ARTBOOK BLOGEventsStore NewsMuseum Stores of the MonthNew Title ReleasesStaff PicksImage GalleryBooks in the MediaExcerpts & EssaysArtbook InterviewsEx LibrisAt First SightThe Artbook 2023 Gift GuidesArtbook Featured Image ArchiveArtbook D.A.P. Events ArchiveDATE 8/20/2024 Heads up on 4/20!DATE 4/30/2024 Danny Lyon at Photobook AustinDATE 4/30/2024 Rizzoli Bookstore presents Roger A. Deakins with James Ellis Deakins and Matthew Heineman on 'Byways'DATE 4/25/2024 Join us at Printed Matter's NYABF 2024!DATE 4/25/2024 The Strand presents Joshua Charow in conversation with Wendy Goodman for the launch of 'Loft Law'DATE 4/24/2024 Bungee Space presents Set Margins’ 6-Book Launch and Get TogetherDATE 4/21/2024 Time & Space Limited presents "Memory as Various: Bernadette Mayer's 'Memory'"DATE 4/18/2024 Howl! Arts/Howl! Archive presents Pyramid Pioneers with 'We Started a Nightclub' signingDATE 4/18/2024 A birthright and a legacy in Ivan McClellan's 'Eight Seconds: Black Rodeo Culture'DATE 4/14/2024 Vintage 'Audio Erotica' from Jonny TrunkDATE 4/13/2024 Unnameable Books presents "Reading from Bernadette Mayer's 'Memory'"DATE 4/13/2024 Artbook at Hauser & Wirth presents Heather McCalden and Cyrus Dunham launching 'The Observable Universe: An Investigation'DATE 4/12/2024 Join Artbook | D.A.P. at Shoppe Object at High Point | AT FIRST SIGHTTHOMAS EVANS | DATE 3/18/2011Done.Book: Picturing the City of SocietyThe methodological models for urbanism are plentiful, ranging from the recent revival in cartography to the boom in infrastructure theory, but Wolfgang Scheppe’s Done.Book: Picturing the City of Society offers a wonderfully original take on the city he has made his ongoing object of study, Venice. Migropolis, Scheppe’s massive two-volume saturation job on Venice from 2010, adopted an impressive and thorough but not unfamiliar psychogeographic method for excavating the city’s layers, in which various mappings were undertaken through walks around the city. Done.Book is a more eccentric enterprise. Described by Scheppe as “an inquiry into the depth of visual archives,” it assembles a portrait of Venice through two sets of archival materials: the notebooks used by the Victorian art writer John Ruskin (1819-1900) for his legendary 1851 study Stones of Venice and the photographic archive of one Alvio Gavagnin, a Venetian market seller and non-professional photographer who bequeathed Scheppe his archive after they met at Gavagin’s stall. |