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| | BOOK FORMAT Hardback, 12.25 x 9.5 in. / 168 pgs / 107 color. PUBLISHING STATUS Pub Date 3/1/2008 Out of print DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2008 p. 120 PRODUCT DETAILS ISBN 9783866780521 TRADE List Price: $48.00 CDN $60.00 AVAILABILITY Not available | TERRITORY NA LA ME | | THE SPRING 2024 ARTBOOK | D.A.P. CATALOG | Preview our Spring 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
|   |   | Ralf Meyer: Architectural RearguardPhotographic Rapprochement of Architectural Inheritance from the Third ReichText by Günter Kunert, Werner Duth.
How does twenty-first-century Germany deal with the remaining Fascist architecture of the 1930s and 1940s? Between 2001 and 2006, the German photographer Ralf Meyer created a collection of 130 photographs, taken at 32 locations across the country. The photographs were not intended to be mere reproductions of facades; instead, they were meant to investigate how German citizens deal with the results of the overwhelming historical architecture that surrounds them. Each one of the buildings Meyer sought out was constructed for an ideological purpose: can these implicit messages still be detected in the architecture? What is life like in and around these buildings, now that so much has changed?
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FORMAT: Hardback, 12.25 x 9.5 in. / 168 pgs / 107 color. LIST PRICE: U.S. $48.00 LIST PRICE: CANADA $60 ISBN: 9783866780521 PUBLISHER: Kerber AVAILABLE: 3/1/2008 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: NA LA ME | D.A.P. CATALOG: SPRING 2008 Page 120 | PRESS INQUIRIES
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| Ralf Meyer: Architectural Rearguard Photographic Rapprochement of Architectural Inheritance from the Third Reich Published by Kerber. Text by Günter Kunert, Werner Duth. How does twenty-first-century Germany deal with the remaining Fascist architecture of the 1930s and 1940s? Between 2001 and 2006, the German photographer Ralf Meyer created a collection of 130 photographs, taken at 32 locations across the country. The photographs were not intended to be mere reproductions of facades; instead, they were meant to investigate how German citizens deal with the results of the overwhelming historical architecture that surrounds them. Each one of the buildings Meyer sought out was constructed for an ideological purpose: can these implicit messages still be detected in the architecture? What is life like in and around these buildings, now that so much has changed?
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