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| HARALD SZEEMANN Edited by Florence Derieux. Text by Harald Szeemann, Hal Foster, Jean-Marc Poinsot, Tobia Bezzola.JRP|RINGIER U.S. $25.00 | CAN $30 ISBN: 9783905829099 | TRADE PUB DATE: 3/1/2008 | In stock | OF RELATED INTEREST Words Of Wisdom: A Curator's Vade Mecum Edited by Carin Kuoni. Essays by Jean-Christophe Ammann, Carlos Basualdo, René Block, Francesco Bonami, Dan Cameron, Lynne Cooke, Bice Curiger, Donna De Salvo, Richard Flood, Thelma Golden, Yuko Hasegawa, Jean-Hubert Martin, Gerardo Mosquera, Hans Ulrich Obrist. A modern update of the Medieval trade manuals--the 'come-along-with-me' (vade mecum) of Medieval craftsmen--Words of Wisdom: A Curator's Vade Mecum is an invaluable guidebook for anyone interested in contemporary art and the practice of cur >>more Independent Curators International, New York ISBN 9780916365608 US $14.95 CAN $18.00 TRADE Paperback, 5 x 8.5 in. / 144 pgs / 100 b&w. Pub Date: 06/02/2001 Active/Not available | |
|   |   | Harald SzeemannIndividual MethodologyEdited by Florence Derieux. Text by Harald Szeemann, Hal Foster, Jean-Marc Poinsot, Tobia Bezzola. Published by JRP|RingierWe owe our idea of the contemporary exhibition to Harald Szeemann--the first of the jet-setting international curators. From 1961 to 1969, he was Curator of the Kunsthalle Bern, where in 1968 he had the foresight to give Christo and Jeanne-Claude the opportunity to wrap the entire museum building. Szeemann’s groundbreaking 1969 exhibition When Attitudes Become Form, also at the Kunsthalle, introduced European audiences to artists like Joseph Beuys, Eva Hesse, Richard Serra and Lawrence Weiner. It also introduced the now-commonplace practice of curating an exhibition around a theme. Since Szeemann’s death in 2005, there has been research underway at his archive in Tessin, Switzerland. An invaluable resource, this volume provides access to previously unpublished plans, documents and photographs from the archive, along with important essays by Hal Foster and Jean-Marc Poinsot. There is also an informative interview with Tobia Bezzola--curator at the Kunsthauz Zurich and Szeemann’s collaborator for many years. Two of Szeemann’s most ambitious exhibitions are presented as case studies: Documenta V (1972) and L’Autre, the 4th Lyon Biennial (1997). A biography, an illustrated chronology of Szeemann’s exhibitions and a selection of his writings complete this exhaustive survey. | D.A.P. CATALOG: SPRING 2008 p. 115 | SEARCH BY ARTIST, TITLE OR KEYWORD |
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| U.S. LIST PRICE: U.S. $25.00 CANADIAN PRICE: CAN $30 ISBN: 9783905829099 FORMAT: Paperback, 6.25 x 9 in. / 240 pgs / 60 b&w. PUBLISHER: JRP|Ringier DISTRIBUTION: | RETAILER DISC: TRADE PUBLICATION DATE: 3/1/2008 | Active AVAILABILITY: In stock |
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The D.A.P. Catalog @ ARTBOOK              |         D.A.P. / Distributed Art Publishers, Inc.    |    New York, New York    1-800-338-BOOKCopyright Distributed Art Publishers, Inc. and Artbook LLC and the respective holders of copyright in individual images and texts, 2010.
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 | Harald Szeemann | JRP|Ringier | Pub Date: 3/1/2008 |  |
LIST PRICE: U.S. $25.00 LIST PRICE: CANADA $30 ISBN: 9783905829099 PUBLISHER: JRP|Ringier PUB DATE: 3/1/2008
FORMAT: Paperback, 6.25 x 9 in. / 240 pgs / 60 b&w.
DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: ActiveAVAILABILITY: In stock
| D.A.P. CATALOG: SPRING 2008 Page 115 |
| Harald Szeemann Individual Methodology Edited by Florence Derieux. Text by Harald Szeemann, Hal Foster, Jean-Marc Poinsot, Tobia Bezzola.
We owe our idea of the contemporary exhibition to Harald Szeemann--the first of the jet-setting international curators. From 1961 to 1969, he was Curator of the Kunsthalle Bern, where in 1968 he had the foresight to give Christo and Jeanne-Claude the opportunity to wrap the entire museum building. Szeemann’s groundbreaking 1969 exhibition When Attitudes Become Form, also at the Kunsthalle, introduced European audiences to artists like Joseph Beuys, Eva Hesse, Richard Serra and Lawrence Weiner. It also introduced the now-commonplace practice of curating an exhibition around a theme. Since Szeemann’s death in 2005, there has been research underway at his archive in Tessin, Switzerland. An invaluable resource, this volume provides access to previously unpublished plans, documents and photographs from the archive, along with important essays by Hal Foster and Jean-Marc Poinsot. There is also an informative interview with Tobia Bezzola--curator at the Kunsthauz Zurich and Szeemann’s collaborator for many years. Two of Szeemann’s most ambitious exhibitions are presented as case studies: Documenta V (1972) and L’Autre, the 4th Lyon Biennial (1997). A biography, an illustrated chronology of Szeemann’s exhibitions and a selection of his writings complete this exhaustive survey.
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