Die Not hat ein Ende The Swiss Art of Rock ("Need Comes To an End–The Swiss Art of Rock") is Lurker Grand's third and most recent book project in a trilogy published by Edition Patrick Frey. Here the focus is not so much on a musical era and its protagonists as on the visualization of the subcultures. Designers, graphic designers, musicians, and photographers from across Switzerland visualize the last 50 years of local rock and pop music history through their album covers, concert posters, flyers, fanzines, comics, and photographs. Die Not hat ein Ende The Swiss Art of Rock is not just another colorful book about music, but instead an impressive historical document of an era. It is a fulsome work that pays tribute to the aesthetics of this anar-chic artistic avant-garde from its beginnings to the present day. In addition to visualizing the music, a lot of space is devoted to the history of the music itself. Music journalist, collector, and curator Samuel Mumenthaler, coauthor of this book, describes the development of rock music in Switzerland chronologically and very precisely, but without getting lost in the details. Roland Fischbacher, Director of the Visual Communications program at the Bern School for the Arts, and Robert Lzicar, Design researcher and designer, discuss the evolution of the visual appearance of rock culture from its beginnings to the present day. This is a pioneering work that no one in Switzerland has undertaken to date. The book also recounts anecdotes that have made it from Switzerland into the annals of international rock history.
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FORMAT: Pbk, 8.75 x 12.5 in. / 498 pgs / 535 color. LIST PRICE: U.S. $65.00 LIST PRICE: CANADA $82 ISBN: 9783905929775 PUBLISHER: Edition Patrick Frey AVAILABLE: 7/1/2015 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA ONLY
Published by Edition Patrick Frey. Edited by Lurker Grand.
Die Not hat ein Ende The Swiss Art of Rock ("Need Comes To an End–The Swiss Art of Rock") is Lurker Grand's third and most recent book project in a trilogy published by Edition Patrick Frey. Here the focus is not so much on a musical era and its protagonists as on the visualization of the subcultures. Designers, graphic designers, musicians, and photographers from across Switzerland visualize the last 50 years of local rock and pop music history through their album covers, concert posters, flyers, fanzines, comics, and photographs. Die Not hat ein Ende The Swiss Art of Rock is not just another colorful book about music, but instead an impressive historical document of an era. It is a fulsome work that pays tribute to the aesthetics of this anar-chic artistic avant-garde from its beginnings to the present day. In addition to visualizing the music, a lot of space is devoted to the history of the music itself. Music journalist, collector, and curator Samuel Mumenthaler, coauthor of this book, describes the development of rock music in Switzerland chronologically and very precisely, but without getting lost in the details. Roland Fischbacher, Director of the Visual Communications program at the Bern School for the Arts, and Robert Lzicar, Design researcher and designer, discuss the evolution of the visual appearance of rock culture from its beginnings to the present day. This is a pioneering work that no one in Switzerland has undertaken to date. The book also recounts anecdotes that have made it from Switzerland into the annals of international rock history.
