ARTBOOK LOGO

ARTBOOK BLOG

RECENT POSTS

DATE 8/25/2017

Back in Print! Bauhaus 1919-1933

DATE 8/24/2017

KAWS: transgressing the borders between art and society

DATE 8/23/2017

Michael Auping on cartoons, abstraction and KAWS

DATE 8/22/2017

'KAWS: Where the End Starts' available at last!

DATE 8/21/2017

New edition of Stan Brakhage's epic 'Metaphors on Vision'

DATE 8/19/2017

Engagingly seedy and colorful: Fred Herzog's Vancouver

DATE 8/16/2017

Albert Elm's enigmatic 'What Sort of Life Is This'

DATE 8/12/2017

Back in stock! Andy Warhol: Prints

DATE 8/11/2017

Peter Schjeldahl on Peter Cain, 1997

DATE 8/10/2017

Back to School

DATE 8/10/2017

Collier Schorr on Peter Cain

DATE 8/9/2017

Bristling with post-Freudian electricity: Anne Collier: Women with Cameras (Anonymous)

DATE 8/8/2017

Michael Williams and the truth about painting

DATE 8/7/2017

A remarkable feat of facsimile publishing: Lee Lozano: Private Book 2

DATE 8/6/2017

In honor of the Newport Jazz Festival: Jim Marshall

DATE 8/5/2017

Kitchen textile designer Marguerita Mergentime featured on Food 52!

DATE 8/4/2017

Dayanita Singh's poetic mini-museum

DATE 8/3/2017

A museum, a book and an object. Dayanita Singh: Museum Bhavan

DATE 8/2/2017

"Not just anyone makes a good pisser"

DATE 8/1/2017

AUTOPHOTO and the old-fashioned idea of freedom

DATE 7/31/2017

Emil Nolde's wild Grotesques

DATE 7/30/2017

Christine Osinski: Summer Days Staten Island, Young Man Pulling a Go Cart

DATE 7/29/2017

Calling all flaneurs, cosmopolitans and bon vivants!

DATE 7/28/2017

Summer Reading: Midnight: The Tempest Essays by Molly Nesbit

DATE 7/27/2017

Retuning perceptions in 'Fred Sandback: Vertical Constructions'

DATE 7/26/2017

Nonchalant flirting with oblivion: Ray Johnson

DATE 7/25/2017

Philip Guston's Nixon Drawings have never been more relevant

DATE 7/24/2017

A book for our times: Philip Guston: Nixon Drawings

DATE 7/23/2017

Tom Bianchi: Fire Island Pines, Polaroids 1975-1983

DATE 7/22/2017

Tom Bianchi's 70s photos of the Gay Community in Fire Island Pines

DATE 7/21/2017

Exactly what's the deal with Russia, again?

DATE 7/21/2017

Hauser & Wirth LA Presents 'Master of Go' Summer Reading Group

DATE 7/21/2017

Hauser & Wirth LA Presents 'In the Deep' Summer Reading Group

DATE 7/21/2017

Fire Island Pines in its infancy and its heyday

DATE 7/20/2017

Oozing with potency: Margaret Hooks' Tina Modotti Biography

DATE 7/19/2017

"Disagreements must be intensified and their gaps must be widened."

DATE 7/19/2017

Cooking from the CCCP COOK BOOK

DATE 7/18/2017

A beautiful new book on Japanese artist Jiro Takamatsu

DATE 7/17/2017

Enough room to play: Craft Becomes Modern: The Bauhaus in the Making

DATE 7/16/2017

Between utopia and industrial culture: Craft Becomes Modern

DATE 7/15/2017

Exceptional architecture in 'Francis Kéré: Radically Simple'

DATE 7/14/2017

Marriage of the Minds in Alex Webb and Rebecca Norris Webb: Slant Rhymes

DATE 7/13/2017

Poetry meets photography in 'Alex Webb and Rebecca Norris Webb: Slant Rhymes'

DATE 7/12/2017

USPS Celebrates Andrew Wyeth's world - the way he wanted it

DATE 7/11/2017

USPS Celebrates Andrew Wyeth with Forever Stamps

DATE 7/11/2017

'Studio: Remembering Chris Marker' Event at Metrograph

DATE 7/10/2017

The torment of the loner, the distress of the seeker beset by visions: Egon Schiele

DATE 7/9/2017

Even magic is doomed to pass: Egon Schiele

DATE 7/8/2017

Relive turn-of-the-century Paris in the postcards of Eugène Atget

DATE 7/8/2017

The deceptive simplicity of Women in Trees

DATE 7/8/2017

SUMMER BOOK SALE - SAVE UP TO 70% (click HERE to see more!)


AT FIRST SIGHT

CORY REYNOLDS | DATE 10/15/2012

Tatlin: New Art for a New World

Now available: the first English-language overview of the pioneering Russian artist, inventor, architect, engineer, designer and avant garde hero Vladimir Tatlin’s work in more than 25 years. Below is a selection of images from the book, followed by the closing passage of Gian Casper Bott's introductory essay, reproduced from Tatlin: New Art for a New World.


Tatlin: New Art for a New World
Presentation of Tatlin's "Letatlin" at a glider show in Moscow, 1933.

Tatlin: New Art for a New World
Spar of "Letatlin," 1929-32.

Tatlin: New Art for a New World
Design for a street kiosk of the NGIZ (New State Publishers), 1924.

Tatlin: New Art for a New World
"Streltsy," costume design for the epilogue of Mikhail Glinka's opera, A Life for the Tsar, 1913.

Tatlin: New Art for a New World
"Sailor (Self-Portrait)," 1911.

Tatlin's "Corner Counter-Relief," 1914-15.
Tatlin: New Art for a New World
Tatlin: New Art for a New World
"Counter-Relief (Material Combination)," 1914.

Tatlin: New Art for a New World
Tatlin and his assistants Joseph Meyerson and Tevel Shapiro working on the model for the "Monument to the Third International" Petrograd, 1920.


"The more closely Tatlin is studied the more incomprehensible he seems to become. His oeuvre, which was always change-directed and never failed to take into account the overall social context, is still intriguing today because it has now been almost one hundred years since he laid the foundations for tendencies that continue to be relevant, powerfully inspirational, and very much alive in contemporary art.
Fearless when it came to unfamiliar subjects, Tatlin, who liked working in a collective, was a master of interdisciplinarity and synthesis, in the brining together of things and materials, forms of presentation and aspects of aesthetic effectiveness that prior to his time did not belong together per se or a priori. With his set and costume designs Tatlin brought theater into the exhibition halls, and with his Tower model he turned architecture into an exhibition object.
'The new world is already standing at the door,' the poet Aleksandr Blok (1880-1921) wrote: '…we have experienced what others live through in a hundred years; nor has it been without meaning that we have seen the new century scattering its seeds upon the earth in the thunder and lightning of terrestrial and subterranean elements; in the flashes of this lightning all the centuries appeared before us and they made us wise with belated wisdom.'" - Gian Casper Bott

Tatlin: New Art for a New World
ABOVE: Tatlin with assistant in front of the model of the "Monument to the Third International" in the workshop Material, Space, and Construction, the workshop for mosaics of the former Acadey of Fine Arts, Petrograd, 1920.

Tatlin: New Art for a New World

Tatlin: New Art for a New World

HATJE CANTZ
Hbk, 9.5 x 11 in. / 240 pgs / 120 color / 88 b&w.

Xanti Schawinsky

DATE: 8/23/2015

Axel Hoedt

DATE: 7/31/2015

New York Is ...

DATE: 9/11/2014

Libuse Niklová

DATE: 5/13/2014

This Is Mars: Preview

DATE: 8/7/2013



ARTBOOK LOGO
 
 

the art world's source for books on art & culture

  

CUSTOMER SERVICE
orders@artbook.com
212 627 1999
M-F 9-5 EST

TRADE ACCOUNTS

800 338 2665

CONTACT

JOBS + INTERNSHIPS

NEW YORK
Showroom by Appointment Only
75 Broad Street, Suite 630
New York NY 10004
Tel   212 627 1999

LOS ANGELES
Showroom by Appointment Only
818 S. Broadway, Suite 700
Los Angeles, CA 90014
Tel. 323 969 8985

ARTBOOK LLC
D.A.P. | Distributed Art Publishers, Inc.


All site content Copyright C 2000-2017 by Distributed Art Publishers, Inc. and the respective publishers, authors, artists. For reproduction permissions, contact the copyright holders.

ARTBOOK AMPERSAT

The D.A.P. Catalog
www.artbook.com