Check out our Spring 2019 catalog, featuring more than 500 new books on art & culture. We welcome new publishers Arquine, Atelier Éditions, August Editions, The Design Museum, London, Eakins Press, Editions Patrick Frey, Fulgur Press, Kasmin, Lisson Gallery, Marciano Art Foundation, Marsilio Editori, Onomatopee and Ridinghouse to our list in 2019!
SILVANA EDITORALE
Correggio and Parmigianino
Art in Parma During the Sixteenth Century
Edited with text by David P.M. Ekserdjian. Text by Mary Vaccaro, Elisabetta Fadda, Maddalena Spagnolo.
For a few decades in the first half of the 16th century, the tremendous quality of the paintings and drawings produced in Parma (and by artists from the city working elsewhere) made the city more than a match for its rivals. The two reasons for this brief golden age were Correggio (1489–1534) and Parmigianino (1503–40). Correggio moved to Parma in the late 1510s, by which time he was already a highly accomplished artist; he was to remain based in the city for the rest of his life. This book gathers a selection of his paintings and drawings that emphasize his extraordinary emotional power, the range of his religious imagery and his mythological works. Parmigianino, whose peripatetic career took him to Rome and Bologna, is represented by a similarly important group of paintings, but in addition to religious and mythological subjects, his spectacular achievements as a portraitist are a central focus.
Featured image is reproduced from 'Correggio and Parmigianino.'
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FORMAT: Hbk, 9 x 11 in. / 256 pgs / 140 color. LIST PRICE: U.S. $60.00 LIST PRICE: CANADA $79 ISBN: 9788836633548 PUBLISHER: Silvana Editorale AVAILABLE: 9/27/2016 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock
Correggio and Parmigianino Art in Parma During the Sixteenth Century
Published by Silvana Editorale. Edited with text by David P.M. Ekserdjian. Text by Mary Vaccaro, Elisabetta Fadda, Maddalena Spagnolo.
For a few decades in the first half of the 16th century, the tremendous quality of the paintings and drawings produced in Parma (and by artists from the city working elsewhere) made the city more than a match for its rivals. The two reasons for this brief golden age were Correggio (1489–1534) and Parmigianino (1503–40). Correggio moved to Parma in the late 1510s, by which time he was already a highly accomplished artist; he was to remain based in the city for the rest of his life. This book gathers a selection of his paintings and drawings that emphasize his extraordinary emotional power, the range of his religious imagery and his mythological works. Parmigianino, whose peripatetic career took him to Rome and Bologna, is represented by a similarly important group of paintings, but in addition to religious and mythological subjects, his spectacular achievements as a portraitist are a central focus.
