DATE 12/24/2015

Sylvie Fleury, Santa Baby

DATE 12/18/2015

The Bauhaus: #itsalldesign, Marcel Breuer Children's Chair

DATE 12/15/2015

Henri Matisse, 'White Alga on Red and Green Background' (1947)

DATE 12/14/2015

Picasso Sculpture, Bull

DATE 12/13/2015

ARCANA Launch and Signing for 'The Soviet Photobook'

DATE 12/11/2015

We Go to the Gallery

DATE 12/10/2015

Andy Warhol: Prints, Marilyn Monroe

DATE 12/9/2015

Andy Warhol: Prints, Electric Chair

DATE 12/8/2015

Agnes Martin, Untitled 1959 purple and grey painting

DATE 12/7/2015

International Pop

DATE 12/6/2015

Peter Schlesinger: A Photographic Memory 1968-1989, Amanda Lear

DATE 12/5/2015

Peter Schlesinger: A Photographic Memory 1968-1989, Reto Guntli backflip

DATE 12/4/2015

Hans J. Wegner: Just One Good Chair

DATE 12/3/2015

Martin Hyers and William Mebane's "HERE – 77070019" (2010)

DATE 12/2/2015

Marilyn Minter: Pretty/Dirty

DATE 12/2/2015

Jenny Holzer: War Paintings, Formica 3086

DATE 12/2/2015

Jordan Wolfson & Laura Owens Joint Book Launch at Ooga Booga, LA

DATE 12/1/2015

Modern Taste: Art Deco in Paris 1910-1935, Simone Kahn, Man Ray 1926 portrait

DATE 11/30/2015

Philippe Halsman's Jump Book, Brigitte Bardot

DATE 11/29/2015

Strand Books presents Dan Martensen, Author of 'Wolves Like Us: Portraits of the Angulo Brothers'

DATE 11/29/2015

Hiroshi Sugimoto: Seascapes, Lake Superior, Eagle River

DATE 11/27/2015

Vogue: Like a Painting, Paolo Roversi

DATE 11/27/2015

Vogue: Like a Painting, Peter Lindbergh

DATE 11/26/2015

Vogue: Like a Painting, Grant Cornett Still Life

DATE 11/26/2015

Vogue: Like a Painting, Grant Cornett Still Life

DATE 11/25/2015

Class Distinctions: Dutch Painting in the Age of Rembrandt and Vermeer, Courtyard of a House in Delft

DATE 11/25/2015

Hiroshi Sugimoto Talk & Book Signing at The Strand

DATE 11/24/2015

Walter Chandoha: The Cat Photographer, Gift Kitty

DATE 11/23/2015

Walter Chandoha: The Cat Photographer

DATE 11/22/2015

Henry Leutwyler: Ballet

DATE 11/21/2015

Don McCullin, Sunday Morning, Chapel Market

DATE 11/20/2015

Holiday Gift Guide 2015: For Kids (& Parents)

DATE 11/19/2015

Leendert Blok: Silent Beauties, Color Photographs from the 1920s, TULIPA, Bleu celeste

DATE 11/18/2015

Artbook Corporate and Executive Gifts

DATE 11/18/2015

ARCANA Presents 'Photography is Magic' Multi-Photographer Signing with Charlotte Cotton

DATE 11/17/2015

Hans Schärer 'Madonnas & Erotic Watercolors' Opens at Swiss Institute

DATE 11/15/2015

Japanese Inspirations

DATE 11/14/2015

Henri Cartier-Bresson: The Decisive Moment, Sunday on the banks of the Marne

DATE 11/14/2015

Barbara Kasten: The Diazotypes

DATE 11/13/2015

Imponderable: The Archives of Tony Oursler, ESP Practitioner with Coins

DATE 11/12/2015

Peter Schlesinger: A Photographic Memory 1968-1989 at BOOKMARC

DATE 11/11/2015

ARTBOOK & Swiss Institute to Launch 'Imponderable: The Archives of Tony Oursler'

DATE 11/11/2015

Don McCullin, US Soldier Rescuing Vietnamese Woman

DATE 11/10/2015

'Both Sides of Sunset' Panel and Signing at the Brand Library

DATE 11/10/2015

Henri Cartier-Bresson: The Decisive Moment, Punjab India

DATE 11/9/2015

Henri Cartier-Bresson: The Decisive Moment, Christian Bérard, Jean-Paul Sartre

DATE 11/9/2015

Chef Mina Stone to Sign and Cook from 'Cooking for Artists' at As Of Now, LA

DATE 11/8/2015

Richard Learoyd: Day for Night, Agnes with Eyes Closed

DATE 11/7/2015

Richard Learoyd: Day for Night, Nancy with Tears

DATE 11/6/2015

Alvin Baltrop: The Piers

DATE 11/5/2015

Joaquín Torres-García: The Arcadian Modern, Construction in White and Black



Postcards of the Wiener Werkstätte

Renowned philanthropist and businessman Leonard A. Lauder began a lifetime of passionate collecting at the age of eight, when he purchased his first postcard – "a vividly colored postcard of the Empire State Building, set against the bright orange sky of New York City at sunset." Its "majesty so awed" him that he bought five copies of that same card. Over the following decades, Lauder has gone on to amass one of the most respected and sophisticated postcard collections in the world, including the nearly complete set of Wiener Werkstätte postcards reproduced in this astonishing catalogue raisonné, published by New York's Neue Gallery – the recipient of Lauder's recently donated collection of almost 1000 items. Below are some excerpts from Lauder's introductory essay, alongside a selection of the postcards themselves.
Postcards of the Wiener Werkstätte: At First Sight
Verso of Wiener Werkstätte postcard 13, 1907.

"One brilliant summer day in the early 1970s, my Viennese-born wife, Evelyn, and I were strolling down a narrow street in her native city when my eye was drawn to an image in a shop window. It was a postcard, though not anything like the pictures of cities, sites, faces and events that I had been amassing since childhood. The array of colors and the rhythmic patterns of elegant ease are still imprinted in my mind. I had discovered – or better yet, was seduced by – the world of the Wiener Werkstätte, a world that valued visual integrity, be it the design of a postcard or a post office."

Postcards of the Wiener Werkstätte: At First Sight
Maria Likarz, "Krampus Card" and "Greetings from Krampus," both from 1912.

"Once I began to look at other Wiener Werkstätte cards in earnest, I was captivated by the romance of a Vienna past. I came to realize that our image of this fin-de-siècle European capital – its distinctive cafés, interiors, architecture, parks and fashion – has been shaped to a large extent by the power of the Wiener Werkstätte…"

Postcards of the Wiener Werkstätte: At First Sight
Rudolf Kalvach, "Inspiration" and "Veni Vidi Vici," both from 1907.

"I am often asked which one is my favorite card. My answer is that they are like my children: each one has its own beauty and merit. But the Wiener Werkstätte postcards hold a special place in my heart. They have their roots in my first art collection, which started in the late 1960s when I bought a Gustav Klimt drawing from the late dealer Serge Sabarsky…"

Postcards of the Wiener Werkstätte: At First Sight
Moriz Jung, "The Aeroplegasus (Anzani Engines)" and "Rainbow Obstacle," both from 1911.

"The series of nearly one thousand postcards was designed and produced by the Wiener Werkstätte's own publishing firm, from 1907 until the beginning of the First World War. The visionary artists and architects behind the Wiener Werkstätte valued the postcard as an ideal format for their own social and aesthetic program: to imbue objects of daily use with beauty and the elements of good design."

Postcards of the Wiener Werkstätte: At First Sight
Arnold Nechansky, both cards: "Warm Greetings for the New Year," 1912.

"The Wiener Werkstätte postcards were produced in small runs (ranging approximately from as small as one hundred to as large as two thousand) and in some of the most innovative and high-end print mediums – most often lithography but also occasionally woodcuts and pochoir."

Postcards of the Wiener Werkstätte: At First Sight
Fritzi Löw, "Fashion" and "Merry Christmas!," both from 1912.

"Demonstrating the same concern for quality and visual finesse found in other objects produced by the Wiener Werkstätte, they could nonetheless be acquired for a fraction of the cost of the firm's fine glassware, silver or textiles. Some groups of postcards were oversized to enhance the perception of them as miniature works of art. Others served more mundane purposes in the "complete home" envisioned by the workshop architects and designers, such as those intended to be place cards at fashionable tables."

Postcards of the Wiener Werkstätte: At First Sight
Bertold Löffler, "Boy with Bouquet of Flowers" and Rudolf Kalvach, "Humorous Subject," both from 1907.

"The cachet of the Wiener Werkstätte name, plus the brilliant colors and variety of image types, helped the company thrive; by producing consecutively numbered cards, the Wiener Werkstätte also fed the collecting craze. Middle-class consumers could purchase and display original prints, albeit in small scale, created by the foremost artists of the day, including Oskar Kokoschka and Egon Schiele, each of whom created lithographs specifically for the Wiener Werkstätte postcard line."

Postcards of the Wiener Werkstätte: At First Sight

Postcards of the Wiener Werkstätte

Postcards of the Wiener Werkstätte

Hbk, 9.25 x 11.25 in. / 336 pgs / 1,115 color.

DATE 8/23/2015

Xanti Schawinsky

Xanti Schawinsky

DATE 7/31/2015

Axel Hoedt

Axel Hoedt

DATE 9/11/2014

New York Is ...

New York Is ...

DATE 5/13/2014

Libuse Niklová

Libuse Niklová


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