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| | BOOK FORMAT
Clth, 9.75 x 12 in. / 88 pgs / illustrated throughout. PUBLISHING STATUS
PUB DATE 5/31/2013
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CATALOG: SPRING 2013 p. 100 PRODUCT DETAILS
ISBN 9788862082686 TRADE
LIST PRICE: $40.00 CDN $40.00
AVAILABILITY: In stock | | ARTBOOK GIFT CERTIFICATES |
| | | Carlo Van de Roer: The Portrait Machine ProjectPublished by Damiani Factory
In The Portrait Machine Project, Brooklyn-based New Zealand photographer Carlo Van de Roer (born 1975) explores the idea that a camera can reveal otherwise hidden facets of a subject’s character, and their relationship with the photographer and viewer. Van de Roer uses a Polaroid aura camera, developed in the 1970s in an attempt to record what a psychic might see. His subjects--friends, family, artists Miranda July, Terence Koh and Aurel Schmidt, author James Frey--are connected by sensors to the camera, which translates biofeedback into information about their characters and how they are viewed. The camera depicts this information as color in the Polaroid and as a printed description and diagram. In this, his first book, Van de Roer prompts us to question what we expect from a portrait, particularly when it’s of someone we think we know. | |
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 | Carlo Van de Roer: The Portrait Machine Project Published by: Damiani Factory Distributed by: D.A.P. | Distributed Art Publishers |  |
LIST PRICE: U.S. $40.00
LIST PRICE: CANADA $40
ISBN: 9788862082686
PUBLISHER: Damiani Factory
AVAILABLE: 5/31/2013
FORMAT: Clth, 9.75 x 12 in. / 88 pgs / illustrated throughout.
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Active
AVAILABILITY: In stock
| D.A.P. CATALOG:
SPRING 2013 Page 100 | Info Last Updated:
April 24, 2014 |
| Carlo Van de Roer: The Portrait Machine Project
In The Portrait Machine Project, Brooklyn-based New Zealand photographer Carlo Van de Roer (born 1975) explores the idea that a camera can reveal otherwise hidden facets of a subject’s character, and their relationship with the photographer and viewer. Van de Roer uses a Polaroid aura camera, developed in the 1970s in an attempt to record what a psychic might see. His subjects--friends, family, artists Miranda July, Terence Koh and Aurel Schmidt, author James Frey--are connected by sensors to the camera, which translates biofeedback into information about their characters and how they are viewed. The camera depicts this information as color in the Polaroid and as a printed description and diagram. In this, his first book, Van de Roer prompts us to question what we expect from a portrait, particularly when it’s of someone we think we know. | http://www.artbook.com/9788862082686.html |
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