Hans Hofmann: Magnum Opus
Edited by Britta Buhlmann. Text by Britta Buhlmann, Annette Reich, Karen Wilkin, James Yohe.
A pioneering artist, influential teacher and a crucial catalyst for Abstract Expressionism in New York, Hans Hofmann (1880–1966) is one of the most important abstract painters of the twentieth century. Following stints in Munich, Paris (where he befriended Picasso, Braque, Gris and Robert Delaunay), Hofmann established himself in the United States in 1932, setting up art schools in New York and Provincetown, where, over the next 40 years, his pedagogy was to significantly influence three generations of postwar American artists, among them Helen Frankenthaler, Red Grooms, Alfred Jensen, Lee Krasner, Louise Nevelson and Frank Stella. Hofmann’s painting, with its loose accumulations of brushstrokes and energetic tensions of rectangles, also proved a galvanizing precedent for Pollock, de Kooning, Motherwell and Newman. This publication surveys Hofmann’s life and work in all of its rich dimensionality, from his painting to his theoretical writings.