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| | BOOK FORMAT
Clth, 9.5 x 11.75 in. / 160 pgs / 80 color. PUBLISHING STATUS
Pub Date 8/31/2014
Out of stock indefinitely DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2014 p. 136 PRODUCT DETAILS
ISBN 9783775737937 TRADE
List Price: $60.00 CDN $79.00 AVAILABILITY
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| | | Charles Ray: Sculpture, 1997-2014Text by Bernhard Mendes Bürgi, Douglas Druik, Michael Fried, Richard Neer, Charles Ray, James Rondeau, Anne Wagner.
Charles Ray (born 1953) is one of America’s most outstanding contemporary sculptors. Like Jeff Koons and Katharina Fritsch, he has developed a new kind of plastic figuration, as can be seen in his white-painted steel sculpture “Boy with Frog” (2009), whose recent installation on the Punta della Dogana in Venice drew a great deal of critical and popular attention. Despite its apparent naturalism, Ray’s oversized figure of a nude boy frolicking animatedly, even rabidly, with the animal world, verges upon the classical. “Horse and Rider,” a self-portrait of the artist on horseback (2014), likewise revives the traditional images of the horseback rider and the hero of the American West, but in a way that is decidedly anti-heroic. This volume offers a comprehensive monograph on Ray’s sculptural works of recent years.
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FORMAT: Clth, 9.5 x 11.75 in. / 160 pgs / 80 color.
LIST PRICE: U.S. $60.00
LIST PRICE: CANADA $79
ISBN: 9783775737937
PUBLISHER: Hatje Cantz
AVAILABLE: 8/31/2014
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of stock indefinitely
AVAILABILITY: Not available
TERRITORY: NA LA | D.A.P. CATALOG: FALL 2014 Page 136 | PRESS INQUIRIES
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| Charles Ray: Sculpture, 1997-2014 Published by Hatje Cantz.
Text by Bernhard Mendes Bürgi, Douglas Druik, Michael Fried, Richard Neer, Charles Ray, James Rondeau, Anne Wagner. Charles Ray (born 1953) is one of America’s most outstanding contemporary sculptors. Like Jeff Koons and Katharina Fritsch, he has developed a new kind of plastic figuration, as can be seen in his white-painted steel sculpture “Boy with Frog” (2009), whose recent installation on the Punta della Dogana in Venice drew a great deal of critical and popular attention. Despite its apparent naturalism, Ray’s oversized figure of a nude boy frolicking animatedly, even rabidly, with the animal world, verges upon the classical. “Horse and Rider,” a self-portrait of the artist on horseback (2014), likewise revives the traditional images of the horseback rider and the hero of the American West, but in a way that is decidedly anti-heroic. This volume offers a comprehensive monograph on Ray’s sculptural works of recent years.
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