Check out our Spring 2019 catalog, featuring more than 500 new books on art & culture. We welcome new publishers Arquine, Atelier Éditions, August Editions, The Design Museum, London, Eakins Press, Editions Patrick Frey, Fulgur Press, Kasmin, Lisson Gallery, Marciano Art Foundation, Marsilio Editori, Onomatopee and Ridinghouse to our list in 2019!
Edited with text by Dieter Daniels, Inke Arns. Text by Brandon LaBelle, David Toop, Dörte Schmidt, Julia H. Schröder, Jan Theben. Contributions by Hans-Friedrich Bormann, William Letterman, Kyle Gann, Branden W. Joseph, et al.
John Cage's (1912–92) 4'33" premiered on August 29, 1952, distilling the composer's philosophical explorations of silence into four minutes, thirty-three seconds of performed, charged silence. Elegantly, provocatively, the piece asked: what does silence sound like?
Cage's questions about the nature of silence and sound continue to reverberate decades later; this volume—the most comprehensive on the piece to date—brings together new theoretical writings and artistic works exploring Cage's composition. A wide-ranging list of contributors, contemporary and historical—from Merce Cunningham to Rage Against the Machine—weigh in on Cage's work alongside Cage's original scores and the composer's own subsequent engagements with his most famous piece.
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FORMAT: Pbk, 9.5 x 13 in. / 288 pgs / 229 b&w. LIST PRICE: U.S. $40.00 LIST PRICE: CANADA $54 ISBN: 9783940064417 PUBLISHER: Spector Books AVAILABLE: 6/26/2018 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock
John Cage: 4'33''– Sounds Like Silence Silence Today
Published by Spector Books. Edited with text by Dieter Daniels, Inke Arns. Text by Brandon LaBelle, David Toop, Dörte Schmidt, Julia H. Schröder, Jan Theben. Contributions by Hans-Friedrich Bormann, William Letterman, Kyle Gann, Branden W. Joseph, et al.
John Cage's (1912–92) 4'33" premiered on August 29, 1952, distilling the composer's philosophical explorations of silence into four minutes, thirty-three seconds of performed, charged silence. Elegantly, provocatively, the piece asked: what does silence sound like?
Cage's questions about the nature of silence and sound continue to reverberate decades later; this volume—the most comprehensive on the piece to date—brings together new theoretical writings and artistic works exploring Cage's composition. A wide-ranging list of contributors, contemporary and historical—from Merce Cunningham to Rage Against the Machine—weigh in on Cage's work alongside Cage's original scores and the composer's own subsequent engagements with his most famous piece.