the cheerful works are accessible to all. Accompanying an exhibition of seven large-scale paintings commissioned for the Deutsche Guggenheim Berlin, this lively volume features 40 full-color reproductions. Art historian David Sylvester's interview with Koons puts forth the artist's perspective on his career to date, while Robert Rosenblum's essay provides an in-depth analysis of the technique and imagery employed in EasyFun-Ethereal.
“If looking at photographs is a pleasurable activity, it is pleasurable in a complex, transformative, frequently unsettling sense. It is not pleasure unalloyed, for no profound pleasure is pure... Like many truly enriching pleasures... photography has its dark, troubling, even dangerous aspects.” —Gerry Badger The Pleasures of Good Photographs is an intellectual and aesthetic excursion led by Gerry Badger, one of the field's eminent critics and popular writers and the author of more than a dozen books including both volumes of The Photobook: A History. In this new volume of essays, Badger offers insight into some of his favorite images, artists and themes, drawing upon nearly three decades of experience writing and thinking about photography. With deep discernment and a readable blend of scholarly finesse and wit, Badger elucidates works by dozens of photographers, from Dorothea Lange and Eugène Atget to Martin Parr, Luc Delahaye, Susan Lipper and Paul Graham. Among the broader topics discussed are the photobook, where Badger believes “photography sings its loudest and most complex song,” and Photoshop's role in art-making. An interlude at the heart of the book pairs the author's evocative meditations with nearly a dozen particular images. Alongside some of Badger's classics, The Pleasures of Good Photographs showcases primarily new essays, making it an important addition to the canon of photographic writing.
Published by Verlag Fur Moderne Kunst Nurnberg. Text by Irene Müller, Ilka Ruby, Andreas Ruby, Emanuel Tschumi, Susann Wintsch.
The art team RELAX is Marie-Antoinette Chiarenza and Daniel Hauser, and the "Co." includes their shifting partners. This 21-year oeuvre asks inconvenient questions about societal, political, theoretical and social connections and mores via photography, installation, drawing, video and performance. A two-hour DVD, four essays, and 500 illustrations illuminate 150 works.