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| BILLY APPLE
Edited by Zoë Gray, Nicolaus Schafhausen, Monika Szewczyk. Text by Christina Barton, Michelle Menzies, Bénédicte Ramade, William Wood.WITTE DE WITH PUBLISHERS
U.S. $15.00 | CAN $18
ISBN: 9789073362895 | TRADE
PUB DATE: 2/28/2010 | In stock | | |
| | | Billy AppleEdited by Zoë Gray, Nicolaus Schafhausen, Monika Szewczyk. Text by Christina Barton, Michelle Menzies, Bénédicte Ramade, William Wood.
Published by Witte de With PublishersBilly Apple was created in 1962 as a work by the New Zealand-born artist Barrie Bates, who changed his name to become a living brand after graduating from London's Royal College of Art. For this volume, four writers combine to discuss the brand, providing a chronology, a contextualization of Apple's practice within institutional critique and his enduring significance for younger generations. | D.A.P. CATALOG: SPRING 2010 p. 144 | SEARCH BY ARTIST, TITLE OR KEYWORD |
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| BILLY APPLE
$15.00 | In Stock: Order below or contact your local bookstore or museum shop.
| U.S. LIST PRICE: U.S. $15.00
CANADIAN PRICE: CAN $18
ISBN: 9789073362895
FORMAT: Pbk, 5 x 8 in. / 112 pgs / 26 color.
PUBLISHER: Witte de With Publishers
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PUBLICATION DATE: 2/28/2010 | Active
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The D.A.P. Catalog @ ARTBOOK | D.A.P. / Distributed Art Publishers, Inc. | New York, New York
1-800-338-BOOKCopyright Distributed Art Publishers, Inc. and Artbook LLC and the respective holders of copyright in individual images and texts, 2010.
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| Billy Apple | Witte de With Publishers | Pub Date: 2/28/2010 |  |
LIST PRICE: U.S. $15.00
LIST PRICE: CANADA $18
ISBN: 9789073362895
PUBLISHER: Witte de With Publishers
PUB DATE: 2/28/2010
FORMAT: Pbk, 5 x 8 in. / 112 pgs / 26 color.
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: ActiveAVAILABILITY: In stock
| D.A.P. CATALOG:
SPRING 2010 Page 144 |
| Billy Apple Edited by Zoë Gray, Nicolaus Schafhausen, Monika Szewczyk. Text by Christina Barton, Michelle Menzies, Bénédicte Ramade, William Wood.
Billy Apple was created in 1962 as a work by the New Zealand-born artist Barrie Bates, who changed his name to become a living brand after graduating from London's Royal College of Art. For this volume, four writers combine to discuss the brand, providing a chronology, a contextualization of Apple's practice within institutional critique and his enduring significance for younger generations.
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