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| | BOOK FORMAT
Hardback, 8.25 x 10 in. / 88 pgs / 25 color / 32 bw. PUBLISHING STATUS
Pub Date 3/1/2008
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2008 p. 146 PRODUCT DETAILS
ISBN 9788791607011 TRADE
List Price: $40.00 CDN $50.00 AVAILABILITY
Not available | TERRITORY
WORLD | | THE SPRING 2024 ARTBOOK | D.A.P. CATALOG  | | Preview our Spring 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
| | | Tal R: The SumEdited by Michael Juul Holm, Anders Kold. Text by Anders Kold.
The rising Copenhagen painter Tal R, born in Israel and represented in New York by Zach Feuer Gallery and in Berlin by Contemporary Fine Arts, here presents new works composed in a palette limited to unmixed brown, red, orange, white, pink, yellow and green. Tal R's painting is fundamentally borne up by a collage principle where the narrative is increasingly subsumed in certain abstract ground rules. With splashing brush and slapdash layering, he paints gleefully in impossible materials, with undisguised clashes and references in the content. This monographic exhibition catalogue says something with painting, not about painting. The design is perfect.
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FORMAT: Hardback, 8.25 x 10 in. / 88 pgs / 25 color / 32 b&w.
LIST PRICE: U.S. $40.00
LIST PRICE: CANADA $50
ISBN: 9788791607011
PUBLISHER: Louisiana Museum of Modern Art
AVAILABLE: 3/1/2008
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: WORLD | D.A.P. CATALOG: SPRING 2008 Page 146 | PRESS INQUIRIES
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| Tal R: The Sum Published by Louisiana Museum of Modern Art.
Edited by Michael Juul Holm, Anders Kold. Text by Anders Kold. The rising Copenhagen painter Tal R, born in Israel and represented in New York by Zach Feuer Gallery and in Berlin by Contemporary Fine Arts, here presents new works composed in a palette limited to unmixed brown, red, orange, white, pink, yellow and green. Tal R's painting is fundamentally borne up by a collage principle where the narrative is increasingly subsumed in certain abstract ground rules. With splashing brush and slapdash layering, he paints gleefully in impossible materials, with undisguised clashes and references in the content. This monographic exhibition catalogue says something with painting, not about painting. The design is perfect.
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