DATE 3/30/2018

Inscrutable and disorienting: Rineke Dijkstra

DATE 3/29/2018

'Ice Cream Headaches' launch event at Pilgrim Surf

DATE 3/25/2018

Modern Women, Greta von Nessen

DATE 3/24/2018

Modern Women, going, going, strong

DATE 3/22/2018

Celebrate Women's History Month with 'Women in Trees'

DATE 3/21/2018

Delight, desire, surprise and trust: Design Is Storytelling

DATE 3/21/2018

Artbook @ MoMA PS1 and Mississippi Records launch 'Dead Moon: The Book' in the MoMA PS1 Book Space

DATE 3/21/2018

Mitch Epstein signing 'Rocks and Clouds' at Dashwood

DATE 3/20/2018

Alphonse Mucha was both the 'greatest decorative artist in the world' and a humanitarian philosopher

DATE 3/19/2018

A visual language meant to express beauty in 'Alphonse Mucha'

DATE 3/18/2018

BACK IN STOCK! Mina Stone: Cooking for Artists

DATE 3/17/2018

Celebrate St. Patrick's Day with a little Belfast Punk

DATE 3/16/2018

What is 'The Sausage of the Future'?

DATE 3/15/2018

The enigmatic, unreadable writings of Mirtha Dermisache

DATE 3/14/2018

Joyce J. Scott: "I skirt the borders between comedy, pathos, delight, and horror"

DATE 3/13/2018

Bringing boundless joy: Anna Zemánková

DATE 3/12/2018

Weird and beautiful: Anna Zemánková

DATE 3/11/2018

Singular, odd and inspiring: Danh Vo: Take My Breath Away

DATE 3/10/2018

Subversive, even scandalous: Francis Picabia: Littérature

DATE 3/10/2018

Mojos, mandalas and divining tools: Chris Martin

DATE 3/9/2018

Provocateurs of the human body in 'Klimt and Schiele: Drawings'

DATE 3/8/2018

Celebrate International Women's Day… 1975 to now!

DATE 3/7/2018

Celebrate Women's History Month with Marina Abramovic's rendition of 'The Ugly Duckling'

DATE 3/6/2018

Watch the Video Trailer for "Johnny Cash at Folsom and San Quentin: Photographs by Jim Marshall"

DATE 3/6/2018

René Magritte: The Revealing Image

DATE 3/5/2018

Chris Martin book launch at Spoonbill Studio

DATE 3/5/2018

Private entertainments or public show? Frida Kahlo: Her Photos

DATE 3/5/2018

SOM to launch 'The Future of Public Space' at the Strand

DATE 3/4/2018

Frida Kahlo's life in photographs

DATE 3/2/2018

Sheila Hicks: Knotting, wrapping, folding, twisting and stacking wool, linen, cotton and more

DATE 3/2/2018

The warp and weft of poetics in 'Sheila Hicks: Lifelines'

DATE 3/1/2018

Celebrate Women's History with brand new release, 'Sheila Hicks: Lifelines'

DATE 3/1/2018

Recommended Reading: Women's History Month

DATE 2/28/2018

In 'Ellen Gallagher: Accidental Records' radical aesthetic possibilities emerge from seismic cracks in the surface of things

DATE 2/28/2018

Robert Storr and Francesca Pietropaolo in conversation about 'Interviews on Art' at 192 Books

DATE 2/28/2018

Amy Sillman book event and 'Scarlet Street' screening at Metrograph

DATE 2/28/2018

'Entanglements: Plans and Accidents' at the Artbook @ MoMA PS1 Book Space

DATE 2/27/2018

Jack Whitten and the rock-bottom meaning of universality

DATE 2/27/2018

Brian Blomerth's 'XAK'S WAX' zine launch at MoMA PS1 Book Space

DATE 2/26/2018

Black History as told through 'Black Dolls'

DATE 2/25/2018

Unsentimental Wonder: Hilton Als on Alice Neel

DATE 2/24/2018

Boom boxes, break dancing and the Salsa King: Black History from Jamel Shabazz

DATE 2/23/2018

Readings in Criticism with 'unbag' at the MoMA PS1 Book Space

DATE 2/23/2018

The meaning of color, both racial and painterly

DATE 2/22/2018

Swept up by a feeling of awe: Shinique Smith in 'Four Generations'

DATE 2/20/2018

Four Generations of 'Solidary & Solitary' work by artists of African descent

DATE 2/20/2018

Celebrate 60 years of Gerald Holtom's Peace Symbol with 'Jim Marshall: Peace'

DATE 2/19/2018

Reclaiming Images of Black Women in 'Beyond Mammy, Jezebel & Sapphire'

DATE 2/19/2018

Symbols that call us into being: 'Beyond Mammy, Jezebel & Sapphire'

DATE 2/17/2018

Celebrate Black History with Mark Bradford

DATE 2/16/2018

Christian Wassmann book launch at Spoonbill Studio



Absalon (Walther König, Köln)

Releasing this week is one of the Fall catalogue’s more intriguingly designed monographs: the first overview of the Israeli artist Absalon. Housed in plain white paper-over-board covers, it is comprised of two bound sections of differing heights, the back of which is glued to the interior rear card cover, in a spin on the ‘monograph as dossier’ format. Absalon built a considerable ouevre during his sadly brief life (he died in 1993 at the age of 28), and this austerely designed volume effectively constitutes an Absalon catalogue raisonné.
Absalon’s best known works, the Cellules, rewrite Cezanne’s “treat nature as the cylinder, the sphere and the cone” to read “treat architecture as the cell, the bunker and the turret.” Not that the Cellules are straightforwardly architecture: they equally evoke Minimalist sculpture, Matt Mullican’s maquettes, Kurt Schwitters’ Merzbauen and the Concrete sculptures of George Vantongerloo. But the model that the Cellules most overtly evoke is the monastic cell:
The Cellules were fabricated in wood, cardboard and plaster, and painted entirely white; their average proportions are roughly those of a caravan, and the catalogue informs us that there is always an area in which one can stand up. Their interiors are fitted--fitted rather than furnished--with unobtrusive minimal representations of desks, seats, beds, etc.
How would one inhabit such a space? Fascinatingly, Absalon once characterized them as “machines for conditioning my movements,” suggesting that their spatial restrictiveness might function more as a guide for moving through them than as an area to inhabit. Videos exist in which he is seen trying out positions as if dancing off the environment's strictures. But the Cellules are ultimately intended for a kind of intensive dwelling or encounter, merging an isolationist individualism with nomadic portability. It's in their monastic character that these severe but curiously poetical dwelling units diverge from the mobile environments of Andrea Zittel: they are conceived with an ostensibly apolitical aspiration, while sharing something of Zittel's wonderful utopian fervor.




Hbk, 9 x 12 in. / 352 pgs / illustrated throughout.


the art world's source for books on art & culture


212 627 1999
M-F 9-5 EST


800 338 2665



Showroom by Appointment Only
75 Broad Street, Suite 630
New York NY 10004
Tel   212 627 1999

Showroom by Appointment Only
818 S. Broadway, Suite 700
Los Angeles, CA 90014
Tel. 323 969 8985

D.A.P. | Distributed Art Publishers, Inc.

All site content Copyright C 2000-2017 by Distributed Art Publishers, Inc. and the respective publishers, authors, artists. For reproduction permissions, contact the copyright holders.


The D.A.P. Catalog