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| | BOOK FORMAT
Slip, clth, 3 vols, 12.5 x 12.5 in. / 580 pgs / 405 color. PUBLISHING STATUS
Pub Date 9/28/2021
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Catalog: FALL 2020 p. 30 PRODUCT DETAILS
ISBN 9783958292659 SDNR50
List Price: $450.00 CDN $630.00 AVAILABILITY
In stock | TERRITORY
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| | | William Eggleston: The OutlandsEdited with text by Mark Holborn, William Eggleston III, Winston Eggleston.
 A luxurious three-volume box set of previously unseen images from the 1960s and 1970s by the father of American color photographyA New York Times Book Review 2021 holiday gift guide pick
The three volumes of The Outlands are drawn from photographs that William Eggleston (born 1939) made on color transparency film from 1969 to 1974, which formed the basis for John Szarkowski’s seminal exhibition of Eggleston’s work at the Museum of Modern Art in New York in 1976 with the accompanying book William Eggleston’s Guide. However, with the exception of a couple of alternate versions, none of the photographs in The Outlands have been published previously.
The result is revelatory. Starting at almost the exact point on the same street in suburban Memphis where Eggleston made his famous photograph of a tricycle, the work follows a route through the back roads to old Mississippi where he was raised. What is disclosed is a sublime use of pure color hovering in semi-detachment from the forms he records. At the time, Eggleston was photographing a world that was already vanishing. Today, this final installment of his color work offers a view of a great American artist discovering the range of his visual language and an unforgettable document of the Deep South in transition.
Featured image is reproduced from 'William Eggleston: The Outlands.'PRAISE AND REVIEWSL'Oeil de la Photographie This final installment of his color work offers a view of a great American artist discovering the range of his visual language and an unforgettable document of the Deep South in transition. Creative Review Megan Williams The Outlands embodies everything Eggleston has brought to contemporary photography, including an attention to detail and bold experiments in colour. Coldtype Tony Sulton This memorable collection provides an unforgettable document of a land in transition, and an eloquent warning for the future. Spectrum Culture Pat Padua It’s a look behind an aesthetic that in many circles has become a standard bearer for the way we see the world. |
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| | SteidlISBN: 9783958292659
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FORMAT: Slip, clth, 3 vols, 12.5 x 12.5 in. / 580 pgs / 405 color.
LIST PRICE: U.S. $450.00
LIST PRICE: CANADA $630
ISBN: 9783958292659
PUBLISHER: Steidl
AVAILABLE: 9/28/2021
DISTRIBUTION: D.A.P.
RETAILER DISC: SDNR50
PUBLISHING STATUS: Active
AVAILABILITY: In stock
TERRITORY: NA ONLY | D.A.P. CATALOG: FALL 2020 Page 30 | PRESS INQUIRIES
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| William Eggleston: The Outlands Published by Steidl.
Edited with text by Mark Holborn, William Eggleston III, Winston Eggleston. A luxurious three-volume box set of previously unseen images from the 1960s and 1970s by the father of American color photography A New York Times Book Review 2021 holiday gift guide pick
The three volumes of The Outlands are drawn from photographs that William Eggleston (born 1939) made on color transparency film from 1969 to 1974, which formed the basis for John Szarkowski’s seminal exhibition of Eggleston’s work at the Museum of Modern Art in New York in 1976 with the accompanying book William Eggleston’s Guide. However, with the exception of a couple of alternate versions, none of the photographs in The Outlands have been published previously.
The result is revelatory. Starting at almost the exact point on the same street in suburban Memphis where Eggleston made his famous photograph of a tricycle, the work follows a route through the back roads to old Mississippi where he was raised. What is disclosed is a sublime use of pure color hovering in semi-detachment from the forms he records. At the time, Eggleston was photographing a world that was already vanishing. Today, this final installment of his color work offers a view of a great American artist discovering the range of his visual language and an unforgettable document of the Deep South in transition.
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