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RECENT POSTS

DATE 4/1/2017

MoMA Presents 'Arbus Friedlander Winogrand: New Documents, 1967' at the Strand

DATE 3/30/2017

Anthony Hernandez

DATE 3/29/2017

Karl Blossfeldt: Masterworks

DATE 3/28/2017

Philip Trager: New York in the 1970s

DATE 3/27/2017

New York in Photobooks

DATE 3/26/2017

James 'Son Ford' Thomas: The Devil and His Blues

DATE 3/24/2017

Marguerita Mergentime: American Textiles, Modern Ideas

DATE 3/24/2017

Karl Blossfeldt: Masterworks

DATE 3/24/2017

Maddie Gilmore on the Textiles of Marguerita Mergentime

DATE 3/24/2017

Join ARTBOOK | D.A.P. at the AIPAD Photography Show

DATE 3/23/2017

Models Matter

DATE 3/22/2017

Trisha Brown, 1936 - 2017

DATE 3/21/2017

Christopher Niquet to Launch 'Models Matter' at BOOKMARC

DATE 3/21/2017

Merce Cunningham: Common Time - Rei Kawakubo

DATE 3/20/2017

Felix Gonzalez-Torres: Specific Objects Without Specific Form

DATE 3/20/2017

Marsie Scharlatt & Aram Saroyan Launch 'A Breathed Yes' at ARTBOOK @ Hauser & Wirth Los Angeles

DATE 3/19/2017

Miralda: El Internacional (1984–1986)

DATE 3/18/2017

Yayoi Kusama Takes On Hans Christian Andersen's 'Little Mermaid'

DATE 3/17/2017

Yayoi Kusama: Give Me Love, The Obliteration Room

DATE 3/17/2017

Joan Rothfuss & Nancy Dalva on 'Merce Cunningham: Common Time' at 192 Books

DATE 3/16/2017

Nancy Perloff launches EXPLODITY at ARTBOOK @ Hauser & Wirth, Los Angeles

DATE 3/16/2017

Renoir: Intimacy

DATE 3/15/2017

Nothing Is Real: When the Beatles Met the East

DATE 3/14/2017

Antoni Miralda to Launch 'El Internacional (1984–1986): New York's Archaeological Sandwich' at MoMA PS1

DATE 3/14/2017

Masao Yamamoto: Small Things in Silence

DATE 3/13/2017

Larry Fink to Launch 'Fink on Warhol' at Rizzoli

DATE 3/13/2017

Andy Warhol: Prints

DATE 3/13/2017

Rizzoli Presents Philip Trager and Ken Schles on NYC Photography

DATE 3/12/2017

The "Odessey": The Zombies in Words and Images Launch at the Strand

DATE 3/12/2017

Cubism and War: The Crystal in the Flame

DATE 3/11/2017

Linda Foard Roberts: Passage

DATE 3/10/2017

Mark Klett: Camino del Diablo

DATE 3/9/2017

Justin Kimball: Elegy

DATE 3/8/2017

Merce Cunningham: Common Time Has Arrived!

DATE 3/7/2017

David Taylor: Monuments

DATE 3/6/2017

Costume & Fashion

DATE 3/4/2017

Jimmy Wright: Bathhouse, Meatpacking District and the Dream Cards

DATE 3/3/2017

Josef Albers: Midnight and Noon

DATE 3/3/2017

Digital Collages from Béatrice Dupire @theiye

DATE 3/2/2017

Masterworks: Rare and Beautiful Chess Sets of the World

DATE 3/2/2017

In Memory of Gustav Metzger, 1926-2017

DATE 3/1/2017

Masterworks: Rare and Beautiful Chess Sets of the World

DATE 3//2017

ARTBOOK | D.A.P. at the Society for Photographic Education Conference

DATE 2/28/2017

Valérie Belin

DATE 2/27/2017

Hollywood and the Ivy Look

DATE 2/26/2017

We Go Out

DATE 2/25/2017

Miralda’s El Internacional (1984–1986): New York’s Archaeological Sandwich

DATE 2/24/2017

Clare Rojas: Plain Black, Abstract Paintings

DATE 2/24/2017

Valérie Belin Book Launch at Albertine

DATE 2/23/2017

The Exhibitionist: Journal on Exhibition Making

DATE 2/22/2017

Yayoi Kusama: I Who Have Arrived in Heaven


IMAGE GALLERY

Featured image, "5912" (2008), is reproduced from
CORY REYNOLDS | DATE 2/26/2013

Color, Liberated: James Welling

Featured image, "Farnsworth Steps" (2006), is reproduced from Aperture's new release, James Welling: Monograph. In the published conversation with Eva Respini, Welling delivers a beautiful explanation of his changing relationship to color: "A few years ago I started teaching a color seminar. I had become interested in how we see color—the phenomenon of color as a lived experience. My 2005 Hexachromes were a direct result of wanting to show how the three color receptors in our eyes work. I did this by photographing a stationary plant, and—as shadows moved across it—I made multiple exposures on the same piece of film, using red, green, blue, cyan, magenta, and yellow filters. When the shadows did not coincide, the additive and subtractive colors were made visible, creating a rainbow effect. I went to the Glass House thinking I would do the same, but there was no wind to produce moving shadows. So, I began to put overlapping filters in front of the lens. As I worked on the Glass House, the color became more vibrant. Interestingly, I kept seeing the bright colors of the photographs in my daily experience. I would print an unnatural orange or a purple, and I would go outside and see the same colors in a shadow or in a flash in the sky, or on a car. As I became sensitized to unnatural colors, I realized that they were not unnatural—I just hadn't noticed them. Becoming attuned to color has led me to think that we actually see more color than we normally perceive. I guess in some way I'm trying to liberate color."

James Welling: Monograph

James Welling: Monograph

APERTURE
Hbk, 9.5 x 11 in. / 256 pgs / illustrated throughout.

DATE 3/24/2017

Marguerita Mergentime

DATE 3/23/2017

Models Matter

DATE 3/16/2017

Renoir: Intimacy

DATE 3/13/2017

Andy Warhol: Prints

DATE 3/6/2017

Costume & Fashion

DATE 2/28/2017

Valérie Belin

DATE 2/26/2017

We Go Out

DATE 2/8/2017

Raymond Pettibon

DATE 2/3/2017

How Posters Work

DATE 1/12/2017

Paris Metro Photo

DATE 1/11/2017

Paris Metro Photo

DATE 1/10/2017

PARIS METRO PHOTO

DATE 1/9/2017

Louis Faurer



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