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STAFF PICKS | FROM THE SHELVES

PRINT ORDER FORM   

AVERY LOZADA | DATE 11/5/2014

American Road Trip

Danny Lyon: The BikeridersDanny Lyon: The Bikeriders
Robert Frank: The AmericansRobert Frank: The Americans
The Open Road: Photography and the American RoadtripThe Open Road: Photography and the American Roadtrip
Stephen Shore: Uncommon PlacesStephen Shore: Uncommon Places
Walker Evans: American PhotographsWalker Evans: American Photographs
William Eggleston's GuideWilliam Eggleston's Guide
Arthur Grace: America 101Arthur Grace: America 101
Joel Sternfeld: American ProspectsJoel Sternfeld: American Prospects
Starburst: Color Photography in America 1970-1980Starburst: Color Photography in America 1970-1980
Into the Sunset: Photography's Image of the American WestInto the Sunset: Photography's Image of the American West

Danny Lyon: The BikeridersDanny Lyon: The Bikeriders

Published by Aperture.
Introduction and interviews by Danny Lyon.

First published in 1968, and now back in print for the first time in ten years, The Bikeriders explores firsthand the stories and personalities of the Chicago Outlaws Motorcycle Club. This journal-size volume features original black-and-white photographs and transcribed interviews by Lyon, made from 1963 to 1967, when he was a member of the Outlaws gang. Authentic, personal and uncompromising, Lyon’s depiction of individuals on the outskirts of society offers a gritty yet humane perspective that subverts more commercialized treatments of Americana. Akin to the documentary style of 1960s-era New Journalism made famous by writers such as Hunter S. Thompson, Joan Didion and Tom Wolfe, Lyon’s photography is saturation reporting at its finest. The Bikeriders is a touchstone publication of 1960s counterculture, crucially defining the vision of the outlaw biker as found in Easy Rider and countless other movies and photobooks.
Danny Lyon (born 1942) is one of the most influential documentary photographers of the last five decades. His many books include The Movement (1964), The Destruction of Lower Manhattan (1969), Conversations with the Dead (1971), Knave of Hearts (1999), Like a Thief’s Dream (2007) and Deep Sea Diver (2011). Widely exhibited and collected, Lyon has been awarded Guggenheim Fellowships twice and National Endowment for the Arts grants ten times.

PUBLISHER
Aperture

BOOK FORMAT
Hardcover, 6.25 x 9.25 in. / 94 pgs / 48 duotone.

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No longer our product

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ISBN 9781597112642 TRADE
List Price: $35.00 CDN $40.00

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Robert Frank: The AmericansRobert Frank: The Americans

Published by Steidl.
Introduction by Jack Kerouac.

First published in France in 1958, then in the United States in 1959, Robert Frank's The Americans changed the course of 20th-century photography

PUBLISHER
Steidl

BOOK FORMAT
Clth, 8.25 x 7.25 in. / 180 pgs / 83 tritone.

PUBLISHING STATUS
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Catalog: SPRING 2008 p. 180   

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ISBN 9783865215840 TRADE
List Price: $40.00 CDN $54.00

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The Open Road: Photography and the American RoadtripThe Open Road: Photography and the American Roadtrip

Published by Aperture.
Edited with text by David Campany.

After World War II, the American road trip began appearing prominently in literature, music, movies and photography. As Stephen Shore has written, “Our country is made for long trips. Since the 1940s, the dream of the road trip, and the sense of possibility and freedom that it represents, has taken its own important place within our culture.” Many photographers purposefully embarked on journeys across the U.S. in order to create work, including Robert Frank, whose seminal road trip resulted in The Americans. However, he was preceded by Edward Weston, who traveled across the country taking pictures to illustrate Walt Whitman’s Leaves of Grass; Henri Cartier-Bresson, whose 1947 trip through the American South and into the West was published in the early 1950s in Harper’s Bazaar; and Ed Ruscha, whose road trips between Los Angeles and Oklahoma formed the basis of Twentysix Gasoline Stations. Hundreds of photographers have continued the tradition of the photographic road trip on down to the present, from Stephen Shore to Taiyo Onorato, Nico Krebs, Alec Soth and Ryan McGinley. The Open Road considers the photographic road trip as a genre in and of itself, and presents the story of photographers for whom the American road is muse. The book features David Campany’s introduction to the genre and 18 chapters presented chronologically, each exploring one American road trip in depth through a portfolio of images and informative texts. This volume highlights some of the most important bodies of work made on the road, from The Americans to the present day.

PUBLISHER
Aperture

BOOK FORMAT
Hardcover, 10 x 11.5 in. / 336 pgs / 250 color.

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ISBN 9781597112406 TRADE
List Price: $65.00 CDN $75.00

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Stephen Shore: Uncommon PlacesStephen Shore: Uncommon Places

The Complete Works

Published by Aperture.
Essay by Stephan Schmidt-Wulffen. Interview by Lynne Tillman.

Published by Aperture in 1982 and long unavailable, Stephen Shore's legendary Uncommon Places has influenced a generation of photographers. Among the first artists to take color beyond advertising and fashion photography, Shore's large-format color work on the American vernacular landscape stands at the root of what has become a vital photographic tradition. Uncommon Places: The Complete Works presents a definitive collection of the original series, much of it never before published or exhibited. Like Robert Frank and Walker Evans before him, Shore discovered a hitherto unarticulated version of America via highway and camera. Approaching his subjects with cool objectivity, Shore's images retain precise internal systems of gestures in composition and light through which the objects before his lens assume both an archetypal aura and an ambiguously personal importance. In contrast to Shore's signature landscapes with which Un-common Places is often associated, this expanded survey reveals equally remarkable collections of interiors and portraits. As a new generation of artists expands on the projects of the New Topographic and New Color photographers of the seventies--Thomas Struth (whose first book was titled Unconscious Places), Andreas Gursky and Catherine Opie among them--Uncommon Places: The Complete Works provides a timely opportunity to reexamine the diverse implications of Shore's project and offers a fundamental primer for the last 30 years of large-format color photography.

PUBLISHER
Aperture

BOOK FORMAT
Hardcover, 12.75 x 10.5 in. / 188 pgs / 162 color / 7 bw.

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Pub Date
No longer our product

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ISBN 9781931788342 TRADE
List Price: $55.00 CDN $65.00

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Walker Evans: American PhotographsWalker Evans: American Photographs

Seventy-Fifth Anniversary Edition

Published by The Museum of Modern Art, New York.
Introduction by Sarah Meister. Text by Lincoln Kirstein.

A 75th-anniversary facsimile edition of one of the most significant photobooks ever published

PUBLISHER
The Museum of Modern Art, New York

BOOK FORMAT
Clth, 7.75 x 8.75 in. / 208 pgs / 87 duotone.

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Catalog: FALL 2012 p. 180   

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ISBN 9780870708350 TRADE
List Price: $45.00 CDN $62.00

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William Eggleston's GuideWilliam Eggleston's Guide

Published by The Museum of Modern Art, New York.
Essay by John Szarkowski.

William Eggleston's Guide was the first one-man show of color photographs ever presented at The Museum of Modern Art, New York; it changed the world's perception of color photography forever, and its accompanying catalog is now considered one of the most important American photobooks ever published

PUBLISHER
The Museum of Modern Art, New York

BOOK FORMAT
Paperback, 6.5 x 9 in. / 112 pgs / 186 color.

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Catalog: FALL 2002 p. 177   

PRODUCT DETAILS
ISBN 9780870703782 TRADE
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Arthur Grace: America 101Arthur Grace: America 101

Published by Fall Line Press.
Introduction by Brett Abbott.

An award-winning photojournalist and social documentarian, Arthur Grace (born 1947) has traveled globally and to every region of America on assignment for major news organizations as well as for his own personal projects since the early 1970s. In America 101, Grace draws 101 pictures from his rich personal archive to assemble a visual crash course on what defines and represents us as Americans. Organized here into thematic chapters, Grace’s book plumbs America’s cultural DNA, fusing the style and the physical proximity of a photojournalist with the conceptual distance and healthy skepticism of an artist. As High Museum of Art Curator of Photography, Brett Abbott, states in his introductory essay, “In Grace’s America, the ordinary meets the absurd, veneration and irreverence comingle in unexpected and delightfully humorous ways, a lighthearted joie de vivre soothes a violent vein, and the sanctity of the individual competes with our continual drive toward collective direction.”

PUBLISHER
Fall Line Press

BOOK FORMAT
Hardcover, 11.5 x 11.5 in. / 128 pgs / 101 bw.

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Catalog: FALL 2013 p. 98   

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ISBN 9780979937934 TRADE
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Joel Sternfeld: American ProspectsJoel Sternfeld: American Prospects

Published by D.A.P./Distributed Art Publishers.
Text by Kerry Brougher, Andy Grundberg, Anne W. Tucker.

First published in 1987, Joel Sternfeld’s American Prospects is the classic photo record of 1980s America. This definitive edition, made with new plates and including one additional photograph, offers a spectacular, funny, sad and soberly riveting portrait of America’s diverse possibilities and prospects in the Reagan era. From the famous “Wet n’ Wild Aquatic Theme Park” in Florida to “The Space Shuttle Columbia Lands at Kelly Air Force Base” in San Antonio, Texas; from melancholy images of beached whales in Oregon to beautiful views of Yellowstone National Park and Bear Lake in Utah; from post-tornado Nebraska to a previously unseen photograph from the series, “Bikini Contest, Fort Lauderdale, FL, March 1983”; the sublime contradictions and tragicomedy of this volume are without doubt one of the greatest accomplishments of color photography, all the more fully realized in this splendid new edition. An essay by Kerry Brougher, Chief Curator at the Hirshhorn Museum and Sculpture Garden, considers the historical context of Sternfeld’s book and the pivotal role that American Prospects has played in the evolution of contemporary filmmaking and art photography.
A major exponent of color photography in America, Joel Sternfeld was born in New York City in 1944. He has received numerous awards including two Guggenheim fellowships, a Prix de Rome and the Citibank Photography Award. Sternfeld’s other books include On This Site (1997), Hart Island (1998), Stranger Passing (2001), Walking the High Line (2002), Sweet Earth (2006), When It Changed (2007), Oxbow Archive (2008) and First Pictures (2011).

PUBLISHER
D.A.P./Distributed Art Publishers

BOOK FORMAT
Clth, 14.5 x 11.75 in. / 140 pgs / 66 color.

PUBLISHING STATUS
Pub Date
Out of print

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Catalog: FALL 2012 p. 6   

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ISBN 9781935202974 TRADE
List Price: $50.00 CDN $67.50 GBP £45.00

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Starburst: Color Photography in America 1970-1980Starburst: Color Photography in America 1970-1980

Published by Hatje Cantz.
Edited and text by Kevin Moore. Essays by James Crump, Leo Rubinfien.

It is hard to imagine today that the artistic value of color photography was once questioned and controversial, even as recently as the 1980s. William Eggleston's watershed exhibition at The Museum of Modern Art, New York, in 1976, generated plenty of scorn and confusion, as spectators struggled to accept his seemingly ordinary-looking color images of Southern life as art. Early photographs by Stephen Shore, Helen Levitt, Joel Meyerowitz and others received similarly hostile or ambivalent reviews. Color photography also had opponents within photography, most notoriously in Henri Cartier-Bresson. But as color processes both diversified and grew more sophisticated, and further approaches to the medium developed, the floodgates were opened wide. Starburst examines the first great practitioners of artistic color photography in the United States: Eggleston, Shore, Levitt, Meyerowitz, plus Joel Sternfeld, William Christenberry, John Divola, Mitch Epstein, Jan Groover, Robert Heinecken, Barbara Kasten, Les Krims, Richard Misrach, John Pfahl, Leo Rubinfien, Neal Slavin, Eve Sonneman and many more. Grounded in reviews of sources from the 1970s, and with an abundance of images, this survey makes a thorough assessment of this paradigm shift in the history of art photography.

PUBLISHER
Hatje Cantz

BOOK FORMAT
Hardcover, 10 x 12 in. / 272 pgs / 301 color.

PUBLISHING STATUS
Pub Date
Out of print

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Catalog: SPRING 2010 p. 177   

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ISBN 9783775724906 TRADE
List Price: $75.00 CDN $90.00

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STATUS: Out of print | 00/00/00

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Into the Sunset: Photography's Image of the American WestInto the Sunset: Photography's Image of the American West

Published by The Museum of Modern Art, New York.
Text by Eva Respini.

Into the Sunset examines how photography has pictured, established and transformed the idea of the American West, from 1850 to the present. The development of photography coincided with the exploration and settlement of the West, and this simultaneous growth resulted in a complex relationship that has shaped the perception of that region's physical and social landscape to this day. Published to accompany a major exhibition at The Museum of Modern Art, New York, Into the Sunset charts changing myths and cultural attitudes about the West through photographs dating from the nineteenth to the twenty-first centuries. An expansive and dynamic survey, it brings together photographers as diverse as Carleton E. Watkins and Stephen Shore, Darius Kinsey and Dorothea Lange, Robert Frank and Cindy Sherman, an unknown daguerreotypist and Richard Prince. More than 120 works are organized thematically to highlight the artists' differing views of the West's land and people.

PUBLISHER
The Museum of Modern Art, New York

BOOK FORMAT
Clth, 9.5 x 10.5 in. / 168 pgs / 77 color / 81 bw.

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Catalog: SPRING 2009 p. 4   

PRODUCT DETAILS
ISBN 9780870707490 TRADE
List Price: $45.00 CDN $60.00

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