Published by The Museum of Modern Art, New York. Edited by Sarah Hermanson Meister.
The vitality of New York City--its energy, ambition and beauty--has long inspired great photographers, from Berenice Abbott to Garry Winogrand, from Lisette Model to Lee Friedlander. Composed of works selected from the collection of The Museum of Modern Art, Life of the City celebrates the great and continuing tradition of photography about New York. Featuring work by Harry Callahan, Henri Cartier-Bresson, Irving Penn, Alfred Stieglitz, Weegee and many others, and including a chapter of writings by notable observers of the city, the book explores the drama of New York's architecture, ranging from cavernous brick canyons and towering stone pinnacles to humble storefronts and tenements. It captures the city's glittering lights--outdoors on the skyline and in the flash of speeding cars, indoors at a string of the urban venues where people come together, from nightclubs and jazz rooms to society galas and parties. Most of all there are New Yorkers themselves--the city's bakers and builders, its politicians and policemen, its solitary nighttime strollers, its morning crowds of pedestrians hurrying to work, its children so beautifully memorialized by Helen Levitt, its in-turned individuals who, in the photographs of Cindy Sherman, seem to be living out some cultural myth of what it means to belong in and to one of America's greatest urban centers.
Published by Soul Jazz Records Publishing. Edited by Stuart Baker.
Between 1975 and 1988 New York City spawned an incredible and wild array of artistic communities that overlapped and interbred with scant heed for generic "purity" (let alone posterity): every musician, it seemed, was also an artist, every artist a filmmaker and every filmmaker was in a band. These heady years saw the births of Punk at CBGB and Max's Kansas City, of Hip Hop in the Bronx, the emerging art music activities of Philip Glass and Laurie Anderson, Free Jazz and the No Wave art/rock scene around James Chance, Lydia Lunch and Mars. New York Noise is Paula Court's photographic tour of these colliding worlds. From her arrival in New York City in 1978, Court diligently photographed the likes of Glenn Branca, Jean-Michel Basquiat, Keith Haring, David Byrne, Rhys Chatham, Lou Reed, James Chance, Patti Smith, Afrika Bambaata, John Cage, Robert Longo, Jim Jarmusch, Cindy Sherman and Richard Prince, as well as bands like DNA, Suicide, Bush Tetras, ESG and the Rock Steady Crew. Also captured in these pages are nascent musicians and actors such as Michael Stipe, Steve Buscemi, Willem Dafoe and Madonna, who came into artistic maturity amid these diverse scenes. With over 400 images, many of them previously unpublished, New York Noise follows Soul Jazz Records' critically acclaimed CD series, providing an unprecedented visual record of one of New York's liveliest cultural eras.
PUBLISHER SOUL JAZZ RECORDS PUBLISHING
BOOK FORMAT Flexi, 9.5 x 12.5 in. / 208 pgs / 400 bw.
PUBLISHING STATUS PUB DATE 8/1/2007 Active
DISTRIBUTION D.A.P. EXCLUSIVE CATALOG: FALL 2007 p. 36
PRODUCT DETAILS ISBN 9780955481703TRADE LIST PRICE: $39.95 CDN $50.00
AVAILABILITY In stock
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Published by Grey Art Gallery, New York University. Edited by Pepe Karmel. Text by Lynn Gumpert, Pepe Karmel, Alexandra Lange, Lytle Shaw.
In art, eras rarely begin with new decades, and New York Cool proves that the years between 1955 and 1965 were at least as vital a phase as "the 60s." Taking a fresh look at a moment that has too long been viewed as a parenthesis between Abstract Expressionism and Minimalism/Pop art, this book documents the diversity of art made in New York during those years. James Lee Byars, Alex Katz, Yayoi Kusama, Agnes Martin, Kenneth Noland, Robert Rauschenberg and Frank Stella are presented here, alongside mentors such as Louise Bourgeois, Elaine and Willem de Kooning, Philip Guston, Robert Motherwell and poet Frank O'Hara.
PUBLISHER GREY ART GALLERY, NEW YORK UNIVERSITY
BOOK FORMAT Paperback, 7.75 x 10.75 in. / 208 pgs / 82 color / 17 bw.
PUBLISHING STATUS PUB DATE 7/31/2009 Out of print
DISTRIBUTION D.A.P. EXCLUSIVE CATALOG: FALL 2009 p. 101
PRODUCT DETAILS ISBN 9780615181059TRADE LIST PRICE: $40.00 CDN $50.00
AVAILABILITY Not available
STATUS: Out of print | 00/00/00
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Published by Mitchell-Innes & Nash/Roy Lichtenstein Foundation. Artwork by Roy Lichtenstein. Edited by Rick Moody. Contributions by Jack Cowart. Text by Scott Rothkopf.
Twelve years ago, the Metropolitan Transportation Authority (MTA) Arts for Transit commissioned Roy Lichtenstein to create a mural for the Times Square subway station at 42nd Street and Broadway in Manhattan. Fabricated by Lichtenstein in 1994, the mural was finally unveiled on September 5, 2002, a gift from the artist to all New Yorkers. Standing 6 feet high and 53 feet long, the mural provides a skyline view of a futuristic metropolis, as represented through Lichtenstein's trademark benday dots and comic book flair. The development of the mural is explored here through an essay by Harvard University scholar Scott Rothkopf and “Report on Miniaturization (Metropolis, 2030 A.D.),” a new, specially commissioned short story by Rick Moody. In this appropriately oversized book, viewers get a glimpse of Lichtenstein's creative process, interweaving motifs, and visionary themes, and of the four decades of art making and rich associations that went into the making of the Times Square Mural.
Published by Testify Books. Introduction by Hilton Als.
Street Level collects 20 years of documentary and commercial photography by esteemed New York photographer Sue Kwon. Her subjects include some of Hip Hop's finest, such as the Beastie Boys, Biggie Smalls and the Wu-Tang Clan, as well as portraits and street scenes from New York's most charismatic neighborhoods--Little Italy, Chinatown, Coney Island, the Lower East Side and a pre-Guiliani Times Square. These black-and-white images, characterized by an evident fondness for the lives they depict, are populated with recruits from all realms and occasions, from shoe-shiners to inmates at the Rahway State Prison to newlyweds and strippers between sets at the infamous Sue's Rendezvous. As direct and candid as their subjects, Sue Kwon's photographs share a kinship with those of the legendary New York documentary photographer Helen Levitt. Although Kwon is well known in the Hip Hop world, this is the first complete monograph to survey her work. Sue Kwon began her career at the Village Voice, shooting subjects that ranged from N.W.A. to Covenant House runaways to underground Jamaican nightclubs in Queens. She went on to shoot primarily Hip Hop artists for record labels like Def Jam, Sony and Loud Records. While much of her current work centers on her own projects, she still photographs campaigns for companies such as Burton Snowboards, Gravis and A Bathing Ape. Kwon lives and works in New York City.
Published by Aperture. Introduction by Fred Brathwaite a.k.a. Fab 5 Freddy. Text by Bruce Davidson. Afterword by Henry Geldzahler.
Bruce Davidson's groundbreaking Subway, first published by Aperture in 1986, has garnered critical acclaim both as a documentation of a unique moment in the cultural fabric of New York City and for its phenomenal use of extremes of color and shadow set against flash-lit skin. In Davidson's own words, “the people in the subway, their flesh juxtaposed against the graffiti, the penetrating effect of the strobe light itself, and even the hollow darkness of the tunnels, inspired an aesthetic that goes unnoticed by passengers who are trapped underground, hiding behind masks and closed off from each other.” In this third edition of what is now a classic of photographic literature, a sequence of 118 (including 25 previously unpublished) images transport the viewer through a landscape at times menacing, and at other times lyrical and soulful. The images present the full gamut of New Yorkers, from weary straphangers and languorous ladies in summer dresses to stalking predators and homeless persons. Davidson's accompanying text tells the story behind the images, clarifying his method and dramatizing his obsession with the subway, its rhythms and its particular madness. Bruce Davidson (born 1933) is considered one of America's most influential documentary photographers. He began taking photographs when he was ten, and studied at the Rochester Institute of Technology and the Yale University School of Design. In 1958 he became a member of Magnum Photos, and in 1962 he received a Guggenheim Fellowship to document the civil rights movement. After a solo exhibition at The Museum of Modern Art in 1963, Davidson spent two years photographing in Harlem, resulting in the book East 100th Street. In 1980, after living in New York City for 23 years, Davidson began Subway, his startling color essay of urban life.
New York's public-relations campaign is not likely to add “crazy city” to its already famous heart-icon declaration of love, but few would dispute the truth of noted German sculptor Isa Genzken's extension of it. Only a mind as oriented toward heterogeneity as hers could capture New York in all its insane glory. These three slipcased artist's books from the time Genzken spent in New York a decade ago are published here for the first time. The collection both illuminates the working methods she uses in her sculptures and stands alone as a work of art itself. The books contain, as do her other works, thoughtful if sundry conglomerations of the items that shape our everyday existence from design, advertising and the media. Particularly important to her are the relationships in the urban environment between public and private space, artistic autonomy and collective experience. These explorations, as a window into the mind of this important artist or a window looking out onto the city, will bring repeated enjoyment and insight.
Published by Aperture. Text by Michael Lorenzini, Kevin Moore.
From 1906 to 1934, Eugene de Salignac shot over 20,000 stunning 8x10-inch glass-plate negatives of New York City. As sole photographer at the Department of Bridges/Plant and Structures during that period of dizzying growth, he documented the creation of the city's modern infrastructure--including bridges, major municipal buildings, roads and subways. For years, de Salignac's remarkably lyrical photographs have been featured in books and films, but never credited to their author. New York Rises, which will accompany a traveling exhibition, is the first monograph to present this unprecedented work as an aesthetically coherent oeuvre by a photographer with a unique vision. As meticulous in his record keeping as he was creative in his photography, de Salignac left five handwritten logs that identify each negative by place and exact date. This information is complemented throughout the book by narrative captions expanding on themes such as accidents, bridges, workers and the Depression. Essayist Michael Lorenzini unearths primary sources to reconstruct de Salignac's biography and Kevin Moore explores the photographer's work in the context of other masters of the period, including Eugène Atget and Berenice Abbott. Copublished with the New York City Department of Records/Municipal Archives.
Published by Gregory R. Miller & Co.. Artwork by Ellen Harvey.
Between 1999 and 2001, small old-fashioned landscapes painstakingly executed in oil started to appear on graffiti sites across New York City. The paintings were the work of the well-known artist Ellen Harvey. Documented here are both the works and Harvey's diaristic accounts of painting illegally throughout the city. The narrative of her “beautification project” is both provocative and hilarious. It touches on such issues as who is allowed to make art in our society, and what distinguishes art from graffiti, while never losing touch with the frequently comical reality of creating a contemporary art project on the streets of New York.
Published by The Museum of Modern Art, New York. By Sarah Hermanson Meister.
The photographer Berenice Abbott once mused, "How shall the two-dimensional print in black-and-white suggest the flux of activity of the metropolis, the interaction of human beings and solid architectural constructions, all impinging upon each other in time?" Picturing New York presents a myriad of answers to this question. Depicting both the iconic New York that captivates the world's imagination and the idiosyncratic details that define New Yorkers' sense of home, this anthology of photographs from The Museum of Modern Art's extraordinary collection reveals New York in all its vitality, ambition and beauty. Taken by artists pursuing their own curiosity as well as professionals on assignment, the works reveal a deeply symbiotic relationship between photography and the city, each delving into a new corner of New York while expanding the boundaries of photography as an art form. The selection comprises both celebrated images and lesser-known gems from the collection, accompanied by evocative excerpts from literary works about New York.